The three editors (Andrew Buckland, Michael McCusker, and Dirk Westervelt) did amazing work on this film. Every cut felt like music, hitting each down-point, crisp and clean.
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Indeed.
shareI thought the same. I also praise them for making the racing sequences in the movie version of Circuit de la Sarthe almost seamless, as IIRC from the making of documentary, they used like 5 different circuits, thus I'n not surprised the producers had to employ three editors.
Movie editors are the unsung heroes of filmmaking, you don't usually notice when they do their job properly.