MovieChat Forums > The Year of Living Dangerously (1983) Discussion > Why was Linda Hunt chosen to play this p...

Why was Linda Hunt chosen to play this part?


She's a woman, isn't she?
Billy is supposed to be a man, right?

I don't have a problem with it but I wonder if there was a deeper purpose...

"I haven't killed a midget since 1984" -Vincenzo Coccoti-

reply

I found the gender of the actor playing Billy to be very distracting. I was waiting for Billy to reveal his true gender identity through the whole picture. Other than that, the movie was absolutely brilliant and made me long for my traveling days.

James

reply

Were you waiting for the gender reveal because you knew Linda Hunt before seeing the movie? You have to understand that when this movie was released, Linda Hunt was not well known, having been in only a couple films previously. Those of us who saw the movie when it first came out were shocked to discover "Billy" was played by a woman ... and cheered when she won her well-deserved Oscar.

reply

I once heard Weir say that someone (casting director?) showed him photos of various actors as possibilities to play Billy. The casting director included a picture of Hunt, mostly as a joke, not telling Weir that it was a woman. Weir thought the face was perfect for the character. When told that it was a woman and that the photo wasn't meant to be taken seriously, Weir was undeterred. He cast her anyway.

reply

According to Peter Weir, he chose Linda Hunt simply because he couldn't find any male actor who could do it better. In fact is hard to imagine any other people (male or female) doing a better job than Linda Hunt.
During most part of the movie I couldn't believe what my eyes were seeing. Linda wasn't a woman playing a man. Linda was an actor who happened to be woman playing a character that happened to be male. And she did it flawlessly.

Linda Hunt as Billy Kwan is one of the best performances EVER. As simple as that.

reply

Watching it now on BBC1, an amazing performance she is on screen in virtually every scene of the film and her eerie voice helps build the atmosphere and carry the movie.

reply

Me too (i.e. watching it on BBC1). Loving Maurice Jarre's music.

reply

Finally got to watch it in its entirety on the BBC broadcast the other night. I've only ever caught bits of it when it's been screened on TV over the years, but I had made a mental note that I needed to see it for the reason that there was a portrayal of a character of profound humanity and love of humanity. Ten minutes in, and I realised that that was Linda Hunt.




"Don't Trust the Heart - It Wants Your Blood."

reply

Just watched it.. again.. on cable. Linda Hunt was truly amazing in this role. Theatre is make-believe. Movies, even those based on real people and real events, are make believe. Good, kind people who are actors portray evil, horrible characters all the time. Evil, horrible people who are actors portray good, kind characters all the time. Women/men portray the opposite gender in films deliberately as part of their character, as in The Crying Game, Yentl, Victor/Victoria. I see no reason why a woman/man can't portray the opposite gender with no explanation if it is convincing, realistic, and the actor does a wonderful job. They are actors, they are asked to portray characters against their real selves all the time, whether it be race, nationality, ethnicity, religion, socio-economic class, ability to play an instrument, sing, dance, and level of sanity. Which also allows Linda Hunt to portray a "eurasian/australasian/asian" or whatever she was supposed to be. Please don't use the overly obvious blackface/whiteface argument. And, let's not get ethnic heritage, race, and national origin, all mixed up in our minds, and let's not get reality confused with make-believe.

reply

I'm not an Asian American male. But an Asian male. Indian/Chinese with a Greek background on my mothers and Portugese on my fathers.

I do understand the idea of Asians being imasculated somewhat by their role in Hollywood and American film culture. Indians are forever the object of ridicule or for making fun because of the accents - Chinese are kung fu masters or dorks. But hey, we got people like John Cho and Kal Penn slowly changing that (and I'm talking about Flash Forward and The Namesake before people think Harold and Kumar, though I think H&K managed to actually humanize us in a "hey Asians can be dumbasses too").

But what cannot be ignored is her performance which is so strong and convincing that I can't help but think - there is nobody else who could play this role period.

Billy required a touch that I don't think many other actors or actress could bring. And that's what I'm going to take away from this. As my mother would say, sometimes something just requires a womans touch.

And he's hardly the best, what about the Indonesian male actors? Though far and in between in the story, how could you not be moved when Hamilton offers the other actor money so the military won't haress his father anymore? A small scene, but the pain that literally screamed out from the actors eyes when he says "For my father I will play the beggar." That was pretty damn memorable.

If you're searching for an insult, then you will be insulted.

--------------------------------------
Deftones makes the world a better place

reply

Another great film from the 1980's - a golden decade for film in my estimation, and serious film, dealing with politics and historical events and culture in seriously dramatic ways.

Any Peter Weir film is memorable. This one is no different - for so many reasons - but Linda Hunt makes it even more so. The image of her is the first image I have when I recall the film, though after her I quickly flash on Weaver and Gibson. This film is thick with authentic atmosphere - Weir got it right, especially the rain.

I recall the scene where one becomes aware that Weaver is not wearing any undergarments - and in an interview Weaver lamented, saying that one is told what to do when filming and she never guessed that so much would be seen by the camera, so she is utterly natural and oblivious to the fact that her sexuality for Gibson is achingly made evident to the audience. Brilliant cinematography.

