Glaring contradiction in technology (RE: Faster-than-light travel)
As a major premise of the story, we're asked to accept that at some indeterminate point in the future, humans have mastered the art of teleportation. Okay, I'll buy that. Harder to swallow is the apparent ability they have of shooting the 7 octillion or so atoms in the human body around the galaxy at faster-than-light speed (which as anyone who has a passing acquaintance with physics knows, is impossible). You'd think that such a miraculous achievement as breaking the laws of physics to suit our need would warrant some explanation in the movie, a little pseudo-scientific backstory perhaps, but no. It's apparently not that important.
Then again, I don't think this film's writers thought much of the audience's ability to discern the difference between real astronomy concepts and complete gibberish, which is made clear when the East Coast station commander authoritatively states that Infini "is sitting on a rock frozen to the point of near-infinite crush." Wha? That sounds like something my kid would write, and she's in the fifth grade. They could have emulated those wizard script-writers in Hollywood, and at least tossed in actual science terms when they have characters spout gibberish.
Anyway..I digress! Back to my original point: so we have people teleporting around faster than light, and they don't want to elaborate on how we've achieved this. OK, I'm fine with this too. However, at least have the world you've created be logically consistent, because I'm bothered by the fact that two-thirds into the movie we have one of the crew-members on Infini transmitting a message to his kids, and when Carmichael sees him he asks what he's doing. "Sending a radio transmission," the guy responds. "Radio transmission? They won't get that for centuries..." Carmichael states.
So, what gives? They are able to beam out billions upon billions upon billions of particles to any part of the galaxy instantaneously, but the guy's voicemail message has to obey the Relativity speed limit?
I think if you're going to make a movie like this, you should at least expend some effort to explain the technology at play. And even when it's far fetched it should at least be self-consistent. Sure, it's usually just some pseudo-scientific nonsense, but you don't have to be Isaac Asimov or Arthur C. Clarke to show a little creativity and have it be interesting. Take a look at something like Event Horizon, for example (which this movie definitely lifts from, BTW). Seeing the bizarre-looking travel technology at work, along with a remotely plausible explanation for it, was half the fun! All we got in this movie to signify space travel were some PDA taps and some wacky Jacob's Ladder-style head shuddering.
All in all, this movie actually had great atmosphere, solid acting, and decent special effects, but they definitely dropped the ball in the writing department.