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FredBurroughs's Replies
The day Raul Julia wowed you with his performance was the most important day of your life. For him, it was Tuesday.
Yes, you have pinpointed it exactly. This is a sexy, sexy movie. So much sexy this movie is. Whenever I watch it, my sex falls out.
What I wouldn't give to see either of them wearing their birthday suit...
Sudden Impact would be a close second.
Peter Lorre and Marty Feldman would be the child's guardian angels.
Even though I recognize your opinions, I respectfully disagree on multiple points. This movie was received well by critics and audiences alike. It also accomplished artistic and commercial objectives. Yes, takes some departures from the comics, but it serves the whole of the movie itself as well as the connected universe. It's fine that you didn't like it, so why not just say that?
I got a call from Iman the night of, and I we spent a couple hours commiserating and sharing fond memories of him... no big deal, though.
How about the coked-up producer at Warner who thought this was a good idea in the first place? Let him shoulder the blame for such an abhorrent concept.
Reminds me of the first few times watching Dark City and constantly hearing the Strangers say chyuning or cuning.
That wasn't just any random guy. It was - you guessed it - Frank Stallone.
You found a better title for this. I would have also accepted White Knight Wimp.
[quote]ballsy...hairy...standing up...great climax...enormous masturpiece[sic][/quote]
Well done.
Hey, I take issue with this comment --
*falls down from drinking too much beer*
It's on the way.
Different framerate and/or alternate credits between versions.
Every film is a financial risk. This movie's budget is consistent with other introductory superhero features like Captain America, Thor, Iron Man, Ant Man, etc. Production was well underway before Suicide Squad and Batman v Superman, so any speculation on those movies effecting this one's budget is inaccurate.
I would kick her out of your bed and tell her to get into mine.
Epileptic camera operators need work, too.
Baz Luhrmann's films contain notoriously horrible editing, the first half in particular. It's as if the cocaine budget always runs out midway through production, and the story's pace plummets to a crawl as a result.
A bonnie lass indeed.