But Linda Hunt - for sure an outstanding performance - but I was never comfortable with her. Like others have said she flashes between being a man, then a woman, then a man again, though on the whole Hunt is convincingly a man, yet....it didn't feel right, my mind kept questioning it. In the end it was disturbing to have a female actress preempting the role of an Asian man.....and yet that very discomfort riveted the character she was playing front and center. Made the character - and the character's story - more 'uncomfortably' present than if it had been the expected casting. One was compelled to ask - who is this? what is this? how should I be relating to this character? Because of what Weir did Billy Kwan's story comes front and center as unique and disturbing. Its a raw counter-punch. The psyche struggles to understand it while one watches and hence, the film is elevated to a place it could never have risen had the casting been 'normal'.

An example of the power of the vision of one artist having total control - and what can be achieved. The film would not be as nuanced without Linda Hunt's Billy Kwan - man/woman - unable to enter either world, unable to enter either world of the two cultures 'he' inhabits. A landless, sexless, lost soul - torn from age old identities by the chaos of a disintegrating world around 'him'. Brilliant.

reply

This is one of the all-time dumbest threads. How could anyone complain about the casting if this role (especially since it was 30 years)? Great movie...enjoy it for what it is...don't try to be Spike Lee.

reply

most of the asian actors who appeared in this film were Filipinos not Indonesian actors.

reply

Billy Kwan is a half-Asian, half-White dwarf. Read the book! His being a dwarf is vital to the character--even more than the mix of races. Haing S. Ngor, for example, was *not* a dwarf. Even if he'd been acting at the time, he'd have had a hard time pulling off that aspect of the character!

-----------------
"I've always resisted the notion that knowledge ruined paradise." Prof. Xavier

reply

I have been reading some of the replies and posts about this subject and most non-Asian's don't seem to have a problem with this casting choice. Lets put this question in an upside down way... how well would this movie have done if they had a lesbian Asian woman play Mel Gibson's role?
I thought about this whole issue when I came across this post in my facebook stream...

http://whitetribalchief.wordpress.com/2013/05/19/the-story/comment-page-1/#comment-21

reply

I can't imagine how a lesbian Asian woman could pass for a handsome male journalist, but I can see how Linda Hunt bears a passing resemblance to this man:

http://www.imdb.com/name/nm5262794/

http://www.infobridge.it/Foto_SoerjosoemarnoY.jpg

reply

A whole bunch of my comments seemed to have been deleted by the administrator for whatever reasons, the fact of the matter is, the casting choice for Asian males is an insult because we are already badly represented by the actors that end up playing Asians in general...It doesn't bother me too much anymore, since the movie came out, Asians in the world in general have a consolidated whole industries and are on the path to total world domination!!!

reply

In addition to what lots of other people have already mentioned, I think having Linda Hunt play this role added an unexpectedly complex layer to Billy's character. Although he talks about loving Jilly and asking her to marry him, Billy does not come across as a typical "hot blooded male". Rather, he seems like a man whose sexual or romantic desires take the backseat to his concerns about the needs of the people of Indonesia. His passion is for helping the people and telling their stories through his lens.

Human perception is incredibly subtle. When I was watching this movie for the first time I could tell that Billy wasn't typically male, but I couldn't put my finger on it (being something like 12 at the time...there was a lot about the world I didn't understand yet). It wasn't until I re-watched it several years later that I began to understand what was tickling my brain. Billy's slight androgyny really emphasized his place as being "apart" from the others in the film. Of mixed race and of unusual stature, he occupies a different place in the world - one where he's looking on as much as he is participating. Adding in the androgynous element really reinforces this sense that Billy comes from a different plane than the other characters do.

Also, I've always been intrigued by Billy's relationship with both Jilly and Guy. The expressions that cross his face when he realizes that Guy and Jilly have gotten together are intensely complex - he's gotten what he wanted, but is that really what he wanted? And later, when he and Guy get into a fight and Billy yells that he "gave" Jilly to Guy, indicating a feeling of possession that is quite complex. If Billy had been played by a man, we as viewers may have jumped to an expectation that Billy and Guy were active rivals for the same woman. But by making Billy more androgynous we're removed from that expectation, and the result is much more interesting.

Those are my two cents, anyway. :)

reply

Watching it on TCM right now, and I think Linda Hunt is intriguing in this role! No one was upset when Hilary Swank played Brandon Teena in Boys Don't Cry, and Hilary also won an Academy Award for her moving performance in that film.




AVADA KEDAVRA!!!

reply

She was absolutely brilliant in this movie.

reply

When I first saw the film, probably more than twenty years ago as I was a teenager, I thought the character of Billy Kwan was a plain women pretending to be a man, and who had been accepted as such by those around "him", never telling them any different. Such as in real historical cases of women of unusual stature or appearance who had decided to become men, changing their dress, haircut and so forth. Some of them, and one particular case I remember specifically, married a widow with children and thus had a "regular" family life. When he died, the new widow discovered the real gender and said she'd never known. They'd never had relations but only been partners and friends.

In any case, this is what I felt of Billy, who obviously had romantic feelings, but having grown up a dwarf, had likely long accepted his affection or devotion would never be returned by anyone such as Gibson's and Weaver's characters. Billy had a "comfortable" situation with a woman and her child. Now I don't remember if the Asian woman was his wife or just someone who he cared for and took care of. It seemed an nonsexual relationship, and in general Billy seemed asexual, as in he didn't seem to have a physical relationship with anyone.

Billy was still a "man" (whatever his gender, whatever the actor's gender) in this sense, just the same, and I felt his passion for the people as a whole, for his work, his photography was his true outlet for his unfulfilled passionate desires. This, too, as he saw his death impending, was also tied into those feelings so that his end was almost a kind of fulfillment.

"I've seen things you people wouldn't believe..." Roy Batty, Blade Runner.

reply