Is the ending flawed?


I consider There Will Be Blood to be a flawed masterpiece. While the film is beautifully shot and much of it is well-written, I would also argue that its ending is uneven. After Plainview disparages H. W. as a "bastard from a basket", the two are shown younger, in a time when their relationship was positive. This is likely Plainview's memory, in which case we can assume that Day-Lewis's character has not lost his humanity – that he still has the capacity for love of others (in this case, his son). Yet Plainview violently murders Eli, making the former a monster. This is a storytelling misstep, to my mind. I believe that Anderson was unsuccessful in deciding whether he wanted Plainview to be a Kane or a Corleone – that is, whether he wanted the main character's arc to be one from a tycoon to a disappointed man or from a tycoon into a heartless sociopath.

I am not the only one who took issue with the final scene of this work. The late Roger Ebert said, for example, that the ending of There Will Be Blood is one of the instances in which "we may see [the film's] reach exceeding its grasp." In the Sacramento Bee, Carla Meyer argued that the final scene marks when the work "stops being a masterpiece and becomes a really good movie. What was grand becomes petty, then overwrought."

What do you think? I still consider There Will Be Blood to be a major work, but is Plainview's sociopathic final action really consistent with his remaining capacity for emotion?

My list of the greatest modern films (in my opinion) can be found here: http://www.imdb.com/list/ls076331301/

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A true cinema masterpiece . No weakness' . The ending was the cherry on top . Loved the final collapse and break down of Daniel . His hatred and malevolence take hold . The list of classic films that ebert had called ' flawed ' or just disliked over the years really makes me question if senility was an issue .

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I don't think the ending is flawed at all. In fact, the ending was just perfect. The ending was a representation of how Daniel's greed couldn't satisfy him. No matter how filthy rich he became, he was still an angry and unhappy person. I think he viewed killing Paul Dano's character as his final accomplishment. He seemed more satisfied with killing him, than he ever did with becoming rich. Overall, I think Daniel was just a psycho who hated the world.

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This is not a great movie or even good, it's hard to describe but something is not right.

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They should have put you in a glass jar on the mantlepiece.

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No. Absolutely not. It is one of the greatest endings of all time. Bar none.

Plainview was always on a dangerous, murderous, almost psychotic trajectory. The ending works perfectly.

That simple.

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It's a comicbook /superhero cartoon view that one cannot love one's son, show affection for other small children and at the same time be a horrible and ruthless person... Even a murderer...

They are not mutually exclusive... But it seems even critics are no longer able to grasp nuance or to appreciate that a person can hold conflicting views at the same time...

These criticisms show an immature way of viewing the movie, as if Plainview is our avatar to be identified with... He's not, if there is anyone to identitfy with it is with the filmmaker... and in that sense Plainview's portrayal is not problematic at all and in fact works on many levels, first as charactersiation as his single minded pursuit of commercial success leaves him fully alone and isolated and secondly as an allegorical level, where Plainview killing off the church guy is symbolic of capitalism overcoming organised religion as primary organiser of the American nation state..

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I commented on another thread about this film's shortcomings, and for me it is the lack of character arc to Daniel Plainview's background. The mechanics of the movie are intriguing and pull you in as you see a desert community transformed into an industrial landscape. What's missing is the drive behind Plainview's desire for economic success. If you contrast his character to Don Draper from "Mad Men" you can see where I'm coming from in seeing how Plainview is a blank sheet whereas Don Draper is a complex character driven to run from the past to ascertain superficial success as an Ad man.

Why doesn't Daniel have a romantic interest in anyone (man or woman)? I've heard more complaints about Frodo and Bilbo Baggins not scoring any females than I have about Plainview's sexually agnostic predicament.

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