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Am I the second person who doesn't like Trading Places?


Following the recommendation of several websites, I watched Trading Places with my wife, praising it to the sky before even watching it. Big mistake! This was a B-level movie! I didn't even laugh for a second. The story doesn't make sense either. The funny thing is: It is on the same list as Airplane!, The Life of Brian, A Fish Called Wanda, Blazing Saddles, etc. These are brilliant comedies and have nothing to do with this unfunny trainwreck. I still haven't figured out why it is so popular! But it seems that I am not entirely alone. I copy the comment of someone else I found online:



Don't hate me, please?

I just watched Trading Places for the first time last night. I'd heard good things about it being a classic 80s Eddie Murphy movie, but beyond that, I didn't know much going in. Frankly, I was completely underwhelmed. But what was most baffling about the entire experience for me was that I took to the Internet afterwards, curious to see what everyone else's opinion was. I was certain I was going to find lukewarm reviews, maybe some jabs about this wasn't Eddie's best.

But apparently everyone loves Trading Places.

All the reviews I can find online are glowing. Reddit has about five threads full of people talking about how this movie is their favorite 80s movie or best comedy of all time or how they watch it every Christmas. I really just don't get it. I've never been this far off from how everyone else feels before.

I'll try to break down the issues I had with the movie here briefly:

Plot holes. I felt like I was suspending my disbelief every five seconds to get through this movie. Eddie Murphy perfectly understands stock trading after five minutes of explanation? Dan Aykroyd has all of his assets stolen by the bank because he's a criminal (Who never actually faces charges or the legal system or anything)? Aykroyd's big plan to get his job back involves clumsily planting drugs in Eddie Murphy's desk drawer? Clarence Beeks somehow passes for a gorilla in the most cartoonish looking costume long enough to get shipped to Africa? And also can't just take the costume off? The group decides they all need to dress up in costume and risk discovery to make the briefcase switch? I feel like I could keep this section going for another three paragraphs but I'll move on. It just really made it hard to get into the movie.

Bad/convenient writing. This kind of goes with the above point, but there's a lot of small details about the character choices that get under my skin. For instance, Clarence Beeks, who is basically a spy for the Dukes, shoves pretty much everyone to the ground he passes by. Not exactly the most inconspicuous behavior. Also, even before the bathroom scene where the Dukes oh-so-conveniently reveal their entire plan explicitly, they openly discuss it in front of Eddie Murphy when he is there asking them about the payroll. There are many other places in the movie when I just kept asking myself, "Why would this character say/do that?"

The pacing is strange. Both characters basically transform overnight into their polar opposites. Eddie Murphy is immediately fine being a high-powered stockbroker. Dan Aykroyd just totally loses it in what feels like two days. It just doesn't fit quite right to me. Also, Jamie Lee Curtis and Dan Aykroyd have chemistry because...reasons?

Bad acting. Eddie Murphy is really the only saving grace for this movie as far as acting goes, in my opinion. Even as a stodgy, whiny, prissy rich guy, Aykroyd's lines all feel flat and delivered off a piece of paper. Same with the Duke brothers, who seem to yell at random times and otherwise act like cardboard.

I feel like I could keep going for a while, but it's really beside the point. I just don't understand why this is so universally beloved when I really did not enjoy it. I've never been so off the mark before.

Is there anyone else out there? Is it really just me?



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"There are many other places in the movie when I just kept asking myself, "Why would this character say/do that?"

And yet you fail to list ANY of them, or explain WHY the character wouldn't say or do that. You are a miracle; you fail in every single possible way when trying to scold a movie.

Come on, this movie HAS its faults, why can't you get to the real ones already? Even if what you are saying is true (and so far, there's ONE explanation and just a lot of 'listing', together with many misunderstandings about what's going on, as if you didn't even watch the movie, or understand it AT ALL), these would be nitpicks at best, nothing that would bring down a whole movie.

It almost seems as if you were expecting something completely different, and when this movie is a bit more silly or whatnot, than you wanted it to be, you get angry and list the parts you didn't like (claiming they are 'plot holes'), without explaining why you don't like them (let alone why they would be 'plot holes' - they aren't).

You are supposed to take something that actually makes no sense, then write about it, and then EXPLAIN why it doesn't make sense. This is the basis of good, valid criticism. It might still be wrong, but at least then we could debate about it or have a proper discussion.

Now you are just a toddler throwing your own poop on the wall claiming the wallpaper is all wrong, without explaining why, and then just screaming WAAAAHHHH!!! for the rest of the evening.

Not good enough.



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"The pacing is strange."

So what? Can't movies have unique pacing, can't movies do their own thing? Besides, how do you define 'strange', and how can a pacing be 'strange', unless there's some unified pacing every movie always conforms to? You are not making ANY sense with these non-arguments.

