You all just look pretty green by making these uninformed comments here. I liked how berzerker it gets after he kills the gun dealer and his buddy.
Hmmm. Maybe it is you who is green and uninformed about film.
Read up on suspension of disbelief please. Suspension of disbelief isn't something that is usually controlled by the viewer. There might be the odd person or two (like my mother) who can't accept anything in a film unless it is verifiably 'real' in the sense that it could happen or would happen in reality. Most people aren't like my mother. Most people watch films and can enjoy the premise, invest in the characters, believe a film while not actually thinking it's real or becoming disgruntled that it "couldn't possibly happen IRL". That is the whole purpose of skillful film making though - to overcome inherent disbelief, to 'suspend' it with ease, to move and impress the audience who know none of this stuff really happened. See also the "Paradox of fiction" on wiki:
1. Most people have emotional responses to characters, objects, events etc. which they know to be fictitious.
2. On the other hand, in order for us to be emotionally moved, we must believe that these characters, objects, or events, truly exist.
3. But no person who takes characters or events to be fictional at the same time believes that they are real.
The paradox shows how difficult it is for film makers to keep audiences invested, entertained and emotionally attached to the character while watching events which will usually be way outwith their normal lived experience.
As for The Guest. The filmmakers were obviously not skilled or talented enough to have most viewers suspend disbelief when they wanted you to believe the guy was suddenly not a Good Decent Buddy but actually a murderous cyborg.
When people complain that a movie is not realistic or that they thought they were 'watching a different movie" for the second half, for example - usually what you're seeing isn't ignorant viewers, but film makers who didn't obey basic rules of suspension of disbelief. Not only did they switch from tone and context, they actually switched genre of film! From a downbeat social realism tale of war to a blood red gore fest with robots, etc. It is pure nonsense and no wonder people who thought they were watching a true-to-life tale about war vets felt cheated.
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