Better Than The Original


OK, first of all, I'm American. Second of all, most of my favorite films are international. Third, I love subtitles so much, that I even turn them on when watching English language films (no, I'm not hard of hearing). Fourth, I've seen the original La Femme Nikita, the American remake Point Of No Return, the Chinese remake called Black Cat, and the TV series which originally aired on the USA network in the states.

Keeping the above in mind, I have to say that I enjoyed Point Of No Return more than I did La Femme Nikita, mainly due to the casting differences and believability of the narrative.

For one, I preferred Bridget Fonda's vulnerability and existentialist angst to Anne Parillaud's cynicism and primal rage. Say what you will about the movie overall, but for me, Fonda was the main key to my enjoying and preferring it to the original. Parillaud is too cold and distant for my sensibilities, whereas Fonda sets the stage for the characterization that would imbue the TV series with some humanity. In the original, I simply didn't care whether any of the people in it lived or died. I was wholly indifferent. In the remake, I got a better sense that at least some of the characters might be human beings and not robots.

I also felt that for a movie about ruthless spies and assassins, Americans are more believable in those roles than are the French. The French, while having a history of extreme brutality that really shown bright during the Algerian War, just do not scare me in the same way that my fellow American countrymen do. The Germans kicked their butts, the Vietnamese kicked their butts, the Algerians did a whole lot of damage, etc., and so my ability to see a French film of this type is somewhat compromised. Don't get me wrong, the French can be ruthless Fascists, as we all know, but for a modern film, I almost feel that the plot works better when set someplace else. You have to believe in a certain kind of lawful lawlessness in order to lose yourself in this kind of film, and the French setting just never did it for me in that regard. Change the setting to America, and I fully believe what is happening.

Also, while it's trendy to love Jean Reno, especially because of all the similar roles he's played, I still think that Harvey Keitel is a much more menacing cleaner. I really believe that Harvey will kill anyone and everyone in the room, including children and babies, in order to make sure that there is no evidence. Jean is a much less menacing figure. There's too much humanity in Jean's eyes, whereas Harvey is a crazy American who doesn't believe in anything but money and following orders.

In addition, I had a greater appreciation for Gabriel Byrne's masculine energy, which felt more substantive than Tcheky Karyo's somewhat tired performance, looking throughout the film as if he was a refugee from the movie Insomnia. I really believed that Byrne and Fonda might possibly "get it on," but I also believed there was a genuine platonic affection between the two as well, despite the ruthless nature of the business.

So, despite the fact that I normally prefer "foreign" films, and believe that most renakes are crap, I do believe there are times, rare though they may be, when American or other remakes can actually improve upon the original. "The Happiness of the Katakuris" vs "The Quiet Family" or "The Ring" vs. "Ringu" are just two small examples of where I felt a remake outdid, improved upon, or added something new to the original. I feel that Point Of No Return stands on it's own and compares quite favorably to La Femme Nikita.

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I tried to watch Nikita first, but I got turn off by Anne performance. I think she's quite over the top so I only watch around 10 min and gave up. It made me didn't want to watch Point of No Return until today. And I was blown away by Bridget Fonda's performance. I think she's more believable and I kept watching until it's over.
Probably it isn't fair to said that I like the remake better as I never finished the original but I really enjoy Point of No Return, thanks to Bridget Fonda.

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Pont of No Turn is enjoyable to me before I watched Nikita. The reason was it followed scene by scene from the original one. They only changed a few scene to make it plausible in an American geography and culture. Ms. Fona lacks the emotions that made the "Nikita" brilliant. She is a pretty blond but her acting was too wooden, her kicks doesn't seem to be a kick-ass enough to be called an Assassin. A lot of time, the feelings of the movie was helped by the great film score by Hans Zimmer. Ms. Fonda seemed like tap water compared to Ms. Parillaud Coke soda. By the lack of emotion, the mvie changed from a thriller/drama to just an action (light) movie.


I am just a regular person but a Unique one, not a clone type person.

