It's been a year


since it ended.

Have any feelings changed about the final season?

reply

No. D&D have killed the interest dead with that season for me, not only in the seasons that came before but potential spin offs. Obviously hindsight has shown how important it was to get that finale right for the sake of the whole series.

I agree with some of the other suggestions...they should have had one season focus on Cersei first, and then deal with the Night King, or they could have overlapped, as long as the NK doesn't come second.

reply

Yup; GOT was not like other shows were each season was sort of stand alone. GOT was a series that the whole time was building toward the ending. It was essential to get the ending right to some degree. But they were about as far away from getting it right as they could be.

reply

If I'm being generous to D&D I would say it's an extremely difficult series to wrap up and try and please everybody with. The show does indeed build up to the finale from the beginning, which makes it difficult to get right, and there are a lot of characters to deal with. There is more structurally going on than in Breaking Bad for example, and to be honest I think most people would have guessed that the way that was going to end was that Walter would be caught or it would end badly for him in some way. The ending to Game of Thrones was unknown territory. Nobody could have really predicted which direction it would go from early on. It's not grounded in reality like BB is and it quickly established that any character was expendable to move the plot on.

What can't be excused on the part of D&D is the rushing to get to the end. This is where, comparative to BB, that show got things right and GOT didn't. What GOT did was kill Gus Fring, have Walter get discovered by the DEA, and have him die, all in the space of a few episodes. They got the timing right on that show and ordered it correctly in my opinion. Cersei would have been more akin to Gus Fring, and being found out by the DEA would have been more akin to the threat of the Night King and the WW, a fear that has been there for Walter from near the start. Of course, they did that the other way round on GOT.

reply

I agree it was a tough show to wrap up. That is why I think rather than trying to conjure up a bunch of nonsensical twists and turns that were only possible by making a majority of the characters act stupid, mindless or completely out of character; they should have just ended the show a bit more generically, things like Jon kills the night king or does something to end the white walkers, Arya kills Cersei or somehow gets killed by the Faceless men coming for her, and either end it with dissolving the seven kingdoms and no one gets the throne or end it with either Dany, Jon or even Gendry on the throne, or shit if it had to be a Stark that ended up on the throne let it be Sansa (Bran is arguably the worse and most nonsensical choice, but they did it because 'subvert expectations' or some shit). I hate this modern trend of everyone trying to 'subvert expectation' when most writers can't tell the difference between what subverts expectations and what undermines them.

I think the show was so good and successfully subverted so many times in the first 5 seasons there was no need to keep subverting it. That is why a more generic 'happy' ending would have been better, IMO. As corny as this sounds I would have preferred Jon and Dany on the throne or they both die but they have a child that lives and ends up on the throne. but then anything would have been better then what we go' I would have preferred the night king just killing the entire world compared to the season 8 we got.

reply

I agree with you in general, particularly the part where you said that the rushing ended up killing all the detailed character development and intertwining plot lines that made the show so good you could pick at the scripts for hours of harmless fun and find no slipups. Trying to subvert expectations, or go for the quick shock, was the last nail in the show's coffin.

I won't repeat my rant on KING FUCKING WHO, as I have that much decency. It's a few posts up.

reply

Yeah; the twists in the earlier seasons worked because they took the time to set up the character flaws or mistakes that made the twists feel possible. It gives this feeling from the audience perspective that we should have seen it coming. That is a good twist; a good way to subvert expectations. But it takes time to flesh out.

Bad subversion comes in the form of the writers going out of their way to do something specifically because they think the audience won't expect it. Arya killing the NK; Bran on the throne. The show runners literally said they did this because no one was expecting it. YES, no one was expecting it BECAUSE IT WAS NOT SET UP. those freaking idiots. It was done as a gimmick and it ruined the series and any franchise future.

Was it in this post or a different one? I don't recall seeing it: can you share the link to the page? Or maybe I can't see it because you put it in a discussion with someone that I have on my ignore list so I can't see it.

reply

Yeah, they really stopped trying, they thought the fans just wanted to be shocked, and forgot what it takes to make a really good episode-ending shocker. It has to be in character! You have to believe that those people really would do that! Jamie really would kill a child to protect his secret love, Walder Frey really would kill the Kinginthenorth to repay a broken promise and to get in good with the winning side, etc. But a council of nobles appointing a king who'd have zero popular appeal and whose powers they don't understand and can't control? Excuse me?

