MovieChat Forums > The Birth of a Nation (1915) Discussion > How is this movie not in the top 250

How is this movie not in the top 250


I don't particularly care for this film, I like many people on this board think it's a vile, racist piece of propoganda. Having said that, this film gave birth (pun intended) to modern cinema! How can this film not be in the top 250 and something like the Kill Bill films are?

Last film I saw:
Shaun of the Dead 10/10

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" I like many people on this board think it's a vile, racist piece of propoganda"

That is exactly the reason why it is not in the top 250. It is never going to get an 8.0 rating which is needed to get on the list with people like you,me, and practicley everyone else thinking this movie is flawed by its racism. It might be that this movie is a milestone in cinema history, but voters on this site dont care about this, content is what matters.

Kill Bill movies were awesome, they deserve to be in the top 250.

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they are on the top 250
Now from Dusk till Dawn and Ghost World, those deserve to be on the top 250

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From...dusk...till...Dawn...?

[incredulous tone]

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Kill Bil is a plain copy of Kurosawa's movies.And this film is very important for the history of the film.Almost important as Battleship potemkin.Matbe there is a racisam in it,but you can read a history of american president Angas Willson and you will find simillar message

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"Birth of a Nation" created cinema as we know it. The techniques used in "Potemkin" came from the study of "Birth of a Nation" and the director idolized Griffith. (The Russians of that time thought Griffith was a communist and invited him to come to Moscow to head the people's cinema.) There is no way it could equal much less surpass "Birth of a Nation." "Kill Bill" is not a copy of Kurosawa. It copied many other Asian films, but Kurosawa's were not among them. Popular culture almost never gets it right; that is why it is so fleeting. "Kill Bill" and the others on the list, will be replaced in time by some other hit movie that captures the popular imagination. That is what the "top 250" are - the latest hits. "Birth of a Nation" should not be on that list because it doesn't need to be, and because it is one for the ages. Despite its overtones of racism, its age, its state of disrepair, and the attacks against it - it remains the movie that created the language of cinema and one of the most engaging movies of all time.

Like real life, and like America itself, the film is intuitive, complex and contradictory. Racist, but at the same time with a deep humanity that (in moments) extends to the very blacks in the film that is also degrades. The film clearly yearns for a future where there is equality among races, but at the same time it is unconsciously prejudiced. It is difficult for Americans to confront and deal with this film because it is so much a reflection of American culture and attitudes both conscious and unconscious - even today.

One reason it is so hated by many people is summarized in the comment someone made to me after seeing it: "Even though I despise the racism of this film I could not help myself from wanting the KKK to win. For that reason alone I will do everything in my power to destroy the reputation of this evil film, and prevent it from ever being seen." A view that is contradictory as the film itself. One wonders if she wanted to destroy the film, or the emotions it brought up from her own psyche. Regardless, the comment speaks to the power of this film to move people - even 90 years after it was made.

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How does birth of a nation promote equality? Black people were murdered in white race riots after the showing of the film. Intolerance or Broken Blossoms is Griffith's entry on the top 250.

"I could not help myself from wanting the KKK to winI could not help myself from wanting the KKK to win"
You are insane!





"Yes I killed them and hope they burn in hell!" - Samuel L. Jackson , A Time to Kill.

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facts speak for themselves. 1865 Us population 40 million. 1865-1965 white on black murder/execution legal and illegal in US 5500(3600 whites as well). 100 years. 5500 people. South africa 1994, population 40 million. black on white murder since 1994, 75,000. There is an event every october to remember the 75,000 whites who've been targeted in south africa called the red october event http://www.redoctober.co.za

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and kurasawa's movies are copies of john ford movies

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Quentin doesn't even like Kurosawa. Kill Bill is a rehash of Japanese b-movies, wuxia movies and spaghetti westerns. It is great in its own rights, but the depth, poetry and visual style of Kurosawa are nowhere to be found.

The room's a wreck, but her napkin is folded.

