MovieChat Forums > The Hateful Eight (2015) Discussion > I call plagarism pure and simple.

I call plagarism pure and simple.


I love Tarantino and as a film student/buff I love seeing all the references and homages............. but this time he has gone too far.

I am not sure how widely this has been mentioned in the U.S (aussie here) but this time I call sheer plagiarism. Its from the TV serial The Rebel from the late 50's.

Not only has he taken the basic plot but also several internal plot lines, scenarios and actual dialogue. Watch it and i'll guarantee your shoulders will slump. He even does..... the stew, the dead horse, the stranger getting on the coach, the poisoning, the last gasp warning, somebody has to do the job, the 'fill in' attendant, one or more of you helping her, the list just goes on and on

Nobody is above this type of criticism. This is not tip your hat stuff at previous films ala Kill Bill. This is shameful. And yes I liked the film a lot.


https://www.youtube.com/watch?v=6C9Svv0c4Xw&feature=youtu.be


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This doesn't look good in light of the recent $100m copyright claim over Django Unchained.

http://www.theguardian.com/film/2015/dec/31/quentin-tarantino-copyright-claim-django-unchained-screenplay

Stealing has been an issue that's plagued QT his entire career. Right out of the gate Reservoir Dogs was, in places, a shot-for-shot carbon copy of City on Fire with major plot points and dramatic developments being directly lifted from it.

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yup

http://www.hollywood-elsewhere.com/2015/12/tarantino-still-busted-by-leydon-over-numerous-similarities-between-hateful-eight-and-55-year-old-rebel-episode/#disqus_thread



~I see a little silhouette of a man, Scaramouche, Scaramouche, will you do the Fandango.

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Oh yeah huge ripoff, still enjoyed the film but Tarantino is know for being unoriginal while building his career stealing others ideas....


Only hardcore Tarantino fanboys will say otherwise, but why listen to them.

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Reading this, I wonder who owns the rights to "The Rebel"? Somebody must. A lawsuit is a distinct possibility. Maybe one has already been filed and settled?

That said, QT himself said that he lifted one LINE in The Hateful Eight from an episode of The Virginian:

"Two measly bullets, and that's the end of Mexican Bob."

It was one bullet, and a different character, in The Virginian.

I suppose QT takes heart in knowing that most of us don't know these old TV shows at all, and so he can do what he wants with them.

Moreover, I''m willing to bet that the episode of "The Rebel" had none of the profanity, racial insults, or graphic violence of Hateful Eight. It merits a "based on an original story by" credit, only...

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And? Lol one of the best westerns ever made is a rip off of a Japanese Samurai film.


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They tried to pass that off as a unofficial remake but understandably got sued.

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Oh well that's okay then.


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Oh well that's okay then.


As long as hacks who can't come up with original ideas get sued for stealing.


I remember when Shia ladouche got shat on for plagiarism, people *beep* in Hollywood for constant remakes and reimages...

While Tarantino the biggest unoriginal hack of them all seems to constantly get free passes by his fanboys for his plagiarizing ways

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People are acting like his screenplay should be up for a Oscar looool

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Sergio Leone and Walter Hill are hacks... okay. You're opinion means nothing to me.

Oh there's that word again 'Fan Boy' (I.E Someone who disagrees with you). I found the film disappointing I'm just defending the concept of re-used themes and ideas which by the way has always been since the beginning of film.


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Only Sergio Leone was QT's Pai Mei.

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People blast Carlos Mencia for stealing jokes yet give Tarantino a pass and claim that he is simply "inspired" by old TV or is "paying homage". It's all very strange how people let things slide when they are fans of the person doing the stea....homage.

"No man yet found drinks his tea blacker"

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for me it doesn't matter where the movie got it's ideas from, as long as i enjoy it

the plagiarism thing i don't care about

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Though the line between homage, remixing and plagiarism can admittedly be complex, its a fair call you make here even if others might have a more lenient view of where to draw the line.

