MovieChat Forums > A Streetcar Named Desire (1951) Discussion > Anti-Polish sentiment in Streetcar

Anti-Polish sentiment in Streetcar


Any comments on how this play/movie depicts Poles?

Stanley Kowalski is abused in the film for his ethnicity. He defends himself eloquently (I am not a Polack - People from Poland are Poles, not Polacks).

In a historical perspective, this film/play was released not so long after the scientific (at the time) classification of Central/South/Eastern Europeans as racially inferior to other Europeans and general creation of the dumb/brute Polak stereotype in America.

Ironically Stanley is the most clever character in the play, he sees through Blanche's lies/deception when no one else does.

Perhaps a perspective not examined thoroughly, that his "brute" behavior results from the expectation to be this way. In other words, he succumbs to brutish behavior because of his own abuse.

I wonder, what audience perceptions would be if Stanley was black and not Polish? Would his eventual abuse of Blanche be viewed sympathetically, as justifiable? (or at least more understandable).

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Just because a violent character is Polish, that doesn't make the movie anti-Polish. Personally, I got the impression that Blanche had some racism in her for calling him a Polack. I don't know if that was the impression the writer tried to give.

Anyways, if a person is capable of hitting his wife like that, knowing that she's pregnant, such a person does not just behave brutally because of expectations. Violence is a much deeper part of his character. The movie clearly shows the animalistic character he takes on, when he's angry.

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...if Stanley was [sic] black and not Polish...

Now THAT'S a production of Streetcar I would love to see! LOL!

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I don't know how many people in the South of that era could trace their ancestry to Poland, but remember that this play was written in the 40s and was first presented on stage in 1947. There was significant prejudice in Europe at the time that may have carried over somewhat in the US.

Although there have been people of Polish descent in the US since the 17th century, Stanley would have likely been descended from the first major wave of Polish immigration to the US, which was from 1870 to 1914. He is described by the author as being about 29-30 years old, which would mean he was born around 1917. His immediate forbears therefore would have been peasants who fled during an era of poverty and starvation. His own parents could even have been illiterate. There was and still is a significant Polish community in Chicago, which may be where he is originally from.

I find it interesting that Stanley never mentions his family of origin. We don't know if they are still alive or whether he communicates with them. Stella never mentions having met them. Knowing the author's propensity for writing about dysfunctional families, I am going to guess that Stanley's family was just as dysfunctional as Stella's, but in a different way.

He could have witnessed domestic violence in his parents' home. He may have enlisted in the army to escape it. He could have taken advantage of the GI Bill to finish high school (at a time with a high drop-out rate) so he had some chance to better his life. However, he still has anger-management issues in an era that didn't talk much about this stuff. Stella may have been attracted to the man in the uniform and probably finds his hypermasculine manner exciting after the bland young men she knew in her youth, but most likely never bargained for someone who hits her when he's drunk. We don't know how often that happens.

As to your question about whether we'd feel differently about all this if he were black, I can answer that. There is no difference.

Three years ago there was a revival of the play on Broadway with a mostly black cast. Blair Underwood portrayed Stanley, Wood Harris was Mitch. Nicole Ari Parker was Blanche and Daphne Rubin-Vega was Stella. The two actresses' complexions were lighter than the two actors'. Stanley's last name was never mentioned and all dialogue referring to his ethnicity was deleted.

I went to see this out of curiosity. The differences were about class distinction rather than ethnicity. Nicole Ari Parker was paler, lighter-boned, and graceful while Blair Underwood played up Stanley's brutishness. At times he seemed to make fun of Blanche's characterization of Stanley as ape-ish but there certainly was nothing funny or ambiguous about the rape scene.

What this production brought home is that this story is a human drama that has little to do with race and everything to do with mental illness, relationship dysfunction, and how anyone is affected by the family of origin.



The Fabio Principle: Puffy shirts look best on men who look even better without them.

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I went to see this out of curiosity. The differences were about class distinction rather than ethnicity.


The issue was never with Stanley's ethnicity. I think that was something Blanche mostly said to get back at him for his brutish ways. The main problem Blanche always had with him were his "subhuman" ways, which is very clearly illustrated in her "he's common" monologue.

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It is a lost and brutal world of immigration and poverty (not unlike the early Irish). If you want to get the 'feel' of 'Polack' negative types - watch the great Chicago movie CALL NORTHSIDE 777 with James Stewart. The poverty and degradation of the poor Poles in Chicago of the earlier 20th century is rather surprising.

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wow, all the replies here are so intelligent, as opposed to the messages on "Gandhi" where some people thought he was a fictional character.

I think it's safe to assume that Blanche had prejudice against the Poles, Italians, Jews, you name it. I ran into this in my own family dealing with people from the south. Not all people, of course, but a certain type from an earlier generation.

As for Williams, I don't think he intended to be anti-Pole. It's really a story of the old versus the new south - a later Gone with the Wind, if you will.

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And Blanche was clearly a member of the Old South--at least in her own mind.
Some people (myself included) have looked on Blanche as an older, defeated Scarlett O'Hara, but upon reflection, she's more similar to Ashley Wilkes--a man who lost everything that's dear to him and cannot adapt to the changes in the society he lived in.

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True. Scarlet was never really defeated; she adjusted to the new south by going into business.

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[deleted]

The play depicts one guy as a brute and boor. He happens to be of Polish descent. It contains no commentary on Poles in general.

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I agree with you entirely, although OP's question about if/how Stanley being black would change things is an interesting one. I think if Stanley were black, people would be pretty upset by them portraying "blacks" as brutes. Of course, it's also worth considering that one black person on TV or in a film tends to be taken as indicative of the group, whereas that might not be the case with a European.

On the other other hand, there are a lot of rude Polish people jokes...

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