An abbreviated version of a KING FUCKING WHO rant is on this very thread, closer to the top. There are others. Of all the things that went wrong in season 8, this is one that could not have been done right*, if they'd taken the time to do a proper job of writing. It was just a stupid idea.

- - -

* The whole Mad Queen thing could totally have been awesome if they'd done it right, but they made a mess of it.

reply

I think it was not so much not trying as they were in over their heads and had no idea or desire to try to wrap it all up without novels. This is why ever since they ran out of source material everything started to feel rushed. They were just incompetent. From what they sound like in their interviews they sound kind of retarded too.

"Of all the things that went wrong in season 8, this is one that could not have been done right*, if they'd taken the time to do a proper job of writing. It was just a stupid idea."

Agreed, King Bran is arguably the most nonsensical choice to make. Their is no indication that those with "good stories" make good rulers. Dany had a great story; so did Robert Baratheon. Shit even Adolf Hitler has an "interesting" story (would not call it good to cause confusion between a 'good' story about an evil person if that makes sense). But in Addition to that; Bran has almost inarguable the worst, most uninteresting, and blandest stories of anyone in the series. You know this is the case, because they were able to get away with removing the character from AN ENTIRE SEASON (season 5 Bran was not in at all). literaly anyone else or no one would have been a more sensible choice for King.

And it is insulting to the intellect that all the remaining Lords just go along with this suggestion; with the exception of the 'new king's ' own sister says 'nah, f that'. lol I mean either drugs or insanity went into the conceiving of this scene and decision. There is just no way to get to it through any reasonable thinking.

reply

If they wanted someone with "A Story", how about Gendry? Nice honest blacksmith boy finds out he's a king's bastard, becomes a hero in the War Between the Living and the Dead, and is officially legitimized by Queen Danerys (after the fact, if necessary), and now he's your handsome young king! And the Lords would know what they're getting with him, a nice clueless guy with no education and not much brains, whom the public will like and who'll leave the ruling to the professionals. He'd be the ideal king, from their POV.

Now I do disagree that the show went downhill after they ran out of books, IMHO the show started to lose its edge when they had to work from books 4 and 5, which were weaker than the earlier ones to put it politely. At that point, there were problems with pacing and they had to be absolutely ruthless about editing the book material, but when the show really sarted to dip I don't think the lack of books was the problem. I mean they had an outline to work from, but that was the point where they started trying to pick up the pace, because God knows that was a problem with books 4 and 5!

I heard a rumor that D&D actually threw GRRM's outline out the window at the end, and that the story was supposed to end with Jon as king, and Jamie as Hand of the King. And that Jon had asked Jamie to take that office precisely because he'd killed an earlier king when he went gaga, and asked Jamie to do the same if he ever started to crack. I find myself wanting to believe that rumor, because it's both a more sensible ending than the one we got, and if true, it would confirm my opinion of D&D.

reply

Agreed about Gendy; but then literally every other character had a more interesting story. Bran's story was actually one about him becoming something other than a person. He is not even really Bran or a character at the end. He is like a disconnected knowledge base; would google make a good king? Not the people running google, but google itself being in charge? That is basically what this is telling us.

That is true even when they had book material anytime they deviated from it even to try to correct pacing issues the ability to write instead of adapt for D&D was proved to be utter garbage. Someone at HBO should have seen this coming and hired and forced them to adapt material from a better writer. Someone that GRRM approved of that would take his outline and actually make a descent adaptation out o fit.

I am not sure how far off from the outline they could deviate. If they threw out Martin's outline and the end was going to be that different then my god did they screw up. But almost anything would have been better then what they did (or more accurately how they did what they did).

reply

It wasn't that bad.

reply

I actually went back and tried to watch Season 1 a month ago but turned it off after a couple episodes. Knowing how terrible it all turns out has destroyed any future rewatches for me. Seasons 1-6 I've seen three times as I waited for Seasons 7 and 8. I have still only seen Season 7 and 8 once. It went so off the rails I get frustrated just thinking about it.

reply

My feelings haven't changed at all, or perhaps they've gotten even more strongly bitter since, after the collapse of the show, I got more involved in the book fandom and thereby became more aware of the show's myriad fuckups in later seasons that I was relatively blind to before.

reply

I thought it dovetailed nicely in terms of plot and character development, but the last two seasons were extremely rushed, and that made my emotional investment in the outcome much lower. Dany and John had no chemistry, it all happened too fast. The prescription of slow and steady wins the race turned into a sprint that ruined everything. Also, I think Bran was a good choice for Iron Throne at the end, but Tyrion would have been better. The irony of the littlest man becoming the most powerful? And having Tyrion do everything to Jon at the end? Would have made the show.

