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OT: The making of Jaws is now a play (by Robert Shaw's son)


The connections between Psycho and Jaws are legion (not to mention Hitch's big share-holding in Universal led him to make another personal fortune from Jaws) so it isn't *completely* OT to discuss this here... but here's the NY Times's acct of the play:
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The ‘Jaws’ Shoot Was a Drama. Now It’s a Play.
The hit movie’s set was plagued by malfunctioning sharks and drunken feuds — perfect material for a night at the theater.

By Alex Marshall
Published Nov. 2, 2021Updated Nov. 3, 2021, 2:05 a.m. ET
LONDON — When Ian Shaw was 5, he did something to make any movie fan jealous: He visited the set of “Jaws.” On location on Martha’s Vineyard, an assistant pulled back a huge sheet and young Shaw found himself staring into the gaping mouth of the man-eating shark that would soon become a cinematic icon.

“I was terrified!” Shaw, now 51, recalled in a recent interview.

Shaw was on set because his father, Robert Shaw, was starring in the movie as Quint, the psychotic shark hunter who, by the film’s end, has been bitten in two. Shaw said he visited many of his father’s sets, and the “Jaws” shoot seemed like any other. But what he didn’t know back then was that the shoot was one of movie history’s most notoriously dysfunctional, plagued by technical problems and cast feuds.

The production’s three mechanical sharks kept breaking down, and shooting was often delayed: Steven Spielberg, the film’s director, took to calling the special effects team the “special defects department.” At one point, a boat they were filming on sunk, sending two cameras down to the sea floor. (The film inside the cameras turned out to be safe.)

Shaw’s father — who died in 1978 — brought difficulties of his own to the production. He drank heavily during the shoot, and clashed with a co-star, Richard Dreyfuss. The elder Shaw repeatedly belittled and tried to humiliate Dreyfuss, making off-putting comments seconds before the cameras rolled, or goading Dreyfuss into performing silly stunts, like climbing a ship’s mast and jumping into the sea.

Roy Scheider, the movie’s other star, was stuck between the feuding pair.

The younger Shaw didn’t learn the full extent of the chaos on the set of “Jaws” until decades later, he said, but he realized that they had enough drama for a play. Now he is winning rave reviews in Britain for “The Shark Is Broken,” a comedy three-hander running at the Ambassadors Theater in London’s West End through Jan. 15. In it, Shaw plays his father, stuck on a boat with Dreyfuss (Liam Murray Scott) and Scheider (Demetri Goritsas) as the tensions wax and wane.

In a recent interview, Shaw talked about the difficulty of portraying his father’s darker side onstage, and whether conflict can spur creativity. These are edited extracts of that conversation.

In the play, your father clearly dislikes “Jaws.” Did he ever take you to see the movie?

I saw it when I was very young, in a screening room somewhere, and was absolutely terrified and couldn’t go in the swimming pool afterward. I remember having nightmares, imagining sharks around my bed and calling for my dad to come and save me. Even though I knew that in the film he got eaten, I was able to suspend my disbelief about that.

What made you come up with the idea to turn the movie’s problems into this play?

I once had to grow a mustache for a part, and looked in the mirror and thought, “Oh, I look like Quint.” That’s what started it, but it seemed a very silly and foolish idea because I’d spent my whole career avoiding association with my dad.

Then I read Carl Gottlieb’s “The Jaws Log,” and watched documentaries, and saw there was this really interesting relationship between Robert and Richard and Roy — this triangle which makes for great drama. And you only need three people, so it’s affordable!

I toyed with the idea for years, because I felt it could be very embarrassing — potentially disrespectful to my dad and to the movie “Jaws,” which I love. To step into my dad’s shoes, and to paint him as an alcoholic — do I have the right to do that publicly?

Did you know he was an alcoholic at the time? He died only a few years after making “Jaws” when you were still young.

I did used to see him drink. I was often playing under the table in the Irish pubs when he would be having a session. But it didn’t seem a problem then. It actually seemed kind of normal.

I feel that generation, especially the more working-class actors like Richard Burton, had a little discomfort with the profession in terms of putting on tights and makeup. So their way of asserting their masculinity was to be hard drinkers, the sort of Viking method of proving themselves.
(cont.)

