MovieChat Forums > Nebraska (2014) Discussion > Loved movie except the scene . . .

Loved movie except the scene . . .


Spoiler follows.

Loved this movie, but didn't like scene where David socks the 70 something year old man. Seeing him suddenly hit an old man was not consistent with David's likability or David's basically sweet character. I found that act reprehensible. Yes, the Stacy keech character was a mean slimy obnoxious snake who was ridiculing someone for being senile. But words do not justify hitting an old man

I think this was a weak moment in the script. This was the only way the writer could think of to show David's protectiveness for his father? Surely a nonviolent more creative way would have been more consistent with David's nature.

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Yeah, that's really the only thing I would've changed in this film; unlike Ross' slap-fight with one of the cousins, this just felt out-of-place.

I wonder if the punch was there because the screenwriter wanted David to have his own moment of catharsis -- sorta on the order of his mother's GFY to his father's money-grubbing family (which, for me, was a real fist-in-the-air "YEAH!!!" moment) -- or simply because he couldn't think of anything better for the character to say or do.

I think an icy glare and/or a comment along the lines of Romy & Michele's "You're a bad person with an ugly heart, and we don't give a flying f--- what you think" would've been more appropriate.


"I know I'm not normal -- but I'm trying to change!" ~ Muriel's Wedding

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The punch fit right in.......Ed Pegram was an obnoxious, greedy, dishonest bully who had it coming and David was feeling the frustration of learning about his Dad's family and the other townspeople AND his Dad was no prize either. It represented a moment of taking control of his life.

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Thought you were going to say the scene where the brothers are watching a five year old Bears Lions game on television to the radio broadcasters. Joniak and Thayer are the best in the business, but come on Alexander did you think I wouldn't notice! Hope those guys saw the movie and loved it.

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what is the obsession with this? it's called artistic license folks -- it's NOT real! i was born and lived in San Francisco, Calif for over 40 years. EVERY film made there takes artistic license. do you think i didn't notice when McQueen in 'Bullitt' was racing around the City (and elsewhere, by the way), in a different area/neighborhood every 10 seconds? or when Eastwood in 'Dirty Harry' ran around chasing the psycho, again in a dozen or more different areas around town, none of which anyone could run to in the time allotted. the main page for this film refers to this TV/radio thing as a 'goof'. WRONG. a goof is UNintentional, something missed in editing (or maybe even allowed, as it would cost too much to re-shoot, or the director figures doesn't matter). like a boom mike dropping into the shot, or something represented as fact which is not. McQueen passes the SAME Volkswagen at least four times in his chase. was that a goof? NO, just keeping costs down -- you aren't supposed to focus on the cars he passes. folks. get over it. it's a MOVIE! ps: McQueen's Mustang was highly modified. the bad guys Charger was stock, and would, in REAL life, leave any standard Ford product in the dust. BUT, it's a MOVIE folks!

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Somehow, using any old football game would have been fine.....really, who cares? And as for watching it with the radio broadcast being used....that's how I always watch such games, the radio broadcast is light years better as commentary (because of the need for the announcer to build a picture of what is going on and because the TV announcers are usually inane airheads) and doesn't intrude on the game flow as much.

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Before we got DirecTV, we always listened to the Cleveland announcers on the radio for any Cleveland sports. It was just plain better, and much more color commentary for the home teams.

Now the radio and TV don't match up anymore, so we can't do it. For baseball, if I know the roster, I much prefer listening to the radio.

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I see your point that even though Pegram was in his 70's, he appeared to be healthy. Though that doesn't make the action of assaulting him seem that different (I guess if you compare to assaulting someone in a wheelchair).

But it wasn't that I "hoped" David to stay likeable, it was that I thought the script, otherwise perfect, was weak at that point by having a character engage in an extreme action (hitting someone, not in self-defense) that was so, well, out of character. I didn't offer an alternative. But now that I think about how it could have been done differently, I think that whole scene doesn't add anything to the story. I think it has a little bit of a quality (absent otherwise in this great movie) of pandering to the audience, i.e., the slimy bad guy gets his comeuppance. Thought this movie too good for that.

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[deleted]

Must be an Alexander Payne trademark. What you wrote is very much how I felt about Miles stealing money from his mother in Sideways. I understood we were supposed to accept the character of Miles as a flawed human being. (Heck, I'm a flawed person too.) But to have him steal from his mother was sinking so low that it crossed a line and became disturbing, at least for me.

Anyway, my apologies for getting off on a tangent and bringing another film into the discussion. But I just couldn't help but notice essentially the same flaw occurring in movies by the same (otherwise talented) director.

