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Nick Nightingale (SPOILERS)


How hard do you think it'd be to find a piano player named Nick Nightingale in Seattle? Or in any city come to that. He works in showbiz, but he's not a huge-name headliner, so he'd probably make himself easily-found, not to mention the odd last name.

What am I driving at? Bill's reaction to Nick's disappearance and then Ziegler's "reassurances" are interesting. Ziegler vows that Nick is fine, but is he? Bill doesn't check. He doesn't call Nick. He doesn't have Nick's number, but he could get it, and fast, and if he was really, really concerned, he could fly out there and say, "Hello," again, and confirm or dispel Ziegler's story.

Yet, he doesn't. Why not? Is Bill afraid of the truth? Is he convinced by Ziegler? Is he so paranoid he assumes that Ziegler & Co. can just conjure up a voice on a phone claiming to be Nick?

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During their exchange, Ziegler is symbolically closing Bill's eyes, returning him to an unseen state. Ziegler gives his placating interpretation of the events, reassuring Bill that everything is fine, but warns that he best not tread further.

He agrees, and now has his eyes wide shut.

Why does Bill go to Ziegler’s party every year? On one hand we can say that he is networking, hoping to add wealthy clientele. On the other hand, we can see that Bill wants to fit in. He wants to be a part of the elite of which Ziegler is also a part of, yet he can't. There is a running motif throughout the film pertaining to money. Although Bill is frequently seen physically handling money throughout the film, the clearest example is obviously Bill’s name, referring to a banknote or invoice. In the opening sequence we hear Bill ask Alice whether or not she has seen his wallet. During Bill’s dialogue with Nick at the party, he asks him why he ever left medical school, subtly indicating how the prospect has increased his overall status, both financially and socially (e.g., Alice as a trophy wife; relationship with Ziegler). In other words, the career of a physician has brought him to the apex of the pecking order. He is now in the company of Ziegler, unlike Nick, whose status is that of servant.

But even though Bill is of considerable wealth, he is not part of the elite. He rents out his costume for the mansion, and instead of driving in a limousine, takes a cab. This point is made clearly following the party sequence in the beginning. At the party, those of status are wearing black, while those who are entertainers (e.g., Nick and orchestra) are in white. In the scene following the party, we see Bill in his office wearing a white coat, mirroring the white worn by the entertainers the night before. Bill is part of the same servant class as Nick, only in a different format.

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Indeed; well-said.

This film has tremendous disquiet in its quietude. The calm, smooth soothing that Ziegler does at the end, and Bill not really pushing back is kinda scary.

I do love the film for its wonderful ambiguities, though. We can believe certain elements are true or false, and there is much to speculate on Bill's reactions.

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Great analysis.

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