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(Cont'd)
What made you get over your fear of disrespecting him?

When I started writing the play with Joseph Nixon, we quickly saw it wasn’t just about “Jaws.” Joe’s father died very sadly, and it became a little bit more about fathers and sons, about addiction, about making movies in general. There were these other themes that meant it wasn’t just a stunt.

You show your father continually antagonizing Dreyfuss, often seemingly just for fun. Why do you think he behaved like that?

He really didn’t want to do “Jaws,” because, at the time, he was offered [the remake of] “Brief Encounter,” or was certainly in the running for it. He would have rather have done that, to break away from this macho image. He kind of felt handcuffed to “Jaws” to provide for his family.

Then the shark’s not working, so they’re hanging around. And he liked to drink. But also Dreyfus genuinely did wind him up and so he thought he needed a bit of a slap down. He dared Dreyfuss to jump off the mast from the top of the ship, and I think he fired a fire hose in his face. There’s so many stories, and a lot of them are true.

In the play, your father says he’s needling Dreyfuss to improve the movie. Their characters are meant to dislike each other. Did you consider that he might just have been trying to create a mood?

Personally, I think it was both because he was annoyed with Richard, but also he did think it was getting some good work done between them. The acting is so good in the film, so it probably did help.
(cont.)

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(Cont'd)
You once auditioned for a role in a production Dreyfuss was directing. How did that go given his past with your father?

He was directing “Hamlet,” and I went in and mentioned that I was Robert Shaw’s son and he looked, ironically, like Hamlet seeing his dead father. He just sat down and looked slightly ill. I was really taken aback at the time. I’d been expecting him to go, “Wonderful!” then give me a big hug. But he was very professional, because we obviously went through the audition.

Did you get the part?

No, I didn’t!

Given that “Jaws” experienced so many problems, did you have any of your own making “The Shark Is Broken?”

Not that I remember. When I had the first ideas on paper, I did wake up with cold sweats at three o’clock in the morning thinking, “This is really bad idea,” because I was really worried that I would offend my family. But in terms of the writing process, I really enjoyed it.

Do you think “Jaws” would have been a better movie without the problems?

No, because the problems meant they all hung around and developed it. It allowed them to improvise. “You’re gonna need a bigger boat” was a piece of improvisation from Steven Spielberg. And the delays allowed my father to rewrite the Indianapolis speech, which is a big moment. All sorts of things in it were devised while they were hanging around waiting.

So disaster is a good recipe for creative success?

Well, it can be.

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The connections between Psycho and Jaws are legion

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I see Jaws as most like Psycho -- versus other shockers -' in a number of ways: massive nationwide(and worldwide) blockbuster; "suspense via a zone of danger"(the ocean, the Bates Motel and Mansion); shock killings and screaming audiences (Psycho's 2 increased to Jaws many), artfulness OF the killings(so as not to drown entirely in gore, though Quint's comes close); made by movie masters(Old Hitch, Young Spielberg), "hybrids" (Psycho is horror/crime/Gothic comedy; Jaws is horror/adventure/buddy movie/comedy.)

Etc.

(not to mention Hitch's big share-holding in Universal led him to make another personal fortune from Jaws)

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Yep. And Airport and The Sting and Smokey and the Bandit and Animal House...

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so it isn't *completely* OT to discuss this here...

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hardly.

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but here's the NY Times's acct of the play:
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The ‘Jaws’ Shoot Was a Drama. Now It’s a Play.

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We've had a movie on the making of Psycho, and something is coming on the making of The Godfather, I suppose this play is a prelude to a movie about the making of Jaws(it can be used as the source, much as The Girl -- about The Birds --was a play first.) Might be hard to duplicate the difficult at sea making of Jaws AT sea, though.

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LONDON — When Ian Shaw was 5, he did something to make any movie fan jealous: He visited the set of “Jaws.” On location on Martha’s Vineyard, an assistant pulled back a huge sheet and young Shaw found himself staring into the gaping mouth of the man-eating shark that would soon become a cinematic icon.