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Allo. Watch Sanjuro (1962)

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how can you say this is racist propaganda? it's just a bleeping movie for goodness sake! it tells a story and a true story for that matter! isn't that what movies are supposed to do? sheesh.. triumph of the will (or whatever is its name in english) now that is real propaganda! not the birth of a nation.

i may argue that crash is racist too (i don't feel it is racist per say, but a lot of people do think it is..) and still it is in the top 250!

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it tells a story and a true story for that matter!

By "true story", you mean "Confederate myth", right?

"Intelligent humor is not humor to the unintelligent."

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Confederate myth? I see someone needs to go back and reread some more history. Yes, much of what is shown is an extreme exaggeration of fact, but truth is, in fact, shown in much of the film. It is exaggerated and a spin was given to it that to many of us today including me is simply disgusting to see. But underneath, it is still fact. I don't like it any more than you do. I am not a Confederate, I am not a southerner and I am not a DW Griffith fan. But I know the history of that period pretty well and much of what he shows is exactly as it happened.

I do not defend how he showed it, only defend that what he showed is, in many cases, true. Reconstruction era corruption in politics, racism, and KKK atrocities were rampant; so was racism perpetrated by always-free blacks against formery enslaved blacks or against darker-skinned blacks by those lighter in color or more educated; rapes were committed by both whites and blacks against white and black women (they considered that "activity" one of the spoils of war, as hard as it may seem to us today); by n and s whites against ill-educated white immigrants brought south to work the farms mostly abandoned by former white owners, by the blacks themselves against the illiterate (at least in English) newly arrived immigrants, etc.

Blacks did rampage thru the south killing whites, but they did the same to other blacks they found in outlying areas, unprotected by the relative safety of the city.

Lynchings happened both in the south and the north. And s. whites, whom n. whites were trying to control, often were beaten by black prisoners or even black passersby pulled off the street to do just that. They were most happy to perform that service I would imagine, considering the time and place.

The idea was to divide the populace and then conquer the scattered groups. It was supposed to happen that way and it did happen that way precisely because divide and conquer always does work. We as humans seem to have a failing in that area. We make ourselves feel better only by degrading someone else, who we perceive to be lower down the food chain than we are. Makes it easier to both hate and hurt someone, if we see them as lesser humans than we believe ourselves to be.

And, northern whites wanting power in the vacuum of the south thought that if they pushed uneducated and unprepared blacks to run for office in the "new south", when the blacks failed, as they could only do in the face of such things and as such things were set out for them, the whites could swoop in and take over, which is precisely what they did do. The s whites should have hated the n. whites not the blacks. Of course, they did hate the n whites, it's just that they hated the blacks even more.

And of course, it helps to further our own purpose and get everyone chomping at the bit and foaming at the mouth if we wrap our version of the truth in the flag or make it seem courageous or patriotic to hold those views. A lot of the iconography and symbolism shown in this movie, like in the propaganda film Triumph of the Will, functions this way. Make it seem patriotic to hate a group or to revere one group over the others and it suddenly does begin to happen in real life, much to no thinking person' surprise.

Just as there were black slaveowners in the south during the antebellum period leading up to the civil war, there were white lynchers during that and the post-civil war era. Both these things are true but I bet half of you didn't know about the first thing. Or that a lot of the lynchings you have heard about actually took place up north, not in the south, and took place not just after the war, but in the 1930s as a result of wage and labor disputes, prior to the formation of labor unions in this country.

As I said before, I don't defend the way in which he told his version of the truth but I do defend a lot of what he showed, because it did happen, and was therefore the crux of some of the hatred whites had against blacks. Of course, I defend the blacks and their right to be angry at whites for the injustices done to them, too. I understand these things in the proper perspective. But I would never deny that they had, in fact, happened or say that anyone who told the truth about them is racist simply for telling the truth.

Now, the film, to me, is racist. Period. But the fact that a lot of what he tried to show about that period did in fact happen, isn't racist in and of itself. That he shows them doesn't make the film racist. It's his interpretation of them and the way he showed them that does make it so. There is a HUGE difference.

I do also agree with the poster who said that because it is so repugnantly racist it didn't make the list. Didn't stop movies like An Affair to Remember from making a lot of top lists, though. And some of those scenes at the Catholic school in AATR, leading up to the concert the kids perform, are so racist, my husband turns off the tv when they are shown. And I don't blame him, either. I always look away and think, I cannot believe they just showed that but yep, they sure did.

