I'm watching it now


Masterpiece.

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Very good movie. I try to watch it every December.

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It is a masterpiece. Would be nice if more folks knew that.

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Criminally unknown.

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I watched it yesterday - the moment Jess freaks out shrieking for Phyl and Barb to answer her still gets me. Such a well crafted film in every way.

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This year, I was surprised how much I was affected by the scene were Barb was having an asthma attack. I've never really thought about this scene too much. Thinking it only existed to further the "I dreamed there was somebody in my room" warning.

But Barb is such a complex character. It's easy to look at her as just an unpleasant character, who is always drunk. But at the start of the movie, we see her mother running off with a strange man instead of spending time with her on Christmas. Barb seems at her most drunk and spiteful later when Mr. Harrison is there. Is this just the act of a character who doesn't really care about anybody, or the act of somebody who is jealous that one of the other girls has a worried parent there? Something Barb never seemed to have growing up.

At the end, when Barb is coughing and struggling to reach her asthma pump, Jess retrieves it for her and sits with her a moment to make sure she's okay. Showing that there is somebody willing to look after Barb, despite it all. This moment hadn't particularly resonated with me in previous years, but made me feel even sadder when Barb was killed. It felt that her character had come full circle in the movie, finally finding somebody who cared for her. It somehow made me wish she'd stayed alive longer, to stay with her friends that would confront her demons.

This sort of character development isn't present in a lot of slasher movies. As much as I love slashers, a lot of them feature characters that are stereotypes of lack depth. Certainly I've never seen ones that have characters this well developed.

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"This sort of character development isn't present in a lot of slasher movies. As much as I love slashers, a lot of them feature characters that are stereotypes of lack depth. Certainly I've never seen ones that have characters this well developed."

This.

The characters were so well drawn it's difficult to sit and watch a generic slasher flick soon after (Victor Crowley/Hatchet 4 was sat on my shelf waiting to go but I couldn't bring myself to do it). I mean, a final girl planning an abortion? That's complicated stuff right there, and they didn't feel the need to pander to audience questions and reveal what her eventual decision was (or if she lost it during her tussle with Peter) - amazing writing.

We've gotten to a point now where slasher films are made almost in reverse - the victims are made to be the villains, pretty much, so we 'enjoy' them being slain, rather than fear for them the way we used to. I think this shift happened in the late 80s - if you look at how Freddy went from evil to comical lead between Elm Streets 3 and 4, the same thing happened with Jason's prey, they just became stupid caricatures who we want to see die rather than survive.

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Yes.

How many finals girls are virgins, or at least are shown to be hesitant to have sex? Here we have a character that is rumoured but never confirmed to be a virgin that dies first. And the character who is pregnant and arguing about whether to abort her baby ends up being the final girl.

And notice in this movie, it's never implied that Jess is slutty in any way. In a lot of slashers women are either a prude or are jumping into bed with every man that comes along. (With the prude being the one we're supposed to side with.) There's no real in between.

Here Jess looks comes across as a polite young girl, who speaks respectfully to her elders. Even shy in some cases. But at the same time, she just happens to have an unplanned pregnancy. Black Christmas as a movie never demonises this, or preaches about it. The audience is left to make up their own mind on her pro-abortion stance, without being told what to think. It feels like they're tackling an important issue, without trivialising it, whilst as the same time, making Jess appear to be a real character.

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I wonder if it reflects the purported more 'relaxed' Canadian outlook, when compared to the morality tales of American slasher films? The girls in Black Christmas appear very 'real' when compared to the teens of any given post-Friday the 13th slasher film, where they're either good or bad kids.

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