“I was terrified!” Shaw, now 51, recalled in a recent interview.

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51...I believe the age of his father Robert Shaw when he died young of a heart attack. Let's hope the son lives MUCH longer..as Robert Walker Jr outpaced his father Robert(Bruno Anthony) Walker.

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Shaw was on set because his father, Robert Shaw, was starring in the movie as Quint, the psychotic shark hunter who, by the film’s end, has been bitten in two

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AND swallowed whole...just as Quint had opined ("Swallah a man whole")

CONT

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You show your father continually antagonizing Dreyfuss, often seemingly just for fun. Why do you think he behaved like that?

He really didn’t want to do “Jaws,” because, at the time, he was offered [the remake of] “Brief Encounter,” or was certainly in the running for it. He would have rather have done that, to break away from this macho image. He kind of felt handcuffed to “Jaws” to provide for his family.

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And movie history: Spielberg offered Quint to Lee Marvin first. I remain amazed that Marvin said "no." He was a GREAT star of the late 60's but rather frittered it all away in the 70's. First he turned down The Wild Bunch(Holden role) in '69; then he did things in the 70's(around the time of Jaws) for an only-barely-respectable American International(Shout at the Devil.) The hard-drinking PTSD Marvin aged quickly after his peak stardom and perhaps just didn't want to do movies as rigorous as Jaws. And I feel that the aging Holden was better for The Wild Bunch. But still...Lee Marvin could have been part of some more classics.

The role was pitched to Sterling Hayden who couldn't do it because of tax problems if he came back to the US. Shaw got it because he was in The Sting for the same producers, in a role that Richard Boone turned down. So Richard Boone, Lee Marvin, and Sterling Hayden made Robert Shaw a big star in the 70's.

CONT

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Then the shark’s not working, so they’re hanging around. And he liked to drink. But also Dreyfus genuinely did wind him up and so he thought he needed a bit of a slap down. He dared Dreyfuss to jump off the mast from the top of the ship, and I think he fired a fire hose in his face.

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I've read about the mast jumping(Spielberg forbade it -- here's a 27 year old having to control three stars) but not the fire hose!

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There’s so many stories, and a lot of them are true.

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"There is your version, my version, and the true version" _- Robert Evans.

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In the play, your father says he’s needling Dreyfuss to improve the movie. Their characters are meant to dislike each other. Did you consider that he might just have been trying to create a mood?

Personally, I think it was both because he was annoyed with Richard, but also he did think it was getting some good work done between them. The acting is so good in the film, so it probably did help

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And on YouTube, you can find some TV talk show of some years ago(not in the US) where Richard Dreyfuss meets the now late Shaw's granddaughter...and just starts crying. Interesting, where the Shaw-Dreyfuss relationship ended up after one of them died.

BTW, I think I read that Dreyfuss was getting lots of young chicks on the idle location...I'll bet that bugged Shaw, too.

CONT

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Then I read Carl Gottlieb’s “The Jaws Log,”

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That was a paperback that came out with the movie, one of the earliest books about "the making of" and very close in time. Gottlieb co-wrote the movie of Jaws(with novelist Peter Benchly and unbilled thousands, including Robert Shaw) and is in the film as a rather plump and moustacheod councilman.

It was a pretty good look at the actors, the young director, the problems with the shark -- and the problems filming on the water. Film Editor Verna Fields evidently saved the movie by fixing a lot of mismatched footage.

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and watched documentaries, and saw there was this really interesting relationship between Robert and Richard and Roy — this triangle which makes for great drama. And you only need three people, so it’s affordable!

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They are a great trio on the screen, and evidently interesting in real life. Poor Roy Scheider, he went from the Shaw/Dreyfuss fighting on Jaws to Dustin Hoffman raging and controlling on the Marathon Man set later.

A thought: all that trouble and personality conflict in the making of Jaws - and, the making of Psycho sounds like it went along fine. Hitchcock himself was mad at Vera Miles(for ditching Vertigo) and didn't much like John Gavin, but the actors all got along well and did their best for the great director. The two murder scenes were hard to film, but nothing like the work on the sea for Jaws.


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