MovieChat Forums > Atlas Shrugged: Part III (2014) Discussion > How come they can't hold onto their acto...

How come they can't hold onto their actors?



The cast seems to be changing with every film.



Didn't you like the black line?

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how many of these performances were worth holding onto?

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Armin Shimmerman and Ray Wise.

The trouble with the world is that the stupid are cocksure and the intelligent are full of doubt.
Bertrand Russel

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i would've said taylor schilling and the guy who played wyatt in the first episode were ok to decent.

nothing to write home about, though.

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The actors who stood out for me are:

Armin Shimerman as Dr Potter
Graham Beckel as Wyatt
Esai Morales as D'Anconia
Jason Beghe as Rearden
Robert Picardo as Stadler
Jeff Yager as Jeff Allen (the engineer who tells Dagny about the 20th Century Motors factory at the end of part II)
Larry Cedar as Ferris

It would be kind of an interesting exercise to compose the best cast possible from the three actors who played each of the major roles in this set of movies. It wouldn't save the imaginary reshoot from failure, though, unless they rewrote the script pretty drastically. I still can't believe they casually dropped the whole business of Rearden's guilt about sex and his affair with Dagny, that paralleled his guilt in the face of his wife and relatives because he was richer and more able than they, and therefore ripe for blackmail and exploitation. One of the best parts of the book, IMO.

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You'd think the producers would have thought to draw up multi-film contracts for the first movie's cast. Instead, we've got all the characters wildly changing ages from film to film. Just look at the differences between the actors playing Ellis Wyatt in the first and third films.

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It costs a lot of money to sign people to multi-film contracts.



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It's very poor though.

Could you imagine watching The Godfather, Lord Of The Rings or even Harry Potter if different actors were playing the principles in each film?

And Rupert Murdoch's supposed to be so into this message, why didn't Fox bankroll it?


Didn't you like the black line?

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Well, i suppose if the first installment made $100 million, they would have acted quickly to secure the same actors for "Part II". I can't imagine Mark Hamill or Harrison Ford signed a three-film contract for Star Wars (I'm just assuming). But once it was a guaranteed money-maker, I'm sure the contract hounds were barking at their doors.


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Why does it matter? Actors are merely vehicles for the message.

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in much the same manner as an 1100 page book is merely the vehicle for a 3 paragraph message.

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"Why does it matter? Actors are merely vehicles for the message."

And that's why these movies fail. Because it's not about telling a story, compelling performances, or skillful direction, it's about transcribing a message, which seems to show contempt for the medium of film. I'd say that makes it a propaganda film, but even propaganda films can be good if they're made be people who give a *beep*. Casablanca is regarded as one of the greatest films in history, and it was made as a propaganda film. These movies are just thrown together with whatever D-list actors, no name directors, and hack writers they can get to perform the task of ramming this message down their ever diminishing audience's throat.

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even propaganda films can be good if they're made be people who give a *beep*


Apparently the Randians have their heads so far up their asses that they don't even care if their propaganda changes anyone's mind. If you don't "get" the message then goddamn you.

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Isn't that pretty much the attitude of Ayn Rand's philosophy- that those who don't get the message aren't going to be hand-held through the wasteland of ignorance with the hope they will someday "get it"? You're either a hero or a zero and the zeroes are the looters who look to destroy the heroes.

The philosophy celebrates those who get it- and the movie obviously panders to those who already 'got it'. The films themselves aren't made from the perspective of trying to change people's minds (which, to me, belies the idea that it is propaganda) but only to serve those whose minds are already embracing the ideas in the novel and simply want to see them transposed onto the screen.



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"The films themselves aren't made from the perspective of trying to change people's minds (which, to me, belies the idea that it is propaganda) but only to serve those whose minds are already embracing the ideas in the novel and simply want to see them transposed onto the screen."

And that's not propaganda how?


Secular Nation Podcast http://tinyurl.com/SecNat

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And that's not propaganda how?


Because propaganda is usually something to be spread with the intent to establish or change a status quo. But with this film, i never got the idea that its intent was to change anyone's mind or set another set of ideals into motion. To me, this film speaks solely to those who have already "drank the Kool-Aid" so to speak and doesn;t really try to do anything but appeal to its already established audience.

I actually find this to be one of the film's strengths- that it doesn;t try to convince anyone or do anything but tell the story contained within the pages of the book.



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"Because propaganda is usually something to be spread with the intent to establish or change a status quo. But with this film, i never got the idea that its intent was to change anyone's mind or set another set of ideals into motion. To me, this film speaks solely to those who have already "drank the Kool-Aid" so to speak and doesn;t really try to do anything but appeal to its already established audience.

I actually find this to be one of the film's strengths- that it doesn;t try to convince anyone or do anything but tell the story contained within the pages of the book."

That's pretty much the opposite of what I understand propaganda to be in the classical sense. I think of propaganda, I think of state run media of totalitarian states, and those are almost exclusively about maintaining the status quo. The North Koreans aren't trying to convince new people that Kim Il Sung is the eternal leader who ascended to heaven on a thousand golden butterfly wings and Kim Jong Un's farts cure syphilis or whatever it is they assert, but to reinforce what their people have already been indoctrinated to believe since birth. Not that what you describe isn't propaganda, but your definition precludes the most obvious images of propaganda on the public consciousness.

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That's why i included "..to establish or change a status quo" because I agree with you, an integral part of propaganda is to maintain what already exists and to build on that to where it becomes the pervasive line of thinking


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Oh, poo! All films are propaganda! The message in this one is more blatant, that's all. These movies should have never been made.



.;*We Live Inside A Dream*;.

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@gabby_bm I can't imagine Mark Hamill or Harrison Ford signed a three-film contract for Star Wars (I'm just assuming).
I'd assume the opposite. What actor wouldn't want a multi-picture deal? And what director wouldn't want the same actors over the course of a franchise?

Remember, a multi-picture deal can always have a clause that's it's only valid if sequels are made, seeing as franchise-starters do fail.

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Well, had Atlas Shrugged gotten the reception and backing of those other trilogies then retaining the actors wouldn;t have been an issue, i don't think.

And yes, it was poor. but it was an impoverished production, by Hollywood standards. Aside from that, there are many sequels to successful films that didn't retain their lead actor(s) either.



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@gabby_bm Aside from that, there are many sequels to successful films that didn't retain their lead actor(s) either.
Really? I can only think of Robocop 3. I know there are others, but it doesn't seem like there are that many sequels in which the lead actor changes.

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The performances weren't brilliant, but for the sake of continuity alone I wish they kept the same people...I'm not a simpleton that needs to see the same face to get the same message/result, but its just one of those 'nice to haves'

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They want to work again.

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You can only trick people to pay to be in your Ayn Rand masterbation fantasy for so long. They may not pay in money, but they certainly pay in time, and in respect. This film series is a bit like albatross around their neck, This is what happens when you star in the sociopaths handbook.

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i dunno about that - taylor schilling seems to be doing pretty well with orange is the new black. all (ok, most) actors will act in anything if the $$ is right (or they're hungry enough!).

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Especially when you're working in a field where you're only as good as your last project?

Your replies will be graded & possibly used as material in future projects.

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It was weird that the main character Dagny was played by 3 different actresses

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