P.S. Cleganebowl suckked. Totally fake. There was no visual link with Gregor Clegane in the end, he looked nothing like the Mountain, and that reduced or eliminated my emotional investment.

reply

It was so rushed that is broke the plot and characters. Maybe what they were going for could have worked but it would have needed to do the ground work to 'earn' those twists. And the 'surprises' cannot just happen because characters are being stupid, careless, "forgetful", or completely out of character for how they have been up to that season. Tyrion and Varys become mindless idiots with almost no planning and no forward thinking (pale imitations of their season 1-4 counterparts). Dany was no longer benevolent and caring about 'breaking the wheel' but only crushing and burning people she doesn't like (totally different from her character up to season 5 where she literally married someone she despised to try to sow peace between cultures). Jon basically stopped having a character and was a about literal animated corpse that could only say 2 lines and not be able to react to chaos around him; a far cry from who he was prior to getting murdered. (if they wanted to show him being dead killed some of his humanity they should have actually shown something that demonstrated this).

Also Bran being made king never will work, he is such a disconnected character at that point and his entire story line was about the north and teh white walkers; which he played no part in that plot resolution (it was Arya who herself had nothing to do with that plot that ended up resolving it). Bran just last season said "I can't be lord of anything now, I am the 3-eyed raven." so can't be a lord, but can be king? odd. And than to add insult to injury they have Sansa (his sister) just say, nah bro, it's cool you being king and the rightful heir to winter fel and the last surviving son of Ned Stark, but I am just going to decide to emancipate the north anyway; and you and the northerners will just be cool with it. oh and also; no one else is going to even try to emancipate even though Dorne and the Iron Islands could totally do that. All totally asinine.

reply

You're right. It sucks but they should have kept D&D on for two years to flesh out the backstory we watched over those last two seasons, and hire someone else to actually take the 4 or 5 seasons necessary to bring those stories to life in an emotionally resonant way. Such wasted opportunity, so sad. There were some good moments, like the Battle of Winterfell, but it was mostly just shit. And I get it, Sophie Turner was angry at people calling D&D out at the end of it, she wanted to defend the ensemble, but you're holding the hammer that hit the nail when you said it was rushed so badly it just broke the characters. I thought I was watching a YouTube video on Fast Forward.

See, I don't really take issue with the direction they went with Dany, with Varys, maybe even with Sansa, had they allowed me enough time and backstory to understand the key human drivers that led to their actions, in a way that resonated with my own human experience. But there was just not enough time.

And they totally sacrificed Jon on the altar of their new Star Wars gig, FFS, because none of his genealogy, history as the Prince Who Was Promised, literally NONE of his character development amounted to squat, and they completely unraveled the beautiful tapestry they weaved together to create arguably one of the richest characters in the first five seasons. I don't understand why HBO and GRRM allowed them to do this...

reply

Agreed; with enough time and ground work laid in most of what happened would be fine and maybe even brilliant; but they lazily did not put the work into the writing and cut way to many corners; thus making the ending terrible. It is not that Dany went crazy; but there was no set up for it. She went from benevolent (albiet narcissistic) ruler to beyond genocidale maniac (going out of her way to burn innocent women and children) in the span of 2 episodes. It does not work.

The Battle of Winterfell was not good; it looks like it was shot through a potato lens and has some of the worst battle tactics ever put to screen; also the scenes inside the keep with Arya doing the walking dead show imitation dragged; also the stupidity of putting everyone in the crypt. Also Arya supermaning in screaming killing the night king after the lazy callback to the "brown eyes, blue eyes, green eye" line from the 3rd season (but they thought changing the order to putting blue eyes last would signify it was all meant to be) was just so unbelievably lazy. It would have been better if Arya just happened to be the one to delivery the killing blow almost randomly with no lazy backshadowing to try to shoehorn her into a plot that she had literally nothing to do with.