The correct way to phrase your 'criticism' is, "I don't like the pacing". This is truthful and honest. What you wrote is just nonsensical garbage, that has nothing to do with the movie. You would have to explain this point quite a lot for it to become valid - how is the pacing strange compared to any other movies? There can be fast pacing, slow pacing, incongruent pacing, fluctuating pacing, pacing that ruins something because [reasons explained], and so on. But there can't be just universally 'STRANGE' pacing without quite a lot of explanation.

"Both characters basically transform overnight into their polar opposites. Eddie Murphy is immediately fine being a high-powered stockbroker."

This has nothing to do with pacing, so you fail again.

Second, no, they don't. It takes time, and even then, the movie CLEARLY explains the reasons why it can happen like that. There ARE suspicious and implausible things about Eddie's character change (like over-protecting his new house, when in reality, he wouldn't give a crap where anyone vomits, he can't get so attached to something so new so quickly, he would be one of the people just breaking everything and making a mess everywhere and treating the house as a toilet -- see, valid point backed up by an explanation, please learn), but that's not it.

Eddie's character knows human nature, he's smart and capable, and his street-smarts surprisingly come in handy in the stock market-scenarios. There's nothing 'strange' here, nothing 'plot-hole' here, it's just using a character's talent in a different environment. 'Street smart' people can sometimes have better intuition than stuffy office workers, that's ALL the movie was underlining.

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Calm down, buddy. I know, you really like this movie and find it deserves a place on the top ten list. No need to get a heart attack over some criticism.

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"Dan Aykroyd just totally loses it in what feels like two days. It just doesn't fit quite right to me."

It's not Dan that loses anything, it's the character. Try to at least understand the difference between movie and reality, sheesh.

So what if he 'totally loses it' (do you mean his possessions, or are you using an idiom here, it's not clear - not that any of your writing is, but maybe you can at least learn) in two days? Wouldn't you?

You think things happen too fast - that's fine. That's just your opinion, though, that you don't back up other than saying 'it just doesn't fit quite right' - whatever this means. Why use such weird language, when you can just say 'You don't like it', which is ALL you seem to mean anyway.

You don't like this movie, because things happen in this movie that you don't like, and you THINK things are strange and 'plot holes', because you don't actually UNDERSTAND what's actually happening in the movie, or realize why things happen the way they do, ALTHOUGH they are very well explained in the movie.

I thought you were going to say something about implausible clichés this movie is built around, the predictable, boring structure, or the unrealistically angelic personality of Eddie's character. Instead, you go off about nitpicks at best, and just listing what happens in the movie without explaining why it would be wrong, it all amounting just to: "You didn't like the movie because you didn't like the movie".

How profound.

"Jamie Lee Curtis and Dan Aykroyd have chemistry because...reasons?"

I don't even know what to say about this. Are you talking about the actors or the characters? They don't have 'chemistry' (whatever this stupid cliché means anyway), they are just actors doing their job in a movie. What are you even talking about? The hooker's motivations are clearly explained, Dan's character is just desperate, so his actions are completely understandable. What's 'chemistry' about it?

Also, why shouldn't they have it?

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""Jamie Lee Curtis and Dan Aykroyd have chemistry because...reasons?""

You also haven't earned the right to use the word 'reasons', because you have not given even one valid reason for writing any of the garbage you vomited through your keyboard.

Usually when people word things that way, it's because they reveal something completely illogical and implausible, that should make the reader think about it, and then add that word to underline how that could and should never logically happen.

Whether some actors have 'chemistry' is NOT a valid way to use that kind of wording, for crying out loud.

"Aykroyd's lines all feel flat and delivered off a piece of paper. Same with the Duke brothers, who seem to yell at random times and otherwise act like cardboard."

This is your opinion, and your opinion alone. Dan may not be the best actor in the world, but he is definitely BELIEVABLE here. There are other movies and other actors that would fit your unimaginative description. Of course they used pieces of paper, that's called a SCRIPT, you know. (Or perhaps you DON'T know, based on your garbage post)

Cardboard can't act. Usually when people use cardboard as a metaphor, they're not talking about acting.

These are rich people - how many rich people do you talk with daily? They're supposed to be reserved and pompous, and these actors definitely pull off the 'rich, pompous' type perfectly. Of course they yell because the situation REQUIRES them to.

They react to everything perfectly, exactly as an excellent actor would.

It seems your lack of understanding knows no bounds; you not only do not understand anything that happens in this movie, you don't even understand the difference between good and bad acting, you don't know how to use metaphors correctly, or choose the right metaphors (you can call something 'wooden acting', but not 'cardboard acting', for crying out loud!), you can't find VALID points to criticize that genuinely do not make sense.. you fail hard.


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"This was a B-level movie! I didn't even laugh for a second. The story doesn't make sense either. "

You must be the same poster you supposedly 'quoted', because you didn't add -anything- valid or valuable to the garbage post, and you seem to think it was a good idea to quite something that crappy, which makes me question your intelligence and character.

