MovieChat Forums > Drooch > Replies
Drooch's Replies
True, you had the odd Asian but that’s realistic, there was certainly no obnoxiously forced diversity.
American Pie is no masterpiece but it had a massive cultural impact, and it was made in a better time when you could have <i>comedy</i> and <i>tits</i>, unlike today.
Stupid fuck. I’ve used every single word accurately, you're just pissed that nobody is falling for your gaslighting, or your pathetic woke tactic of trying to redefine words.
Johnson retconned Blanc into a homosexual as part of his woke agenda and everyone, including you, knows it.
By all means keep trying to gaslight people into thinking otherwise but you’ll just get exposed and publicly humiliated again, and again. Your call.
Yep. These evil woke fucktards (that one literally calls himself ‘Satan’) are chomping at the bit to call anyone who calls out their nasty cult ‘Hitler’.
Yes, his brain has been damaged by the cult of Socialism.
Totally. He also used very clever techniques like having the CGI dinos always interact with real objects, shaking the camera whenever the T-Rex stomps, shooting at night to hide the imperfect CGI in shadow, hiding yet more imperfections with a rain element, seamlessly cutting between CGI shots and puppets, using incredible sound design (making full use of the then-new DTS and Dolby Digital audio technology), cueing your imagination with approaching stomping and a severed goat’s leg so you believe in the creature before you see anything…
Spielberg is a fucking genius.
Every year in the 90’s had several classics. In addition to the string of classics from 93 I mentioned above, check out 99:
The Matrix
Fight Club
The Insider
The 6th Sense
American Beauty
The Green Mile
Magnolia
Cruel Intentions
Notting Hill
Dogma
Payback
Eyes Wide Shut
American Pie
The effects in The Matrix were revolutionary, again because CGI was expertly integrated with other effects and all printed onto film, not like the all-CGI ‘Resurrections’ 🙄
The 70’s and 80’s have many classics, but not as many as the 90’s - it’s hands down the best decade for films.
Just leave it.
Well you’re wrong, the 90’s may well be the greatest decade for film, so many classics pumped out every year, check out 1993 alone:
Jurassic Park
Schindler’s List
Groundhog Day
The Fugitive
Cliffhanger
Mrs Doubtfire
In The Line Of Fire
True Romance
You’d be lucky to find <i>one</i> movie that good in an entire <i>decade</i> these days.
As for CGI, back then it was better, the filmmakers used it as a tool instead of a crutch, and they integrated with with real film rather than making an all-digital film which just looks like Pixar with people. The CGI T-Rex in Jurassic Park looks better than it would 30 years later because Spielberg knew what he was doing.
Conspiracy twaddle, of course she’s not a plant, she gets captured and tortured just like him, and they’re both Big Brother loving zombies by the end.
Most likely, but I thought I’d give him a chance to demonstrate he has something constructive to add after four posts of pure whining.
Shit take.
I think Washington’s a dead spit of Nigel Hawthorne:
https://www.google.com/search?q=george+washington+nigel+hawthorne&source=lnms&tbm=isch&sa=X&ved=2ahUKEwiSkOiz5Nr8AhWuJbcAHfcuAqwQ_AUoAXoECAEQAw
He says he knew she didn’t love him but that she would grow to. He was right.
Agreed. Never for a moment suspected Walter would suddenly be nibbling on that Chinese bird’s tit. It was no surprise when the flabby Waddington popped up (and then went straight back to work even though he was being watched - chad move)
Glad to see some appreciation for this criminally underrated gem. Norton, Watts and Schreiber Knock it out of the park.
The title is a reference to Percy Bysshe Shelley's 1824 sonnet, which begins "Lift not the painted veil which those who live / Call Life". In his sonnet “Lift Not the Painted Veil…”
Jurassic Park
Misery
Good books, great movies.
Yes they’re both excellent in this criminally underrated film, as is Liev Schreiber. More people need to see this.
Dustin Hoffman in Tootsie looks like Jane Fonda in 9 to 5.