Just saw this now(in Todd AO digital print BTW - wow it pops) and have thoughts on the Jud issue. I stand by my earlier comment, I didn't see a single moment where the filmmakers made an effort to soften Jud. He is never shown looking sad or disappointed, I think he is a caricature, not a character, much like the rest of the cast. I feel there is 0 intentional depth in this film.
That said if we want to look at it on a deeper level we must look at the entire film the same way. Using that lens Jud is the feared, victimized and misunderstood "other" to the towns "normal" so of course garners lots of sympathy from a modern audience. Keep in mind we are supposed to sympathize with Curly, who is a grinning sadist, and Laurie, who is an idiot. Note enormous hostility in their courtship early on. He sweet talks her with lies.
I feel the external conflict here is the introduction of the modern age to the innocent world via the song "Kansas City" -- sky scrapers, horseless buggies, wonton women and of course, death by porn (the knife in the kalidiscope, I mean can that be more explicit?). As Laurie tells her aunt "I want things to always stay the same", while the rest of the town (and world) prepares for big big changes (statehood, industrial age).
Since this is Laurie's story, the internal conflict, which is externalized in the "change vs stasis" theme, is her becoming an adult, leaving the simple innocence of youth and entering the adult world of conflict and ambiguity. Jud represents this part of her character, adult feelings a bit more complex and primal than the dainty jiggle of the surrey's virgin white tassels.
So the more developed analysis, Jud represents change, both frightening and alluring. Today he'd be referred to as the "bad boy", the unbridled passion a young girl wants to tame for her own. At the height of this threat he dies, maintain the status quo. Laurie does not go off to live with Curly. Curly is neutered like a horse, losing his freedom (horse), power(gun) and identity (he becomes a farmer), bound to the land, the women and occupying Curly's house.
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