Who Else Loves This Film's Soundtrack?

I still think it's one of Hans Zimmer's most innovative and least characteristic scores. It feels completely like any score being made around the 1980s, and I love the Sisters of Mercy-sounding Las Vegas track. Once again, not the type of music you'd expect for a prestige Oscar-contender (and indeed a big-time Oscar *winner*). And there are some superb, and eclectic, songs used in the sountrack, including Savuka's Scatterlings of Africa, Bananarama's cover of Nathan Jones, and The Belle Stars' Iko Iko.