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haberdasherer's Replies
Or like expecting Johnny Depp to do a movie with Leonardo DiCaprio.
Or like expecting Tom Cruise to do a movie with Brad Pitt.
She's living out her exhibitionist fantasies. She wanted to have a roomful of crew members (and eventually every guy on the internet) watch her strip off and ride another woman's face, but needed the 'award-worthy period movie' cover so it didn't hurt her career.
I think she talks that way because she keeps putting her foot in her fucking mouth:
https://www.google.com/amp/s/m.huffpost.com/us/entry/us_57e55c37e4b0e80b1ba1b97b/amp
The correct term is "case in point".
Those beautiful hand drawn lightning effects are a joy to behold.
They don't have to look photo-real to be enjoyed for their artistic merit.
This is one of my definitive favourites too.
This is just some bit-parter throwing out a half-baked personal opinion in an entirely unrelated forum. She has nothing to do with the production of this show and every shithead 'journalist' who's trying to trump up this non-story in order to drive clicks should reconsider their careers.
No one should be gullible enough to be manipulated into assuming a position of outrage over this clickbait bullshit.
Anal or facefucking, or both.
"Does it look like we need the money?"
I love him as Al Melvin in the 2004 Manchurian Candidate. He's not got much screen time but he's both disturbing and heartbreaking in the short few scenes he has.
He's also electrifying and truly scary as Peoples in the first Sam Jackson Shaft movie.
Assault on Precinct 13 (1976)
Warriors (1979)
Escape from New York (1981)
Wolfen (1981)
After Hours (1985)
Into the Night (1985)
Highlander (1986)
Running Scared (1986)
Near Dark (1987)
Blue Steel (1990)
*makes*
Have, not 'of'. Should *have* changed.
Rick had spent weeks being taken advantage of. Lou just couldn't take that Rick had decided to play his boss at his own game.
Bruckheimer's earned more money, Weinstein's earned more awards.
You mean just in terms of not driving their own career straight into the fucking ground?
She also taught me that Joni Mitchell never lies, which is nice.
But then there's Julian Glover, who was a Bond villain, a Star Wars villain, an Indiana Jones villain, a Doctor Who villain AND a Harry Potter villain.
He's also popped up in Game of Thrones and dozens of other major TV shows over the years.
That wasn't a de-aging effect in Tron Legacy, that was a completely digital head on top of a double's body.
One of the reasons that Carlito's Way works so well, and is as resonant as it is, I feel, is that so many of the characters are losers, doomed from the off to end up in a bad place or with a bad deal, either because of self-destructive behaviour (Penn), toxic masculinity (Lequizamo) or being caught in a cycle of crime and recrimination (Pacino). It plays out almost like a Shakespearean tragedy.
There is often a good deal of ego and vanity tied up in how big actors play a character and it's pleasing to see so little of it on display with Pacino and particularly Penn in this movie.
In fact, ego is shown to be the cause of so much of the awfulness on display in the movie.