Agreed on Jon Snow; the entire character arc lead to nothing more than being a knife that kills the mad queen. You can seriously remove him from the entire show after his death in season 5 and technically make it work; just replace his effort to unit the north with Sansa. Just have it be Dany agrees to help the north based on Tyrion's recommendation to help Sansa, it would actually work. They robbed Jon of all sovereignty that last Season and it shows. Why all the set up for him and Dany; all that foreshadowing about not being able to have babies if it wasn't going to lead to a more difficult choice for Jon? Was his 'love' for Dany really so deep that killing her after going batshit crazy was really that difficult?

reply

You're so right about the shooting of the Battle of Winterfell. It was so dark! Why?

reply

I don't know, they seemed to think it would be a good effect; but all it did was make it impossible to see what the heck was going on. very frustrating. That combined with the quick jump away from characters about to be killed only to cut back to them being fine; and the frustrating lack of military tactics and in general people being stupid. It was the breaking point of the season. Episodes 1 and 2 were just uneventful but not really 'bad' per se. Episode 3 is when it all fell apart and it never got back together.

An analogy: this guy spent years making and painting this amazing vase; right as he finished the final touches and is about to present it he turns around fast and knocks it over partially smashing it; he then panics and tries to pick all the pieces at once and drops them again further shattering them; then panics even more and slips on the broken pieces and lands face first into the shards of broken pottery which become pierced into his face.

reply

Agreed. Except I thought that the Battle of Winterfell was one of the highlights of the last season despite the shit cinematography, which I guess is an indication of just how bad the rest of the season was for me. Ugh.

reply

There are a few parts of the episode that were shot well. I know everyone complained about Jon Snow yelling at the dragon was stupid from a 'story telling' view. But the actual shot and the camera work up to that moment were actually very well done. The aerial fight with the dragons was also well shot despite it being difficult to see. The production value was off the charts in terms of size and scale they managed to make it all look highest quality (again despite the very poor choice of lighting).

Which is why the bad aspects to it are all the more frustrating; things like the insanely bad military tactics (who the hell leads with a Calvary charge, why are the trebuchets and most of the soldiers outside the walls, why is there such few archers on the walls); the jarring change to pacing for the middle part (when they are in the castle) turning it into a poor Walking Dead immitation (who thought this would be a good idea) and then jarring returning to the battle pacing; the constant way characters were swarmed but then saved by the camera cutting away (Sam, Jaime, and Breinne all should been dead like at least 3 times each), the lazy way they tried to shoehorn in the "eyes you will close forever" bit and lazily make it seem like it was clever foreshadowing (Especially when Dumb and Dumber admit they only decided to have it be Arya a couple of years ago far after they shot those scenes in Season 3, so it wasn't foreshadowing it was lazy bullshit), Bran being absolutely useless even though he and Jon were the most important characters in the White Walker plot, Then Arya supermanning in and screaming a war cry as she is about to stab the night king (wouldn't a trained assassin know to be silent in that move so as not to telegraph their move?); oh and the night king being an absolute nobody of significance and assigned lazy motivations (he wants to end the memory of the world, and Bran is that memory? really that is the motivation of the white walkers?); etc.

reply

P.S. agreed on cleganbowl. Both characters arcs up until then were so far removed from it, it was a joke to think there would be emotional investment in their fight at that point. Pure superficial "the fan's want cleganbowl" appeasement that just ended up sucking.

