Last House on the Left has a lot of rough edges when it comes to the filmmaking. It often feels cheap, misguided and amateurish. Yet, for me, the rough edges add to its charm. I love seeing a filmmaker clearly making the film they wanted to make, regardless of its controversial nature or whether they have the ability to make it. The Last House remake smoothed these edges out and sorted out a few of the dud plot points. Strangely enough though, we lost the majority of the original films charm and its impact.
Wes Craven was brought up deeply religious, not allowed to watch a film until he was 18. He then was witness to Man with no name Westerns and Hollywood action formulas in which people were dying with no consequence. This struck him, particularly because before he watched films a lot of his knowledge of death came from footage and stories of the current Vietnam war.
After experimenting with a soft core porn, he and his filmmaking partner embarked on the idea of making a film where violence truly begets violence. Where people are pained and lives are lost. An angry rebellion against the war and a film that signifies the end of the hippie movement.
They had no idea what they were doing, it's evident in the film. But what's more evident, is their rebellious nature and this creates a far bigger impact.
It's probably the most amateurishly made film to ever be considered a masterpiece, but in its own way it is. As an aspiring filmmaker, this is the movie that gives me the most inspiration to go out and make films.
House on the edge of the park is a far smoother film. It's pretty well made, the acting (mostly by David Hess) is far more superior than the majority of video nasties of this kind. There's more believability than Last House. There are less filmmaking fails than Last House. It's an easier going ride, not because of content but because of evident production values that are lacking in Last House.
Is it better? For me? Nope. But it's pretty good, still rough around the edges but Ruggero Deadato is a pretty solid filmmaker and handles his constraints pretty well. I also like that it has something interesting to say about class wars. All the best exploitation films have a thesis amongst their nastiness.
So, both films are good, I prefer Last House, but I totally understand that many people would prefer House on the edge.
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