Philp Roth based Coleman Silks on Anatole Broyard, a literary critic for the New York Times. Both his parents were black Creoles from obviously multiracial backgrounds. In the novel Coleman Silks parents are discribed as having Swedish, Finnish, Scotish and other European ancestry, as well as African American. The actors, playing Silks' parents, in the movie version, are darker then Broyard's in real life, however. Like Silks, Broyard was able to pass for white when he entered the military. Part of his motivation for passing, when he started his literary career, was that he didn't want to be known as a writer rather then a black writer much as Silks wanted to be known as a classics proffessor rather then a black classic proffessor. All though his wife knew about his background and others had their suspisions, he never acknowleged his black ancestry and didn't even tell his two children until shortly before his death in 1990.
Just remember: I was as good as any and better then most-Vincent Freeman in Gattaca
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