I also DO NOT think the movie should be shown without the racist scenes or that it should be altered to remove them in any way. It would be like going back and changing dates on birth certificates to hide the fact that somebody in the family was born illegitemately.

Truth's truth. Learn from it and move on.

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Truebe19 said: I think that if there werent as many blacks on here than it would have a better shot in the top 250.

I don't see how black people being "on here" would keep the movie from being in the top 250. Black people can't stop the fans of this movie from voting on it. If it was that easy for blacks to influence voting, George Bush wouldn't have been president, let alone re-elected. But I guess that's a whole different topic.

Anyway, I'm a black guy who owns the "Birth of a Nation" dvd. I think it's an important movie to have. It reminds us that the good ol' days weren't good for everyone and the current debates about this movie show that America still has some serious racial issues, whether they choose to acknowledge it or not.

I also watched the movie on TCM, and just before the movie I believe they said that it was rated somewhere around #44 on the greatest movies list. That's well within the top 250, don't you think?

Peace.

"The mind is like a parachute. It works best when it is open." - Rickson Gracie

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you on this peace of crap? i bet you on uncle tom's cabin to ha? maybe a signe autograph next to your mirror.lol just kidding. that was funny thought im black too. and I will buy this movie one day. and hopefully ill buy one of the original reels this move was printed on. just so i can burn the mutha****** in my back yard. i wont keep anything like this in my house. but Obama is about to be president so no matter what racial issues we have. we will all have Obama. so go out and vote for Obama. hahahahahahaahahahah in your face DW Griffen in your face racist bastards on this panel. I cant wait. im serious i can not wait.

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I think that if there werent as many blacks on here than it would have a better shot in the top 250
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that's so absurd, I actually laughed. No Freudian readings of my outburst please. Sometimes stupid ass - wholes make me laugh

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If there is a website that has this information, could you post it? I am not trying to refute what you are saying, I am actually just curious and would like to know more information on the subject. You're right, I didn't know most of the stuff you mentioned, so if you could just post the link, it would be really helpful to those of us who want to find out more.
If there isn't a link and you learned that information from books, I can just do more research.

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My professor, a Civil War historian, completely disagrees with you. He gave an entire lecture today on the inaccuracy of the film and how facts are taken out of context to support the message of the film and the Lost Cause movement.

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yes right. "triumph des willens" is real propaganda with worst intentions. but: it's a masterwork of filmmaking. correct me if i'm wrong, but i think it was leni riefenstahl who first worked with more than one camera at the same time on "triumph des willens", for more possibilities in cutting.

the problem with the "top 250" is, that there is no difference bewteen TECHNICAL GOOD and FEEL GOOD films.
both, "triumph des willens" and "birth of a nation" are surely TECHNICAL GOOD films, but will never again (i hope) become FEEL GOOD films.

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Oh yes, it was a very true story! It was also very informative. I had no idea Jesus worshipped the KKK.

"How do you write women so well?"
"I think of a man, and I take away reason and accountability."

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True story? Half-truths throughout, but, not totally true.

-Nam



'...the ultimate ending is: war itself.'

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I haven't seen it, but for some reason it's ranked #44 in the American Film Institutes Top 100 movies - http://www.afi.com/tvevents/100years/movies.aspx

There must be something there.

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History is overrated. Not everything deserves to be honored.

Dear God if you were alive, you know we'd kill you- Marilyn Manson

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its on the top 100 because it was the first movie to be over 100 minuets long (the first feature length movie)and there would be no feature lengh movies today if it had not been made, the highest grossing film of its time as well as the most expensive, the first film to be shown in the white house, and also the first film to use a facial close-up, deep focus, and jump-cut.

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It was not the first feature film nor the first that was over 100 min. Many Italian epics that came prior to Birth of a Nation were over 100 min. - released prior to "Birth" Cabiria 1914 181 min, Quo Vadis? 1912 120 min. Scuola d'eroi 1913 108 - to name a few.