While every creative work is influenced by a previous work on some level of abstraction, the problem with many of today's current crop of filmmakers (with Tarantino and P.T. Anderson in particular) is that their primary influence comes from films and TV from the past, whereas the pioneering greats of cinema had their creative influences from works outside of film and TV itself. So this problem was inevitable.

True homage presupposes that an audience will already be familiar with the underlying work that it is trying to comment on or 'remix'. DePalma always assumed that his audience was familiar with Hitchcock, so he never fell into this trap, despite the obvious influence there.

But that is not the case with many of today's filmmakers with regards to their respective influences. Its as though they are counting on the ignorance of their audiences, hence people (especially younger generations who aren't as familiar with past works) often mistake their remixes for originality and heap unjustified praise upon the appropriators.

Thus you have people praising Dazed and Confused without knowing about The Pom Pom Girls.

Thus you have people praising Magnolia without knowing about Nashville or Short Cuts.

Thus you have people praising The Hateful Eight...

Had The Rebel remained prominent in the public consciousness throughout the decades, some might look on this debate a bit differently and argue that it is more akin to a DePalma-style remix, but that is obviously not the case in this instance.

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Yeah De Palma is a good example. His early style was certainly broad Hitchockian but the stories are his own. I really enjoyed Kill Bill with all its obvious and not so obvious references but QT was open about them. But with TH8 he just went too far and I cant believe it was subconscious. Too many little Points that a childhood memory would not remember,

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The worst part is that he refused to cite the source of his inspiration. He mentioned Bonanza and The Virginian, but didn't want to fess up about the true origins of The Hateful Eight.

It's sneaky, especially when you hear him talk about his writing process and how he doesn't know where the story's gonna go until he puts pen to paper and allows his characters to determine their own fates. In light of this recent discovery, it seems he knew exactly where it was all going, apart from maybe the conclusion.

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ok pretenousandjfrurjgshXthead

how about this? i love P.T.A. you're outta your mind if you think ppl dnt know altman esp that nashville and short cuts or just altman in general are a huge influence on pta and i have seen almost all of altmans films.

How about putney swope, greasers palace, pound. Any Downey Sr??

Antonioni, Rossellini, De Palma, Hitchcock(of course), Casseavetes, Polanski, Lynch, Truffaut, Oshima, Kubrick, Zulawski, Gavras, Bava?????

So there are "ppl" esp in younger generations who are familiar with works of the past. its not everyones fault that every idea has been used already.

Idk many ppl who praised hateful8, but i know a ton who praised there will be blood, the master and inherent vice.

and, i think the new radiohead is garbage, but Thomas Pynchon is one of the literary greats. thats almost a fact.

Yet i still consider pta one of the best american filmmakers working today. He blows tarantino out of the water, his films since death proof have been pretty lame and he seems to have regressed as a filmmaker where as anderson seems to have matured.

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"Good artists copy; great artists steal." Pablo Picasso

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You know, I have never really understood that quote especially as its attributed to Steve jobs.

But I really don't think PP meant plain plagiarism if he even said it like that. Its like getting a copy of the Mona Lisa and drawing glasses on her and calling it yours.

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What you call plagiarism used to be pretty much how creators in the Western world worked in the past, and how many in other parts of the world continue to work today.

Think about many of the things to which the notion of “folk” or “traditional” is attached. One receives a thing as “traditional” and attempts to do that thing over again because, well, it’s “tradition.” When one does it, inevitably there is some difference from the thing one is imitating, but one doesn’t think of one’s attempt as trying to create something new. So, with the assumption in place that one is not taking exclusive ownership of something that is “original” to oneself, one is not expected to “cite” the source.

I’m not explaining it well -- and the words I’m using sound kind of doucey -- but the main point is that the idea that an artists is someone who [must] sit there and come up with these totally new ideas, which they then go on to own as a sort of intellectual property, and therefore that artists who follow must acknowledge your individual ownership and be careful of making their things different... Well, that idea is something specific to a culture and a time period. I see room for alternatives to that.

Your film gods: Lee Van Cleef and Laura Gemser
http://tinyurl.com/pa4ud44

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The reason you are not explaining it well is because you are trying to justify something that is not justifiable?

