MovieChat Forums > General Discussion > Your Favorite Movies of 1966?

Your Favorite Movies of 1966?


The Battle of Algiers
The Professionals
Svalt
Persona
La Caza
Au Hasard Balthazar
Nevada Smith
Alfie
Closely Watched Trains

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One Million Years B.C.
Fantastic Voyage, which I rewatched on a whim recently.

I remember both these films being very popular that year.

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[deleted]

That movie poster became iconic. Raquel Welch, the reigning sex symbol at the time was also in Fantastic Voyage.

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Batman. Just kidding. Was The Sand Pebbles in 1966? I'll go check on that.

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Alfie
Blowup
Born Free (just because)
Fahrenheit 451
Georgy Girl
A Man and A Woman
Walk Don't Run

Highly memorable but not a personal favourite: Who's Afraid of Virginia Woolf?

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if you liked "Virginia Woolf" you might like "The Cat" (Les Chat) starring Jean Gabin... More naturalistic.

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Born Free (just because)


Everybody & their sister recorded that damn song.

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[deleted]

Is Paris Burning?
Batman
The Good The Bad and The Ugly

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Fahrenheit 451
The Good, the Bad and the Ugly
Blow-Up
The Sand Pebbles

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The Ghost and Mr. Chicken
A Man and a Woman
El Dorado
Masculin Fรฉminin
Persona


My favorite
A Man for All Seasons

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El Dorado was filmed in '66, but, released in '67.

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I thought so

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Et tu, hownos?

I have disappointed the Dean.
I have no excuse. :(

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filmed in 65-66, released in June 1967.

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I was in Japan when I saw it?

It's The Duke and Robert freakin Mitchum.
They should be allowed for any year we're talking about.

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Yep, you can see the >'66< in the opening credits.

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Looks like you're right. Fair enough.
It's Wayne and Mitchum so I'll allow it. ;)

Don't go burstin' my bubble son!

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It's all there in "El." Very instinctive motion picture. He tells Asner off at the start then backs his horse out, no stunt double, he did it. He backed that horse out of there so Asner wouldn't shoot him in the back. Wayne at his final zenith. A lot of summer oaters thereafter...until Eastwood's mentor-Don Siegel straightened him out [The Shootist] so that the old man would enter his house justified.

He gets his "honorary" Oscar for "Grit" - but, it borders on the clownish, on the sappy, on the comedy. & the Oscar is compelled. He then proceeds to fork over a lot on the two cop pictures, their names I will not repeat here. Him in that fuckin' Pontiac with the decal spread all over the hood. I want to cry every time I see it.

But, fate intervenes at the end. Thank God. He came this||close to going out less than quality. Instead, he goes out-every chamber filled---heeled to the teeth---then says farewell to Bogart's widow---heads on down. It's his birthday.

An out of order Direct Hit for god. Any time---any body lodges "El" Cubby comes a runnin'. I stand for that Paramount production opening every single time. I cock back on the Lazy Boy lever---launch stock straight.

Culburn, eyes welled, at attention.

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Wayne should have won for The Searchers in 1956. Wasn't even nominated. They gave the Oscar to Yul Brynner for the horrendous musical The King and I. Musicals are not real movies imo.

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Yep, the final scene there at the door, Olive Carey talks about it in that one Wayne biography. I had the damn book and sold it on Amazon---I know, I know. It's a touching recall of that scene by her. He was looking directly at her when he crossed his one hand to grip his opposite forearm as Carey Sr. had done many, many times.

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I agree Wayne should have won an Oscar way before he did.

Musicals are most certainly "real" movies.
I don't like all of them but some are excellent.
Including The King and I!

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Yeah, towards the end Wayne was scrapin by for sure.
Failing health and the slow death of the Western.

The Shootist came at the perfect time for him.
Too bad Jimmy Stewart didn't follow suit and end on that one.

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Yep. Remember he'd even done that aspirin (Dotrin?) commercial, realized the error---gave back the fee. That is, god, that's scrapin'.

Even the print advertisements for "The Shootist" were top shelf. They depicted him in a classic pose, but, like nothing we'd ever seen before. He was younger, different, majestic.

The verbiage word-for-word:::

He's got to face a gunfight
once more
to live up to his legend
once more
TO WIN
JUST ONE MORE TIME


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I do remember him doing a commercial but didn't know about the rest.

He was even doing TV shows with cameos.
At least he never did the Love Boat!

This gives me an idea for a new thread.

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El Dorado, it's also my top Western.
Dracula, Prince of Darkness
Carry On Screaming
The Good, The Bad, and The Ugly

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El Dorado, it's also my top Western.


You gd rights, DB. Bring it on home to Cubster-of a Sunday evenin'. You cited it once & again & the Cub is gonna cite ya thus. Him & Mitchum at the end, walking thru the frame. Fuckin' eh. It's on celluloid and now belongs to the ages.

Go on, you big, beautiful DB, you---take your Direct Hit & place it atop the 65 incher. A more fitting place Culburn cannot imagine. Secure it, DB. Don't let it slide off.

>>>El Dorado<<<

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๐Ÿ˜ Thanks pal, You can tell they are all having a great time making this, every line is delivered with a grin. Must have been a great set to be on. The Duke, Mitchum and Caan all talking bollocks over a few liquid refreshments. Wish I was there. ๐Ÿ‘๐Ÿบ๐Ÿน๐Ÿธ

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Yep. Caan & the girl (Michelle Carey) are an adorable couple. She's ready for him & Caan lets her lead (character & actor).

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Mitchum's brother as the bartender who tries to bush whack Robert in the bar. It's super great. They don't pounce on the brother thing. They just run the scene. Class all-the-way.

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The movie has a great running length. Everything is accounted for. The rancher played by R.G. Armstrong ain't right, but, he doesn't have to be perfect here. They don't rehab him. They just leave him be in the grievous errors he's made.

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It's pretty much flawless apart from that scene with Caan under the horses, it's looks terrible with the bad editing.

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loved Barbara Shelley in Dracula

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