At that point the hound was on a kind of redemption arc since season 6. Trying to get involved in something bigger than himself and fight for the living. Then 2 episodes to go he says, "nah, f that' I just want to regress to being a 1 dimensional character that just wants to get revenge on my brother. Nothing else matter in my life". It was character assassination of one of the most interesting characters in the show. The man driven by hate; and despised knights but actually held the virtues with more truth than most knights did. Deep down inside a good person that was kicked around "like a dog" his whole life and hardened himself to survive but than became bitter and jaded by how wrong everything was and the wrong he was expected to do in the name of 'service'. Such an interesting character gets into one thought "kill my brother". which really doesn't make sense because:

Gregor Clegane was already dead. He was killed by horrible poison from the Red Viper. I know the show kind of glosses over this but "Robert Strong" is not Gregor. It would have been more interesting if the hound wanted to finish him not because of hate but because of mercy or justice. Sandor just helped fight the army of the dead; he could have felt compelled to finish that last walking dead he knew was still around to honor the memory of Beric and Thoros. Now that would have been a little more interesting. But nope; can't allow anything interesting to develop in these characters when each of them only gets about 15 minutes of screentime in the last season. But I am glad the last episode we had tyrion moving chairs for 5 minutes and literally 40 minutes of no dialogue and just montages of characters walking around.

reply

Ironically I remember the IMDB board petitioning for Cleganebowl back then, and it getting greenlit at the time and someone leaking it on the boards, so I knew it was coming. But cinematically, it was gross. It had poor fight chorography, and it was just an ugly scene with ugly colors, I did not like it. The Mountain didn't resemble anything human, he looked like the head orc in the battle of the Rohirrim when he should have looked like a zombie from Dawn of the Dead.

And I totally agree about Sandor, his appeal was that he was a hard SOB who certainly played with the lines of ethics, yet he still had an ethical code that make you like him. Killing Polliver's men to save the barwench, burying the dead little girl and her father who fed him and Arya when they were starving... yes, deep down inside he was a good person. And to reduce him to an agent of pure hate or vengeance because "it's in the cards" is just plain lazy, and character assassination of the highest order.

reply

Agreed; the hype of cleaganebowl sort of contributed to this but; the emotional investment for it died with Gregor. It was not Gregor that he fought and as you point out it was really even human. So there was just like no weight to it; even if they tried to force weight into it. Agreed that it was also poorly choreographed; and it was ridiculous how Sandor cuts down 3 Queens guard like butter but then it just got more ridiculous from there.

Yes, Sandor was a character that was much more deep then he let on. For that to be thrown away just because "cleganebowl has to happen" was just lazy and stupid; it undermined his entire arc and was a jarring regression from his last 2 seasons' counter part. Almost as bad as what they did to Jaime in the last 2 episodes.

reply

Yeah that was a poor and ultimately unsatisfying ending for his character. He should have had a noble death, something that actually meant something. The revenge fight with his zombie brother sort of undermined his arc up to that point, and wasn't necessary.

I'm interested to know what you would have done with his character? Personally I'd have him sacrifice his life for Arya or someone else in order to do something important. Maybe he has a hand in the bringing down of the Night King? Maybe the Night King himself kills him off? At least that would complete his arc better than Cleganebowl.

reply

I like the idea of him sacrificing himself for Arya; or dying for some kind of greater good. Or if not for Arya he dies protecting someone random; maybe a little girl he sees as kings landing is burning he runs into the fire (overcoming his fear) to save her and gets burned horribly and dies.

Or maybe he doesn't even die. He is forced to live a life a repentance and trying to make up for all the bad things he has done; and try to find a new noble life cause to fight for. Not every character arc has to end with them dying. and for a character so invested in death and killing to die seems to be the cheap way out to just kill them off. It would be nice if something with a little more depth was the conclusion of this character. Maybe he takes a vow of non-violence like his sept friend (Ian Mcshane's character). Something like this.

reply

He doesn't have to die but it feels fitting for his character and his arc in this case. It's hard to imagine him taking a vow of non-violence like the McShane character. Might be too much of a 180 degree turn from him to be believable, I don't know. I dare say it wouldn't go down so well with fans who have appreciated him as a bad ass character in what he's said and done throughout the series.

reply

Yeah, I am not sure if I like it either; but I do like the idea of him finding a just and noble cause to fight for. His whole arc was about finding something he believed in to fight for. He started as a dog just obeying his master but then became disillusioned with it and got disgusted with serving a shit master. Then he focused on survival and just getting paid but that lead him nowhere. His last 2 seasons were about trying to find a new cause or a new goal in life. Fighting the dead served that, it was noble. Now that the dead were gone he should have found a new noble cause or die fighting for that cause.

His character was always about more than just hating his brother and wanting revenge. That would not even be a satisfying conclusion for season 1/book 1 Sandor Clegane. never mind the Season 8 Sandor we saw. To reduce him down to nothing but a minless, brother hating revenge seeker was just not true to the character.

