It's a bad film, guilty through the director's ineptness of it's own undoing. Not terrible though, but weak all over. The locations were ridiculously inaccurate, the character development and story arcs were simply propped up and left to hang, and the last half of the film was so contrived and cheesy and poorly structured that it just broke the film in two. Several examples of the deal breaking ending of this bad film:
The deaf girl was unaccounted for in the well - really? No one noticed that one of the children was missing? That is just ridiculous.
Falling into the well - no one was critically injured plunging down a 40 foot hole in the ground, just splash and crawl out of the water and all's great? Absurd.
And it would be a piece of cake to cable rescuers down a simple hole, the rescue would have been no problem at all. In fact the cable rig was in place for the dramatic emergence from the mine, but no, an army of rescue professionals with all the required tactical equipment in place stood around up top, clueless, because the story line required it. This is all indicative of bad film making, because it wrecks the story and authenticity of the piece.
Bullock was quite good, but she was trying to force fit her role into the script parameters and it didn't play out. They should have reworked the script to accommodate Bullock's obvious discrepancies with the written character of Mary, because the fact is she is an attractive and charismatic actor whose natural physical and expressive qualities exceed the role. (Most camera jockies like Cooper's character would jump at the opportunity to be stalked by a Sandra Bullock type.) At the same time, she was totally believable as a quirky, introverted, windbag genius. Tom Church really helped bridge the film's weak points, he's a great actor who did the best he could with the material. But I would not rehire this director to ever do another major studio film. He really blew it.
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