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"Over the top" was exactly the point, exactly why her character existed, why she was chosen to be an assassin. Fonda's performance was bland and boring (and I like her, usually), completely too mild. That made her performance unbelievable, as her character would never have been chosen to be a hearless killer.

And you are right - seeing 10 minutes of a movie doesn't tell you anything about it, and invalidates any comparisons you want to make between it and any other film.

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if you enjoyed point of no return more than la femme nikita, you are an idiot

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I saw and liked them both. But the one I've seen a few times, because it just works for me, is Point of No Return. I find every scene and the whole story thrilling. I look forward to seeing it again before too long. I may see La Femme Nikita again to see what so many are raving about. But I'm not too keen on comparing these movies since one is clearly designed for (North) American audiences, and the other for French audiences. Seeing as how the French have had an ongoing love affair with Jerry Lewis for decades, that's a pretty big clue that there's often a major difference in tastes.

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I don't see how the original poster can't be a troll.

Point of No Return: assassin goes to a hotel, does her first job - as room service, leaves, building blows up. Yeah, that's subtle.

Nikita: assassin goes to hotel, does her first job - as a room service, leaves, nothing happens, assassin thinks her job is going to be easy and is relieved - until her next job.

Hollywood just prostitutes itself to give the audience what it expects, always.


In Nikita, I really wasn't expecting to see Nikita have to do a job while on vacation in Italy, or have to kill a woman, or for her to freak out when she was doing the job on the ambassador, or the cleaner insisting the job be done no matter, what, and the gun coupled with "glou glou glou". The remake lost all of the charm of the original. It also lost all the twists. In the original you really didn't know what to expect next in the film. The American remake was boringly predictable.

Also, Nikita had one of the best openings of any film.

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I have watched both and i do much prefer the point of no return over the original.

much has to do with the soundtrack. i know what sounds kinda lame but the background music and song choices really give mood and feel to a picture. Though the original was good, it was definitely lacking in that department. I felt some good scenes were not as dramatic as they could have been because they lacked a good score.

I'm a music lover so for me at least is a HUGE factor of making a movie touch your heart strings.

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i agree with "artmcgee" this movie is better than the orginal, the orginal is good but hard to like the caratcters, It's not a 10/10 movie but partly very good, love the part at the end when Gabriel B. lets Nikita go and hopefully starts a normal life.

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I see good sides to both movies, the part where Nikita opens the present in the restaurant was brilliant, you could see her naivety dying as her handler gave her the target. When she was given a dead-end, as an escape route was brilliant. However earlier, when she was still rebelling, completely French "arty" cinema. I thought Bridget Fonda's Assassin was far more human and warm, but much less stone cold killer.

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A lot of ppl on this thread have said that the characters were developed better in PoNR. Yet oddly, I thought the reletionships was better written in Le Femme Nikita and that really shouldn't be in question. When "Bob" comes over the house in the original, it's really tense because you know what he's capable of and who he is. You don't feel that in PoNR. Byrne was a perfect choice for the character just badly directed. The other thing that bugs me about PoNR is that they glossed over the training and her transforming into a young lady from a street thug. I dunno, it just read more "by the numbers for me" in PoNR. I'm probably biased because this part of the movie is one of my favorite parts. I love how the threat of Plot 37 (can;t remember the number) hangs over her head and how you get a glimpse of how he cares for her when he spurs her on to finish her training because he knows what will happen if she doesn't. That desperation is what's missing in PoNR. Don't get me wrong, while Nikita is my favorite by a very wide margin, I thought PoNR has its merits as well. I just think Nikita is the fuller, more realized of the two.

Fonda did make it up to Besson tho' later on with her performance in Kiss of the Dragon. I liked her in that very much.






Just my one cent since I can't afford two.

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The way the drug addict struggles with the choice of doing whatever they tell her, and keeping her miserable life, is only shown in the original.

The remake has some nice features, but to me it seems all too well.
Making movies better does NOT mean you make the story better or more realistic, and also in this case, they did not.

I'm actually happy they made the remake this good that some people got interested in the original one.

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