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It's the choices of those who have voted their opinions of the movie. I recall giving it a '7', recognizing its technical mastery and its drama but recognizing the ugly and discreditable stereotypes -- and, of course, the distortions of historical fact.

The first part is of course superb, and if it ended at the Confederate surrender it would be an unqualified masterpiece. But it goes on, and even if the cinematic qualities remain good (the 'cavalry charge' of Klansmen who rescue a white woman from what was then considered a fate worse than death is exciting even if one finds the KKK objectionable).

The American Film Institute lists this movie as one of its 100 Greatest Films, probably on grounds of its early mastery of cinematic tricks, its unflagging pace, and its dramatic effectiveness, its frequent appearances in movie houses (at least in the silent movie era), and its historical significance. The influence upon American history may be largely malign due to its fostering of a discreditable cause -- but that is as much the fault of the naivete and viciousness of the American people 91 years ago, without which the Klan would have never grown into a dangerous movement.

Most movies in the AFI's "100 Greatest Films" list are in or are close to the IMDB's Top 250. That reflects in part movies that don't qualify for the AFI's "100 Greatest" list, including all foreign films and any movies released after 1994.

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It's not in the top 250 because people over glorify the most recent films (IMDB is not a good reference for what the best movies of all time really are). And this is a blatantly racist movie and that might keep some from giving it a good rating.

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how the hell does this movie have a 7.1 rating?? okay its blatantly racist and morally wrong, but its an epic film that was way ahead of its time, and is utterly spectacular coonsidering it was made in 1915!! 1915!! thats almost a 100 years ago!! whatever imdb is full of morons anyway...

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Just saw it again on TCM. From a technical and historical standpoint it certainly deserves consideration. I'm a little surprised it wasn't, actually. I can understand why people despise this film for it's content. I am a little disturbed by it as well. This film does serve to educate the modern person regarding the some of the attitudes towards blacks in America 90 years ago.

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I couldnt argue with it if it were rated 20th of all time and I cant argue it not being on the list at all. You could look at it either way really.

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It doesn't matter what the filmmakers accomplished in terms of technology and early filmaking, they movie is extremely racist. Being in the top 250 is an honor, and we should not honor racism. Why don't we honor Hitler, for his perfection of the toothbrush style mustache? Or for his use of the Iron Cross(oh wait, I forgot, stupid skater kids already do that with their Independent style clothing)?

Dear God if you were alive, you know we'd kill you- Marilyn Manson

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Wow.

"It doesn't matter what the filmmakers accomplished in terms of technology and early filmaking..."

I think that is one of the most moronic statements I have ever read on this board.

The film was extremely racist, I will not deny it. However, this fact does not mean I will submit to ignorance and state that it is not an important film, when it clearly is. DW Griffith created the modern movie language with this film.

It does matter what the filmmakers accomplished in terms of technology and early filmmaking, because every single movie since "Birth of a Nation" owes something to it.






"Quite a little tea party for Rudy Linnekar's bonfire."-Hank Quinlan in "Touch of Evil"

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The Birth of a Nation is indispensible history; a mark of the progressions we've made in both cinema and racial relations since 1915. I'm perfectly fine with where it is as far as ratings are concerned. In fact, I think it's lucky to be as high as a 7.0. Alot of you kids don't understand how much of a leap you are asking others to make (especially those who would be affected such acts of prejudice) by asking them to ignore the film's many tragic fallacies and to see the 'greatness' in this film. It's certainly obvious that they will not want to see it, and will certainly not want to endorse it. And, to be frank, they are right on all accounts. It's not like Citizen Kane; it's not indispensible for it's entertainment values, but solely for it's innovations, which have been nothing but bettered over time, whereas Citizen Kane has rarely been trumped emotionally (it's climax alone is worth vieiwing just for it's aching power). Gone With The Wind also served as influential (and amazingly entertaining) without being overtly racist, and I believe it covers some of the same ground as Birth Of A Nation in many diferent ways. These are merits that make a film timeless; they are indisputable classics which have both aged well in effect, but with equal grace in both politic and agenda. Both could be made in some way today. Are you certain you could make the same argument for Birth Of A Nation?


Let sleeping dogs lie, and if you're content with your admiration for the film, and feel it's justified, then why bother making a thread asking other people to feel the same way?