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It’s not an issue of justification. It’s a matter of opening your mind to notice that in different cultures / worldviews, you see different values with respect to whether art is owned by individuals or the community (or owned at all) and with respect to whether the expectation is that artists replicate the past or create something that seems different from the past. And those values affect the idea of citing or acknowledging sources.

This is why, too, the legal concept of copyright is rather peculiarly modern and Western, and why it is so hard to apply it to lots of art in the world -- and why artists with different perspectives often run afoul of copyright laws.

Your film gods: Lee Van Cleef and Laura Gemser
http://tinyurl.com/pa4ud44

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I don't care about some culture in New Guinea, or wherever....here in the civilized world, if you base your story on someone else's work you give credit. It's not some existential question for philosophical pondering. These rules are pretty much set in stone.

QT is an American writer/director who works for the American film industry. He knows the rules and the laws. To pretend otherwise....or pretend the rules don't apply to him because he may have a "different mindset" is not only ridiculous, is just downright dishonest.

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I don't care about some culture in New Guinea, or wherever....here in the civilized world, if you base your story on someone else's work you give credit. It's not some existential question for philosophical pondering. These rules are pretty much set in stone.

QT is an American writer/director who works for the American film industry. He knows the rules and the laws. To pretend otherwise....or pretend the rules don't apply to him because he may have a "different mindset" is not only ridiculous, is just downright dishonest.


____________**


Truth

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some culture in New Guinea? How about worldviews in the United States? Do you think hip hop works anything like Western classical music works anything like Native pow wow works anything like Taylor Swift? These traditions (we could call them that) all have different ways of approaching the issues of ownership, use, and acknowledgement/crediting.

A contemporary DJ is sampling all over the place; you’re supposed to get his/her references, but he/she is not necessarily expected to tell you what those are.

Your film gods: Lee Van Cleef and Laura Gemser
http://tinyurl.com/pa4ud44

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"A contemporary DJ is sampling all over the place; you’re supposed to get his/her references, but he/she is not necessarily expected to tell you what those are."

Just 3 of many things You can get in trouble for illegally sampling
1: illegally copying or distributing a song
2: failing to give proper credit to the owner of a song
3: playing, remixing or financially exploiting a song without proper permission.

So The DJ Is "expected to tell" and more than likely pay some one ..The owners of said samples..


http://youtube.com/watch?v=r7JdfWfoKls .



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To be honest though you should cite your sources. I really enjoyed this film and obviously Tarantino transformed the dynamics and everything else, but the plot and tropes seem to have been primarily lifted from this one 'Rebel' episode. In my view Tarantino should feel obliged to acknowledge his debt to it. Though it wouldn't demean his artistry in my eyes for him to do so, not doing so does demean his integrity.

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"Good artists copy; great artists steal." Tiger86-2




---
Click here:
http://soundcloud.com/tigermaster/

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I dont know, there are some pretty strong accusations made in this thread, so I just watched that entire episode, and I dont see what all the fuss is about. Clearly inspiration was drawn from Old Westerns like this, and he admitted as such. But people are getting a bit carried away with the "plagiarism" claims.

Similarities:

1) Female fugitive brought into an Inn by a Marshall on the way to turning her in.

2) Marshall is poisoned.

3) One person at the Inn is working with her.

Yes, those represent a very familiar setting and theme for the story. But that isnt even an outline of Hateful 8, its like the opening paragraph of a 500 page novel QT ends up writing.

Differences:

1) Only 1 guy is working with the fugitive. The other people in the story arent conspirators like in the movie.

2) The fugitive woman is innocent in the TV show and actually covering for the guy working with her in the Inn. That guy also wants to kill the woman, not save her.

3) The guy "filling in" for the Inn Keeper is telling the truth. He isnt a bad guy.

4) There's no Samuel L Jackson character.

5) No Bruce Dern character.

6) No hangman Tim Roth character.

7) Nobody puts all the pieces together to figure things out. The Rebel guy just starts accusing people and then gets coffee thrown in his face.

