Beautiful Propaganda.


I don't know if anybody sensed this idea of Japanese propaganda in the movie, but I sure did. I may be overstating it, but the element is definately there. The mysterious man represents the country itself, Japan, and the actress symbolizes the Japanese people. The whole story of searching for that person that the actress love so much is the actual search for the dignity and love for Japan. Do you remember a line in the movie where the actress says, "I will never betray him!". It is a subliminal message to the Japanese to never betray Japan. Also, in the first scenes of the actress's memories, there is a reference to Japan's invasion of Manchuria. The movie talks about how the Japanese soldiers are fighting for their "country" and how they want to serve their country. We all know that Japan's attack on Manchuria was horrible and hostile. Not many people know how strong the Japanese propaganda is. Not many people know that the Japanese school books lie about the wars in the 20th century. Those books justifices their attack on Asian countries and teaches young Japanese that "they" were the ones that were tricked. Yes, it still goes on these days. Many Asian countries criticize Japan for it, but Japan is too strong a country to oppose harshly. Anyway, you have to understand that kind of "strong nationalism" is sometimes corporated in the Japanese movies. Just be aware of it. You have to read between the lines.

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To the starter of this topic:

This is one of THE most stupid conclusions I've ever seen. Did you even watch the movie or did you wake up at times to stretch your legs ?

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*wears I <3 USA T-shirt and waves furiously American Flag while singing the Anthem* go go*

happy now?

AZN!!!

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Don't know if this has been stated yet or not, but this movie is more about the general power of cinema and how it helps shape or build lives. One should recognize this given how it's structured and the storytelling techniques used. It's purpose is not to distort truth; it's purpose is to share a love for everything that movies are and how it melds with our lives and memories. There's a reason why Chiyoko's memories of her movies and her actual past are conflated. There's a reason why the documentarian/fan places himself in the role of the savior in each recollection. Cinematic lives.

All the stuff in between the lines is just a byproduct, cultural context. Most filmmakers belonging to any given country inexorably insert this stuff to register with their audience and/or because it's what they know. But it's not the most important element. Sure, there's propaganda out there (some more subtle or blatant than others), but propaganda this is not.

--
A Concordance of Hearts
http://www.mygamer.com/community/journal.php?do=showjournal&j=24

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[deleted]

To the original post: Nonsense. It has nothing to do with propaganda, this is a stupid interpretation and you're just writing here what you would like to talk about. This film is looking back on Japan's recent past over 70 years, both its film history and actual history. This is the furthest you should read between the lines, or behind the main storyline, which still remains the life of this woman and her sad, impossible quest. The beauty of this film is how it manages to run in parallel the evolution of a nation and the humble story of an individual. She's a woman before being a Japanese actress.

__________________________
Last watched: http://imdb.com/mymovies/list?l=7838626

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For those interested in Japanese war crimes, I recommend this book:
"The Rape of Nanking: The Forgotten Holocaust of World War II" by Iris Chang

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This Propoganda LOL LOL

City Planners Do It With Planning

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I don't think the movie has any kind of propaganda, it's only depicting it.

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You missed the point.

The painter that Chiyoko loves so much and chases across oceans and decades is an ANTI-JAPANESE GOVERNMENT HUMAN RIGHTS ACTIVIST.

When she rescued him, he was on his way to Manchuria to work against what the Japanese army was doing there. That was why he was wounded and in trouble.

He was for human rights and against the atrocities the fascist government was committing, and THAT IS WHY THE JAPANESE SECRET POLICE CAPTURED AND KILLED HIM.

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What?!

The invasion of Manchuria is certainly represented, but not at all in a good light. At no point is it implied that Satoshi Kon AGREES with the invasion of Manchuria. The idiot movie director makes a pathetic patriotic plea in order to get the mother to agree to let the daughter make movies, but the girl herself says EXPLICITLY that the ONLY reason she went was to pursue the mystery man. She didn't care about making films, and she certainly didn't care about politics.

This film has a very OBVIOUS ANTI-FASCIST sentiment. The bad man who throughout the move is trying to capture the mystery man represents the fascist elements of Japanese history, including the militarism of the 1930s and 40s. OBVIOUSLY he is NOT the hero of the story! He is the VILLAIN!

How can you possibly call this nationalistic propaganda?! It is the exact opposite!

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[deleted]

Have you ever seen an american movie?

I can't believe you can find this to be horrible propaganda.

We're the heirs to the glimmering world.

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