JayceeTatler's Replies


I remember taping Evil toons off German TV in the 1990s. Pretty dismal film, but that scene with Monique Gabrielle admiring her considerable charms in the mirror sure got rewound and paused allot 🍈🍈. good times. Not just Suspiria.... Ruby (1977) featuring a levitating car and a scene where a character is killed by a reel of film, played in Britain on a double bill with Norman J Warren's Satan's Slave (billed as 'a devilish combination of women and hell'). Fast forward a year, and Warren's film 'Terror' appears, featuring a levitating car and a scene where a character is killed by a reel of film. Hmmm Carole Augustine...sadly she died a year after making the film, aged just 24. Yes, she does enliven everything she is in. When I first started using the internet, one of the first people I ever reached out to by email was Mel Welles, who was very complementary about her, he adored Rosalba. It's a reminder of a time when guys could still get laid...despite having hair like a sheep. She and Ator obviously bonded over the fact that they shared the same hairdresser. It may not have appeared on her radar, but it played dates at Pennsylvania in 1979, South Carolina in 1977 and Florida in 1976. Well, the original film was heavily imitated throughout the 1970s, often by exploitation films that were able to push things far further than a major studio picture like Death Wish. The more extreme elements in the sequel come across as Winner reminding the world that he was still boss man when it came to nasty rape revenge movies. The Love Butcher was released long before DW2, it played as early as 1976. Cool it Carol...really like that one, though it was apparently a bit of a flop when it was re-released on tape by Salvation video in the mid 1990s. Although the film clearly had an eye on the US market- given the name American actors in the cast- where chances are the majority of people wouldn't have known how much £5 was in 1968. Dr. Diabolo sure ain't cheap...yet the woman in the second story could afford that, but didn't have the money to own more than one dress. Feels strange to be living in a time when you can read a humourous reminisce about the making of Killer's Moon on the Daily Mail's site, and yet the booklet for the current Blu-ray release is full of outrage, finger wagging moralising about the 1970s and tries to link the film with what Savile was up to at the time. Can't we go back to when the tabloid press were the censorious bad guys, and the people who wrote about such movies didn't hold them in complete contempt. You can read the booklet by freeze framing this YouTube video from about 3:14 onwards youtu.be/ioo-OhflJnI?si=1-_iBe0ghGpB3L-R I don't see how Dr Jekyll and Sister Hyde can be regarded as a trans movie, at no point does Ralph Bates' Dr Jekyll wish to change into, or be regarded as female, and only does so as an unwanted side effect of trying to achieve immortality. As Jekyll also becomes a cold blooded killer, after using drugs to change his sex, it hardly holds up to any pro trans interpretation, not that it ever was intended to do so. She did brief nudity in Quest for the Unicorn and It Hungers as well...but those two films are tricky to see, I think Unicorn is only on dvd in Germany and It Hungers is only on disc in the Netherlands. Yes that's her. I mainly know of her from her acting roles in Rene Perez movies, but it seems she was also prolific in the art world as well. I'd say that 'Take it out in Trade' is his worst movie, and this is coming from someone who can find value in Ed's adult movies like 'Necromania' and 'Panty Party'. Damn, such an important part of Dark Shadows, and the owner of the greatest, evilest laugh in TV history. Romero's 1984 draft of the script originally envisioned the scene as more explicit and definitely unconsensual "she wakes up. She is pinned under Randy's weight. His face is buried in her chest, his hands are exploring wildly". That line is gone from the 1986 version of the script, and the film follows that by having her waking up and being unaware of what he did to her while she slept. Romero's original script is super horny and highly sexual, uncharacteristically for him. There's something about the LaVerne character that brought out the dirty old man in Romero, with script details like "Randy is watching Laverne's wiggling ass from behind Deke's back" and "her nipples are clearly visible through her wet Horlicks Tee-Shirt, cold hard points". It's an aspect that is toned down slightly for the film, which does tend to miss the point made in the script, that Randy's molestation of LaVerne is an emulation of Deke's touchy feely behaviour towards her "the big oaf is fondling one of Laverne's breasts again...the action makes her Tee-Shirt pull more tightly on the other breast, and the wet, sensuous motion distracts Randy away from his fears". The 1984 version of the script drive.google.com/file/d/1uf1_0sXFLpbCOuQAqwyTBGaDfUpMMcTl/view