I mean really, this TV show is nothing like the Hateful 8 outside of the setting, the Marshall, the Female fugitive, and the poison. Literally everything else is different.

This is about as much a rip off as Facebook was for whatever lame ass website those Winklevoss twins were trying to get Zuckerburg to build. Zuckerburg clearly got his idea out of what they were doing, the seed was planted, but he made it his own. QT did the same thing with Hateful 8. He used a familiar setting and theme, and ran with it.

I could point to hundreds of movies that have done the same thing.

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^ This


Howard Hughes was Italian?

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Similarities:

1) Female fugitive brought into an Inn by a Marshall on the way to turning her in.

2) Marshall is poisoned.

3) One person at the Inn is working with her.



Are those seriously the only similarities you noticed?

Gosh this makes me sad for todays generation of mindless popcorn munching movie goers, things just go right over their heads...


He stole the basic plot and Aa the op put it "also several internal plot lines, scenarios and actual dialogue. Watch it and i'll guarantee your shoulders will slump."



Are are you not stupid and just pretending theyre the only similarities you notice because you are Tarantino fanboy by any chance?

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Are those seriously the only similarities you noticed?

Gosh this makes me sad for todays generation of mindless popcorn munching movie goers, things just go right over their heads...


He stole the basic plot and Aa the op put it "also several internal plot lines, scenarios and actual dialogue. Watch it and i'll guarantee your shoulders will slump."



Are are you not stupid and just pretending theyre the only similarities you notice because you are Tarantino fanboy by any chance?


More likely you are so concerned with trying to prove some nefarious action that you want to see more than there is. As I said, the Rebel episode was certainly a similar "themed" story, but there are substantial differences, much more differences than any similarities. QT already admitted his story was inspired by old TV and Movie westerns. What more do you want him to say exactly?

You honestly believe a writer and director of his caliber just blatantly stole from a television show that is easily accessible online in this day and age. This isnt 1994, this is 2016. No big name writer is simply going to copy a story and pass it off as his own like nobody is ever going to notice.

Oh my God, a female character in handcuffs, a marshal poisoned, multiple characters staying the night in one place. Somebody call the story police!

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Oh my God, a female character in handcuffs, a marshal poisoned, multiple characters staying the night in one place. Somebody call the story police!


Sorry, which one are you describing here?

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"Sorry, which one are you describing here?"

Touche!



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Yep. He took some dialog from the Rebel and put it in The Hateful Eight and didn't even change it.

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True.




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You honestly believe a writer and director of his caliber just blatantly stole from a television show


Let me guess you don't think he has stolen ideas for lots of his other films.

He was getting sued over django just because....

He never ripped off a foreign film for revoir dogs...


It's just seems to me you're ignoring facts because you love Tarantino.

Hell I like him myself, but I won't ignore the fact that he is not original and steals ideas from obscure cinema.

Get real you would have no idea about the rebel episode or most people on here, if some critics and people on here didn't bring it to light

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As much as I may like most of his films, QT has never struck me as being a man of high moral caliber. Quite the opposite, actually.

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yes... I too thought of the whole facebook situation. There is a difference though, as QT did in fact cite the early western TV shows as inspiration.

im·i·ta·tion
ˌiməˈtāSH(ə)n/
noun
a thing intended to simulate or copy something else.
"an imitation diamond"
synonyms: copy, simulation, reproduction, replica


in no way was he trying to replicate that show. He used similiar themes to make it his own.

another example would be Christopher Nolan with Interstellar. Undoubtedly similar to Kubricks 2001; A Space Odyssey- Nolan even mentioned it as inspiration. There are details in that film that mirror 2001. But ultimately- it was emulation- not imitation. Nolan made it his own- as did QT.

and to top it all off: Lets allow the court to decide. If hes being accused: the answer to this thread will be if the lawsuit goes through. If it is ultimately PROVED QT plagiarized- than ok. But it really is much more complex than that. The man is a cinema encyclopedia. He has always been doing this.

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