People wanted Cleganebowl; but they wanted it in an incidental situation. Most people thought the mountain vs the hound would happen is a trial by combat and that Sandor would end up being the Faith's chosen Knight. Until season 7 it looked like that was the direction it might go.

reply

I agree about finding a cause to fight for. If you aren't going to give him one after the fight with the dead then he should have died already, because going out for himself is just another betrayal of a character in this final series and a hollow end for him.

The trial by combat is an interesting idea. Of the many ways I've tried imagining a better alternate ending than what was provided for us, I did myself think about a trial by combat for Cersei, after being defeated by Dany and to answer for her crimes. That could have involved Cleganebowl and would have been a more worthy way of the two fighting.

reply

Yup; he was never a character that was that self serving. If he was, he would have kidnapped Sansa; or abandoned Arya when he realized all the Starks were dead and he wouldn't get paid. Having him follow this completely 1 dimensional and self serving goal was not true to the character. And I agree, it made his end hollow; which is extra annoying for me because The Hound was by far my favorite character.

A TbC centered around Cersei is a good idea; but the one thing that Cleganebowl had to be for it to work narratively is it had to be incidental to the brothers and their feud. Making it all about the feud was way too 1 dimensional and simplistic. I wonder what other incidental conditions could have worked?

I think another that would have worked is in Winterfell Arya says she still is going to kill the queen and the Hound goes with her; but not to fight Gregor but because he wants to protect her and actual show some scenes of them on the way of him trying to talk her out of it; but he fails. Then when they get to Cersei he fights Gregor to protect Arya; he is not doing it just for himself.

What other ways do you think cleganbowl could work?

reply

> What other ways do you think cleganebowl could work?

- the Hound is scared of dragonfire, abandons the North when Dany arrives.
- Arya wants to assassinate Cersei.
- For the first time since becoming "no one", she fails in her mission log before Dany's attack.
- Cersei hands her over to Frankenmountain for suitably sadistic punishment as was given the Sand Snakes and the septa who interrogated her.
- Arya is tortured, about to die, people think this is how her arc ends..
- The Hound has a "Han Solo" moment and attacks / fights / kills his brother to free Arya.
- Both Cleganes die and Arya escapes to the North to fight the Night King with the rest.

reply

"- the Hound is scared of dragonfire, abandons the North when Dany arrives."

hmm not sure if I like the idea of him abandoning the north because of the dragon fire. but it would sort of rhyme with Blackwater.

As for the rest; I can see it working but they 'overpowered' Arya so much I am not sure how she would fail and get caught.

Interesting though.

reply

What other ways do you think cleganbowl could work?

--------------

The options are kind of limited to him protecting or saving someone from the Mountain in order for Cleganebowl to happen. Arya is the one that stands out due to her having a reason to go after Cersei, and it ties in nicely with their relationship in the series. It could be that in all the mayhem caused by Dany's attack on King's Landing (if we're still pursuing with that ending) Mountain has her cornered and maybe he's caught on fire. Not only does the Hound save her by intervening but he also faces his fear of fire, and they go out the way they did in the show.

reply

Yes, I agree; the options for Cleganebowl not to feel forced and like petty fan service (but organic to the narrative and true to the characters) are limited. I also like the idea of it having something to do with Arya; she messes up or gets too aggressive in her hunt and gets cornered. Or maybe she kills Cersei but then the Mountain just goes into rage kill mode after her and since she can't really kill him the hound fight him. I also like your idea of The Mountain being caught on fire and the hound has to face him and his fear like that.

One thing I am not sure about though; is I don't know if I want the hound to die. He has always been portrayed as kind of an expendable character; so it is almost expected that he will die. Since this show/book has always tried to buck against the typical fantasy tropes (cliches) it would make more sense for characters that didn't feel expendable died. But by the last couple of episodes of the last season I guess it is a little too late for that.

reply

I've posted this before on another GOT thread but more people should see it.
Basically this guy is making fun of season 8 of GOT.

YouTuber - Screen Rant
Game of Thrones Season 8 Pitch Meeting
https://www.youtube.com/watch?v=jAhKOV3nImQ

reply