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Thank you for having brought this up .... I completely agree with you. This movie seemed to be turning Hollywood convention on its head until that moment. Can't we ever have a movie that doesn't, as you say, pander not so much to people's baser instincts but to a pre-formulated idea of what works? E.g. .... spoiler alert for some romantic movies .... I was offended in The Wedding Planner when Jennifer Lopez's character pursues Matthew McConaughey's, when it seemed her father's pick for her would have worked out better. Similarly in I Give It a Year, as someone said in a post on which I commented as well, it would have been much more satisfying if the two "psychos" would have ended up together and not gotten their way. True values don't seem to be very popular in movies.

But in defense of the director ... I was impressed that the brothers returned the compressor. Maybe the writer nd/or director felt they needed some highlight to counterpoint all the good that kept going down. (I was also amazed at David's ability to swap out vehicles and buy a compressor on his salary, although I guess as the cousins' behavior indicated, home theater will always be big even in a bear market.)

By the way, if you liked this movie otherwise, have you ever seen The Third Man? My favorite movie of all time. And I don't think you'll find anything off there ... jarring maybe but true.

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"David responded with physical violence. But for your alternative of words to work, they must effectively do violence as well, attacking not someone's skin but their psyche. Is that a better option when the old man is an old bear, who would surely mock the choice to use sharp words for being gutless?"

I hadn't considered that, but yeah, I could see that sort of response from Ed. Now that I think about it, David did cuss at him (albeit mildly) in a couple of earlier scenes -- his "statute of limitations on bulls---" line in the restroom, and his "get the hell away from me" in the booth when Ed brings up Woody's affair with the "half-breed" -- and Ed just seemed to disregard him. I suppose stronger language wouldn't made much of a difference.

Still, I wonder if it would've made for a more satisfying scene if David had yet again used words as his first instinct, and then resorted to a punch when Ed laughs at him or whatever...


"I know I'm not normal -- but I'm trying to change!" ~ Muriel's Wedding

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Hey, I love your bottom quote. Watching Eagle vs. Shark. I know it from New Zealand, but who cares. Glad you like the same *beep*

When he pushed past his dad and was going to only say only words, I thought nobody could write a satisfying dialogue.

The punch was necessary that all character were satisfies, it is a two hour movie after all.

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i thought the film needed it, right from the begining you could see that David was quite close to his father and was sick of people giving him a hard time, now when the news broke bout the lottery ticket and a bar full of people were making fun of Woody to his face that just pushed David to far. All David wanted was for his father to be able to leave out the rest of his life how he wanted to leave out the rest of his life and he didn't like people riding his ass all the time. And Ed wasn't even that old anyway i'd only say early 60s, it's not like David hit an 80 year old.

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Everyone hit age a different way, at a different time. So what do you mean exactly.

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The actor playing Ed is in his 70s. And given that he was partners with David's dad years ago, I don't think the character was supposed to be any younger (after all, the actor playing David's mom is 85).

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Daily single-tweet movie reviews: https://twitter.com/SlackerInc

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I thought the scene was entirely appropriate. All of the males in the film, except David and Ross were a bunch "rednecks" (for the want of a better description)upon whom a mocking with a "choice of sharp words" would be wasted. Besides Ed Pegram deserved what he got. And it was a catharsis for David.

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Interestingly enough it is Woody who in the end comes up with a great nonviolent reaction to the people in the bar making fun of him. What a great end to a great movie.

I personally did not find David's violent reaction very out of character. Yes, he comes across as a pacifist. However, I would say most sons would react in this way after seeing their weak and slightly dementing old father being ridiculed in a bar full of dad's old "friends". Woody is unable to do anything about it, he looks so tiny and humble in the way he approaches the old man to grab the pamphlet and shambling away. I found the scene very heart wrenching. At least the bar falls into silence as this happens; nobody feels comfortable. And I bet most folks in the attending crowd would say the old man had it coming.
Additionally, viewers of the movie know it was the old man who started threatening David and Woody twice before in the first place.

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I believe the whole point of that scene was to break David's consistency. The whole movie there are plenty of instances when David has to force himself to abandon his instinctive consistency and just go with the flow for once. Plus Ed didn't seem too old to take a punch to me. Anyone who is old enough to come up with a plan to steal money from a senile old man and then ridicule him in front of people is young enough to take a punch. Think about David's life from what we know. He probably never had a relationship with his father. He was probably a very shy kid. For once in his life he got to know his father in a more personal way right before he was sure to pass away, and here comes this jerk who used to be a close friend of his father who makes a mockery out of it because of his own greed. For once David stuck up for his family and himself. I think a theme of the movie was breaking tradition. Yeah, obviously the letter was a scam. But look at what David gained from the trip.