What the heck is a 'B-level movie'? Do you mean this movie is (in some way) on par with B-movies?

The 'B' doesn't stand for some kind of LEVEL rank, it's just a very specific movie group that this movie definitely does not belong to, and just because you don't like or understand a movie, isn't what dictates whether a movie is a B-movie or not.

Let me educate you:

"A B-movie or B-film is a low-budget commercial motion picture. In its original usage, during the Golden Age of Hollywood, the term more precisely identified films intended for distribution as the less-publicized bottom half of a double feature (akin to B-sides for recorded music)."

This movie is not that funny, I agree about that part. It's probably not meant to be a 'laugh-out-loud'-type comedy, it's just a silly, wacky movie that underlines some problems of capitalism and this world, and then succumbs to the typical hollyweird clichés, predictable plot patterns and confusing conclusion that feels a bit weird, even if it slightly satisfying. However, this is not a valid criticism towards this movie - I didn't laugh that many times watching 'The Matrix', so it's a B-movie now? Come on, you should be able to do better than that.

So, the story doesn't make sense - it's easy to just say this and leave it at that, but it's still not a valid criticism.

What about it doesn't make sense? Why do you think it doesn't make sense? What would have to change for it to make sense? What kind of stories make sense to you?

See, how you neglected to answer any of these questions, you just slam a movie without explaining anything, then quote yourself..?

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Someone doing THAT clearly isn't competent enough to write valid criticism of anything.

I am STILL waiting for even one valid critical point about this movie. Just because you don't laugh or understand anything that's going on, just because you write 'story doesn't make sense' doesn't let you off the hook and become good criticism.

The story is a bit convoluted, but as it's shown, it makes perfect sense. It doesn't have to be realistic for it to make sense, it doesn't have to conform to some pre-conceived standard for it to make sense. Everything happens pretty logically and even predictably, the consequences are shown pretty logically, even if some things are a bit implausible. As a movie, this story makes good sense to me.

Why wouldn't it?

A good criticism or discussion isn't just "doesn't make sense" or "yes it does", or we could just create a program to write those two opposite opinions forever, and we'd have the best debate in the world.

Tell me _WHY_. Just explain. What about it, why do you think so, how did you come to this conclusion, and so on. Then we can have a discussion, then I can respect your post as having proper criticism.

All it consists of now is listing what happens in the movie, lying about what happens, misunderstanding what happens, and making flat claims that have no backing up.

SURELY anyone should be able to do better than that. Surely..

If anything doesn't make sense, is that someone can write so much and explain so little, YOUR post makes much less sense than any movie I have ever seen.

Just write ONE good point - or even _A_ point. Just write ONE valid criticism, just ONE valid explanation about WHY something doesn't make sense. Then we can talk. Otherwise, just please delete your trashpost, because it's embarrassing. If I were you, I would be hiding under the stairs and punching myself in the face for writing something not only ignorant, lacking of coherence, but also insultingly nonsensical and utterly worthless.

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Just to nitpick your title a bit - 'second person' makes no sense. I know you are taking the 'I am the only one', and then editing it as if there are only two people, but it makes NO sense the way you wrote it. Second means something that comes after 'first', not something you can use to add another unit to 'only'.

Also, you are not a person, because person is just legal fiction, but I am convinced this goes beyond the capacity of understanding you were endowed with.

The correct way to say this, of course, would've been something like: "Am I one of the only two people that hated this movie", or something.

Yes, I think it'd be better to use the word 'hate' than 'dislike' or 'didn't like'. It's more direct and honest language. 'Didn't like' leaves the 'completely neutral' option open. But if you are gonna hate something, hate it openly and honestly, damnit, just like I hate your post and ignorance and all the frustration I had to endure because of both.

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i think it's a great movie and i grew up with it but i would probably not recommend it to anyone at all these days unless i knew them very well. i would probably recommend spies like us as a good 80s comedy over this.

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I hate MFs that overanalyze comedies.

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It was Saturday Night Live stretched to nearly 2 hours. SNL WAS good at short sketches but was never going to construct a long coherent story.

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I find this trend for some people to assume they are somehow in the minority for not liking popular movies bizarre.

Why does it matter that you feel somehow inferior because you disagree with popular opinion?

Your opinion is literally that...your opinion. Its as valid as anyone else's. The numbers mean nothing. If millions like it and you don't, that means nothing.

Your opinion is still valid. It's your own. There is nothing wrong with you because you don't like a movie millions like.

I also see some people who think they are being 'brave' by going against popular opinion, the 'am I the only one?' syndrome.

Utter rubbish. It's a clear sign of insecurity, people who just don't have the balls to say they didn't like something other people did, or vice versa.

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I was 16 when this came out and I if recall correctly, this was a movie that was riding high with SNL which was also doing very well at the time in 1982.. I never saw it in theatres and really had no desire to and eventually watched it on HBO at some point when HBO was a big deal in 1982

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