< Ronald Mendoza 4 Lyfe > Crew Member Since 01'

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You certainly could make that claim for Birth of a Nation. Probably the best way to see this is to look at only the first half. It is not so imbued with the Racism of the second half and is easier to view objectively. There are unforgettable and heart wrenching moments in that film. The scene where he throws the flag in the mouth of the cannon is practically an icon in cinema. The scene where the sister tries to make her shabby dress look good for her returning brother is filled with quiet pathos. The scene where he comes back from war wandering in almost a daze trying to recognize what has so changed, and then the door opening and the anonymous arms that welcome him. At the time, this had a deep affect on a people who were still suffering from the suffering caused by that Civil War and today it is still timeless. It is difficult for anyone to see that scene and not be deeply moved. There are many others.

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OJ Simpson perfected double-murder and getting away with it.

I doubt anyone will be in a rush to "honor" him.

I find it a bit disconcerting that the plight of African-Americans can be judged and dissected mostly by people who AREN'T African-American...to the point that an African-American's opinion of this vile movie is deemed more of an inconvenience than anything. Just what Griffith intended, I'm sure. I don't give a damn what advancements Griffith provided. His depiction of an entire race of people completely makes it null and void. The scary part is how easy it is for people to compartmentalize and essentially DEFEND the historical inaccuracy of this movie. For my great-grandmother Alice Smith, who died in 1995 at 100...she damn near lost her life after the racial riots that broke out after watching this movie. I was 9 years old listening to her tell that story. And to think, this movie has a LEGACY. When it comes to African-Americans, it seems no limit to what some people will look past. Then those same people want to turn around and call someone a victim or tell them to stop complaining. Jeez...but there's NO RACISM anymore. LMAO

So to Emmitt Till, Medgar Evers, James Byrd Jr, etc...I want to use this miniscule forum to celebrate YOUR legacy. One than can't be undone by a racist filmmaker and the terrorist group his movie helped galvanize. The stories I heard from FAMILY MEMBERS about what it was to be black in Arkansas, Mississippi, and Alabama during the 30's, 40's, and early 50's about Klan brutality and scare tactics aren't lost on me. They aren't just a footnote devalued by the apathy and downright hatred of you by some people in this country. And because of it...at least one person who is SUPPOSEDLY just as equal as the next person won't stop taking people to task who think it was okay that your existence could be fodder for a racist and demeaning depiction just because a man could edit his film well.

And to the poster who insinuated that they could/would watch an equally vile film if the racial roles were in reverse...don't make me laugh. There has been nothing but apathy towards black causes by 'mainstream' America for decades. The ONE time a black man used the system to his advantage, it was as if the country was going to fall apart or something. Didn't see that emotion when Rodney King's cops were initially acquitted. Didn't see that emotion when Robert Blake was acquitted. Amazing how that works. So don't tell me about some hypothetical. The reality is what disturbs me...

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Hear, hear!!!

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The first thing I did when I visited this movie's page on IMDb was to check out how the voting had gone down. It shows a clear weighted average of 7-8 among independent votes. Then there is a sh!tload of votes from white supremists and antis who have given it 10 and 1 respectively... Its like making a movie out of "Mein Kamph". You can't get an independent vote result on it no matter what you do... Check out the votes on Michael Moore's movies. Its political, so there you go... :P

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I think this movie does deserve a high rating and to be in the Top 250. I am not a white supremacist and I do find the subject matter appauling. Yet how many other silent films are there out there that are this well made especially for its time. The use of continuity editing and Griffith's effective use of iris', closeups and longshots was never fully conprehended in an emotional sense until he displayed his mastery of the techniques in this film. It was the first blockbuster and while it was controversial, people still knew that it was a good film because it had shattered all box office records (even though keeping records never really happened before this film). I don't think it is a good thing that it started a second movement in the Klan but that just goes to show how ignorant some people can be to be so easily persuaded by a film. I mean just because Michael Moore presents a one sided convincing arguement about why you shouldn't vote George Bush does not mean you should do what he says based on the information he is giving you. Use your head about certain topics. Yes this movie is racist, but it is incredibly crafted (as well as Michael Moore films) and it should still be watched by audiences today as a reminder of just how powerful cinema can be.

