MovieChat Forums > Dial M for Murder (1954) Discussion > Did this inspire the Columbo series?

Did this inspire the Columbo series?


Even the inspector said "One more thing" just as he was leaving the flat.

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I just happened to read the title of this post just before watching the film. Throughout the film there were scenes or dialogue that made me think of the post because they seemed, in fact, to be very Columbo-ish ("Columbish"?)

I think it certainly must have been an influence on the creation of Columbo. The whole concept of the audience knowing the facts and watching as the detective figures it out and traps the culprit...and that one particular bit where the detective begins to leave, then turns and says "one more thing"...that was the clincher. Highly unlikely, though not impossible, I suppose, that this is a coincidence. However, I don't know if there has ever been any acknowledgement of this from William Link, Columbo's creator.

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The character of Columbo was created by William Link, who said that Columbo was partially inspired by the Crime and Punishment character Porfiry Petrovich as well as G. K. Chesterton's humble cleric-detective Father Brown. Other sources claim Columbo's character is also influenced by Inspector Fichet from the French suspense-thriller film Les Diaboliques (1955).

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I know a Columbo fan who loves 'Dial M.' The inspector shows just as much guile as Columbo.

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There is no doubt Levinson and Link were fans of Hitch.😷
Another similarity with Colombo is that you know early on who the villain is, and the rest of the story deals with how he ends up getting caught.

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There is no doubt Levinson and Link were fans of Hitch.😷

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Indeed, Levinson and Link brought to Hitch the book for his final film -- Family Plot. They had been offered the novel(The Rainbird Pattern), felt it was more of a "Hitchcock story." They took lunch with him and pitched the book and he bought it and made this as his final film. It has little to do with Columbo style mystery, though.

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Another similarity with Colombo is that you know early on who the villain is, and the rest of the story deals with how he ends up getting caught.

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I strongly believe that Columbo was influenced by Dial M for Murder. Levinson and Link first brought Columbo to the Broadway stage(just like Dial M) in Prescription Murder: with Joseph Cotton as the killer and Thomas Mitchell as Columbo.

Interesting: Joseph Cotton(my computer always misspells his last name, sorry) was a true Hitchcock villain, and Ray Milland -- the killer of Dial M -- actually played a Columbo killer himself! Milland also took a non-killer supporting role to the episode in which Robert Culp was the killer. (Actually, one of the THREE Columbo episodes where Culp was the killer.)

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The character of Columbo was created by William Link, who said that Columbo was partially inspired by the Crime and Punishment character Porfiry Petrovich as well as G. K. Chesterton's humble cleric-detective Father Brown. Other sources claim Columbo's character is also influenced by Inspector Fichet from the French suspense-thriller film Les Diaboliques (1955).

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I see all of those influences in terms of the detective Columbo himself(for instance, the inspector in Les Diaboliques is a bit of a slob) but honestly, I think that the entire Dial M PLOT is the template for the Columbo series: a first half hour or so of "plotting the perfect crime" and then the detective shows up to play cat and mouse, with a final "gotcha" clue(the key on the staircase.)

ANOTHER Hitchcock detective inspired Columbo, I think: Martin Balsam's private detective Arbogast in Psycho, who engages Anthony Perkins as Norman Bates in a game of "Columbo cat and mouse"(catching Norman in lie after lie while remaining quite agreeable and amiable.) The difference between Arbogast and Columbo of course, is that Arbogast does so well at figuring out the crime that...he gets killed before he can catch the killer.

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One tiny correction: Prescription: Murder (the stage play) premiered in Los Angeles, but never went to New York.

Levinson and Link were excellent at taking mysteries by others as a starting point and creating something new and sometimes better. I'm mainly thinking of two of their TV movies: "Murder by Natural Causes" (1979) which is quite "Sleuth"-like, but cleverer, and "Rehearsal for Murder" (1982) which begins with the premise of "The Last of Sheila" (main character's wife/fiancée is killed; a year later he gathers together the people from the time of the death and proposes they all participate in a project [a "murder game"/a reading of a new play script] - is he perhaps using this as a way to uncover a murderer?), but, if not as fiendishly brilliant as "Sheila," is a warmer take on that premise.

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One tiny correction: Prescription Murder:( the stage play ) premiered in Los Angeles but never made it to Broadway.

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Aha. I didnt remember that but it is my goal to make posts that set the stage for a more complete answer. Thank you!

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A pleasure. I've been rereading Moviechat comments on Hitchcock movies today, and your thoughtful posts are always an oasis in the mass of grunts and petty complaints one too often finds on this site!

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Thank you! I enjoyed reading your insights on the "other" levinson and link tv films.

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