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‘Bring It On’ Turns 20: Filmmakers Reflect on Making the Cheerleading Classic and Spotlighting ‘Cultural Theft’


https://variety.com/2020/film/features/bring-it-on-anniversary-kirsten-dunst-gabrielle-union-1234740560/

Twenty years after “Bring It On” debuted, “Brr it’s cold in here” and “This is not a democracy, it’s a cheerocracy” have shown no signs of being shunted aside from the cultural lexicon.

But in the late ’90s when screenwriter Jessica Bendinger shopped her lengthy 120-page script around Hollywood, every major studio passed on making a teen movie about cheerleaders. She was about to give up hope that the Rancho Carne Toros and the East Compton Clovers would get their due on the big screen when producers at Beacon Pictures fell in love with the screenplay and agreed to make the movie. (Universal Pictures ended up distributing the film in theaters.)

Despite the initial reluctance of many executives, “Bring It On” became a hit when it was released in theaters on Aug. 25, 2000 — eventually grossing $90 million at the box office. The legacy of “Bring It On” extended far beyond that original movie, later spawning five direct-to-DVD sequels and a Broadway musical that boasted songs from “Hamilton” creator Lin-Manuel Miranda.

The film, now considered a cult classic, also solidified Kirsten Dunst as a box office draw — she’d had a big year in 1999 with “The Virgin Suicides,” “Drop Dead Gorgeous” and “Dick.” In “Bring It On,” she played Toros captain Torrence Shipman alongside up-and-comers Eliza Dushku as edgy cheerleader Missy Pantone and Gabrielle Union as the Clovers’ fearless leader, Isis.

“Bring It On” follows two rival high school cheer squads as they prepared to compete for the national title. But the coming-of-age story is more than just impressive stunts and spirit fingers. The film’s central conflict — Torrence and the Toros find out their team’s five-time winning routines were stolen from Black cheerleaders — weaves in a timely and timeless social message about cultural appropriation and white privilege.

In honor of its 20th anniversary, Bendinger and director Peyton Reed reunited to reminisce about making the movie and tease plans for a sequel with the original cast.

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I don't know or really care about "cultural theft", but I wasn't happy with Gabrielle Union's character one bit. Why are we black people so often portrayed as ungrateful assholes?? I absolutely could see Union not accepting Snow White's daddy's money because they wanted to do it themselves, particularly after the Red Witch stole their routines - fine and quite commendable. But why be such a total tool to the blonde? The blonde's only motivation to go see Isis was clearly to try to right a wrong that she herself didn't commit and yet *she* was the one who caught the crap from Isis and her friends.

I mean, even I was rooting for the white team at the finals.

What I would have done if it was my script is kept Union's initial rant at the Clover's gym to the blonde intact, but instead of the blonde turning and leaving humiliated at that point, have Isis stop her and quietly say she really appreciated the apology and the offer of the check, but she just couldn't bring herself to take it. I think Union could have pulled off a very moving scene here. A 5 second quiet no-dialog look at each other and obvious respect for each other would have changed the whole tone for the better.


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I agree with you for the most part, but I saw her rejecting the check as a subversion of the "white savior" trope (ahead of it's time sorta) and I actually really liked that instead it showed the team figuring out a way to make it themselves. Still, she didn't need to rip it up and act rude. She could've just politely declined and said something like, "thank you, but no. Sorry but I can't accept this," then handed her back the check. At that point she should've been able to tell she was just trying to be kind and helpful.

However, I can't say I was rooting like you were for the white team. The black girls were way better at cheering than them and earned the win. They were motivated, talented, and hardworking. I liked their characters. Maybe part of her attitude when offered the money was just a defense mechanism. Sometimes hardcore rejection is a way to put up a front against fear of getting tricked. Her anger is completely justifiable. You can't blame her for not trusting any of them when they stole their routines.

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Movie was very woke for the year 2000.

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😜

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