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This movie should be in the BOTTOM 100. What a disgusting piece of sh*t. As someone said before, who the f uck honestly cares about technical achievements? All those Michael Bay/McG movies have special fx and explosions galore but that doesn't stop them from sucking. And no, Michael Moore films are not all well-crafted. Just look at Fahrenheit 9/11: there are no interviews w/ anyone pertinant to the matter, not Bush himself, no cabinet member, no two-bit mayor, not even those swept-up in controversy like the Dixie Chix. BfC was much more professional and much better made. It's follow-up was just lazy, pathetic crap.



Number 1, I order you to go take a number 2.

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Well I haven't met anyone that thought this film was bad. Without the technical achievements modern films might have been set back 10 years for all we know and then a lot of our favourite movies might not have been made. You have to respect that there was nothing like this before with continuity editing and on such a large scale at that. It was the first time anyone had perfected all the technicalities of a film that we all take for granted in editing, close-ups or long shots, tracking, panning, lighting and so forth.

I watched this movie in a film class at my university and there wasn't a single person who disliked the film including the black students in my class. We all were appauled by the subject manner, but it is impossible to deny that this film is incredibly well mad to depict the KKK as the saviours of America which is what is haunting about the film. Everyone even said that it should be shown in highschools for students in grade 11 to 12 as a lesson to recognize certain injustices and how media is capable of influencing people to such a large extent. This film is a perfect example because it did start a second movement in the Klan which is a scary thought, but it is history and if we forget that it happened then there is a good chance that it could happen again with more propaganda films. The reason we study history is so we don't continue to make the same mistakes.

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This movie should be in the BOTTOM 100. What a disgusting piece of (profanity removed). As someone said before, who (profanity deleted) honestly cares about technical achievements? All those Michael Bay/McG movies have special fx and explosions galore but that doesn't stop them from sucking.

The movie's innovations are in camera tricks and editing -- not in 'special effects'. Special effects as a substitute for acting and script generally prove that a movie is substandard. Remember -- the movie is from 1915, and its technical standards are amazing for the time. Its techniques are used in later films of far different content.

The racism appals us 90 years later -- but it is we Americans who have changed. Birth of a Nation is an artifact of its time. Its drama is excellent. Characters (love them or hate them) are well defined. Acting is extremely good. The action itself is strong, and one must recognize that the Klan "cavalry charge" to extricate a "damsel in distress" is exciting -- even if one knows what the Klan is. The movie is clearly well-directed; it neither rushes nor drags. No other movie from before its time has such quality. The first half of the movie -- the part ending in the Union victory in the Civil War -- is unobjectionable. It's the latter part involving Reconstruction and Reaction that troubles people.

Racism was a cornerstone of American life in 1915, and any treatment of the Civil War from that time that doesn't demonize the South cannot fail to be racist by the standards of 2006. Today one can see the ending -- a rigged election -- as a fair warning of what the Klan did, establishing dictatorial, plutocratic state governments.

The American Film Institute rates it as one of the 100 Greatest American Movies in view of its cultural influence (not stating that most of the political influence was evil -- encouraging the revival of a new, fascistic, and even more brutal KKK), its technical merit, its contemporary reception, and the fact that it has been shown numerous times, even if not all for good purposes (such as recruitment of prospective KKK members).

Some great movies have political overtones. Can one discount The Battleship Potemkin as a great movie because one loathes Communism? I don't. I recognize the merits and I look for the propagandistic techniques in the plot, action, and cutting. Triumph of the Will? Hardly; it's still a masterpiece even if one loathes nazism for its destruction of human freedom and subsequent genocide and militarism. The nazi hatefest The Jew Suess? Bingo! It is incompetent and crude, and having a character sputing off nazi antisemitism while portraying a Jew is itself ludicrous.

One cannot set one's ethical standards, historical perspective, and and culture aside when watching a film of any kind. I can watch BoaN with my view that post-Reconstruction racism in the South was a dehumanizing and destructive phenomenon and continue to hold that view.

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