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Amazing trick Kubrick did in Spartacus. SPOILER ALERT


All through the film, in crowd shots of Spartacus's slave army, we repeatedly see several characters. A couple of young women, a family with a baby, children, etc. These people have no lines. We just come to recognize them from seeing them in the crowds and watching them performing simple day-to-day tasks among the bustle of the slave army camp. They cook, they play, they work, they care for the children, they bury a dead infant, they march, they stand in the battle lines... We get to know them a little, and recognize them as characters without a single line of dialogue.

Then after the final battle, we see their bodies lying open-eyed and dead among the heaps of the slain.

Another filmmaker would have made them full characters and had subplots devoted to them, stretching out the movie by another hour or so. Kubrick's ingenious and economical treatment makes us feel just as much sadness for their deaths simply from repeated sightings of them in the crowd.

I am amazed at how much emotion this movie can produce. Even moreso when you see how Kubrick all but abandoned emotionality in his later films.

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Spielberg did something similar with the little girl in the red coat in "Schindler's List", just a few glimpses of someone who wasn't developed as a character or given any dialogue, made startling and moving by the stellar cinematography. Kubrick did it first, but Spielberg improved on the idea!

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I did not find Spartacus to be a great movie. He did better in the 70s. Kubrick should have cut out even more exposition, but maybe Kirk Douglas insisted on a regular script. I am speculating, not a film student here.

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Kubrick was brought in after production was already underway. It's been acknowledged that he was just trying to get the film completed. Most of the creative decisions had already been made before he got there.

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Thanks for clearing this up, have a nice day :)

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You bet! The behind-the-scenes information can often be more interesting than the movies themselves. 😊

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"Kubrick all but abandoned emotionality in his later films."

I don't think this is true. Kubrick just had a different ways of giving feeling to the story such as using the right music for any given scene (watch the seduction scene in Barry Lyndon where he uses Schubert's Piano Trio).

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