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I think the scene was pivotal for the character of David. Up to then, he was sleep walking through everything; very nonchalant. Once he gave that punch, he had fervor and emotion, which allowed him to have more empathy and appreciation for his father.

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I agree. Consider David's humdrum relationship, job, etc., and it's obvious that this particular act is more about him than Woody.
The events in the film (his father's family, the woman who once loved him but "lost out", etc.) gave him more appreciation for his father's resentment at life, etc.

Plus the film showed us Ed's character in the scene where he threatens David in the first place.

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add to this the dynamic that david's father had been leaned on and jobbed more or less all his life by most folks in his orbit, with the fallout deadening the experience of david's parents and siblings.

it was an act of emancipation, standing up for his father and by extension his family. the old bear put a big paw on david earlier. he was up for a shot.

it followed the first act of emancipation, liberating the stolen air compressor, which of course went comically awry.

in a world where everyone has an opinion on everything, you get a lot of bad opinions - me

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I think the scene was pivotal for the character of David.


It totally was. Just before he slugged Ed, I was shouting out to the TV Do it, do it!

I would also like to think that David went home to Billings and got himself a prettier girlfriend. The guy just had no confidence in himself.

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Me too, I totally agree. But what if in the script (and man I really hated those cousins) the probation officer of the one who was a rape (Ah hemmmm..."sexual assault"...sorry) convict was called? Golden opportunity for legitimate revenge/justice. Really, I felt like killing those two during the entire movie. And while murder is illegal (and hitting an old man) false imprisonment is as well and that loser cousin -- it seems one was on probation(?) -- would have gone away for a long time while the other would have also been busted as well.

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Guy was as neutral and passive as you can be. Growing up in that household, with parents like his, you can see how that happened. For me it was the first time I saw him make a break with his cool-headed detachment from things and make an (admittedly rash and non-commendable) decision to actually do something.

...And besides which, it was awesome!

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The punch was a bit of a cliche. Pegram was an emotional bully, not necessarily a physical one. Giving him a cold stare until he was forced to look away ... that also would have had impact. His buddies in the tavern, laughing at Peagram's joke, were the ones giving him an audience. I wanted to see a putdown that would affect them as well - recognizing their own frailty, hoping they had a son who would stick up for them, seeing their behavior as shameful.

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I wanted to see a putdown that would affect them as well - recognizing their own frailty, hoping they had a son who would stick up for them, seeing their behavior as shameful.


David realizes that a "putdown" in a bar full of men mocking his father will ONLY come in the form of a punch to the face. Good on him; my favorite scene in this great film.

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[deleted]

I'm with you. "The is the last time I play nice" was it. Don't run your mouth like that and expect anything but a butt whippin.

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This, entirely. Stacy Keach had been escalating the whole time, the last couple had been pretty much threats. And he wasn't frail, or had minions. Just him.

In a bigger town, these days, you might get in trouble for that, but that situation seemed just right.

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[deleted]

I agree that it was cliche in a film that generally stayed away from them. And it was also true that Pegram had not gotten violent, or threatened violence; he also didn't do anything like rip up the letter or drop it on the floor. So the way the scene was shot made it seem even more of an overreaction.

A good verbal comeback, dressing down, would definitely have been better.

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Daily single-tweet movie reviews: https://twitter.com/SlackerInc

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I liked it.

Forte's punch(after a long decision to deliver it) comes just after Keach has thoroughly humiliated Dern(who, as usual in this great performance, manages to project at once the humanity to feel humiliated and an inability to truly understand what is happening) and we were hoping that maybe DERN would throw the punch.

But Dern is too old, frail, and ineffectual to deliver the pain. His son does it and it works.

The Keach character is the epitome of small town evil. The mother knew it when they were all younger. We watch him do a series of evil things TO Forte: (1) Demand money in the rest room scene; (2) Threaten not only a lawyer, but possible violence, in the rest room scene; (3) rat out Dern to Forte for a young affair that might have led to Forte "not being born at all" if the parents had broken up; (4) conspired with the two big oaf cousins to let them attack Forte and Dern for the letter; (5) ridicule and humiliate Dern over the worthless letter in front of other townies.

Keatch deserved all the full weight of that punch...if anything it was retribution for sending the two oafs to beat up Forte and Dern.

And it showed Forte's own fortitude and character. He did something good for his old man who never quite cared about him.

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