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Do you remember Motown?


I was a hardcore, confirmed Rocker in the 60s, but I was aware of Berry Gordy and the Motown music that he produced: Marvin Gaye, Gladys Night, The Supremes, the OJ’s, The Temptations, The Four Tops, LaBelle, Earth Wind and Fire . . . Are you kidding me? I may have my own preferences, but I am not too stupid to recognize brilliant music when I hear it. Even when Motown morphed into Disco, which we Rockers loathed, it was still melodious, rhythmic and presented by artists who had smooth style. The Stadium rock bands thrashed about as they played. The Motown acts had sensuous stage choreography. They were not head-bangers. They were seducers.

I am older now and, I think, wiser than in my youth. I STILL love rock n’ roll, but I clearly see that Motown is 1 of America’s most valuable contributions to the world’s collective musical legacy.

The Detroit riots of 1967 put an end to Motown Records. Had that not happened, would we be saddled with Hip-hop today? Motown, and Jazz, are the zenith of African-American musical expression.

Jazz has been called “the only unique American artform,” but I submit that rock n’ roll and Motown also deserve that honor. Rock grew out of Rockabilly; a country/redneck genre. Rock was brought to fullness by Chuck Berry, whose music is played by every garage and stadium band on the face of the earth, to this very day.

Do you remember Motown? Do you like to dance? Do you like to romance? Had Motown not perforce died, would we have something more musical and refined than rap today?

I think we would.

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Sunday nights at 10 pm MeTV shows the best of Ed Sullivan and he frequently had Motown acts performing.

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I love The Temptations, so Motown is okay with me. But it didn't entirely die; I feel like there's music reminiscent of it in some modern songs, like the stuff Bruno Mars has done as part of Silk Sonic.

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You are really right. I’ve been writing from
the perspective of Berry Gordy’s Motown Records label, which went out of business in the wake of the Detroit riots. Gordy really was the eminence grise guiding and shaping the artform, so the Motown
sound did not develop ad hoc or piecemeal. Gordy developed and guided individual
acts and performers who were strong on their own but, when released en masse into the music market, were a synergistic overwhelming powerhouse on the charts. Other producers have manufactured performers and acts. I don’t know of any other producer who seized the opportunity to create an entire genre. The closest that I can come is Phil Spector with his Wall Of Sound, but that was a production technique and not a music category. No
customer ever said, “I wanna hear some Wall Of Sound music.” Lots of people asked to hear Motown.

Thank you for giving me the opportunity to clarify!

PS I once met a very vivacious Mature lady who was Miss Senior America. Her job was to travel the country and spread joy among other Mature Americans, so she visits a lot of senior citizen centers and retirement homes. She tells jokes and sings. She told me that the most popular music with her audiences is Motown! It was a real treat to meet her.

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I'm not well acquainted with the history of Motown or Berry Gordy, but that's all new and interesting info so thanks. Also, cool story about Miss Senior America. Sounds like a rewarding job.

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The Jackson 5 were signed up at Motown before they changed labels and had to become The Jacksons instead.
So that is what associate that label with.

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Holland-Dozier-Holland were fantastic songwriters.

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