to the OP--
i completely understand.
i had similar response my first time. but i caught it again on ifc and another time, and as the deep story subtexts began to dawn on me, i liked it more and more. now, it is one of my all time fave movies, period.
i say, if you are american, watch it again with subtitles on. i have seen it 50 times and i still use the subtitles. the accents are just too damn think not too.
also, without being too harsh on them since i know they did not mean it, the producers went with a literary script which is a thing that does not translate very well into cinematic performing. (in other words, it was a book and they let the novelist write the screenplay, and he did not know how to) in the copmmentary they said the script ended up being something like 450 pages.they there is enough testament to the fact that it was a literary script.
so what does that mean to you?
it means that the story is not delivered visually, and that a LOT of important details are inferred (a big no no with film) and introspected.
but....
but....
i add this:
if you will give it a chance, and rewatch, marking the characters' journeys, decisions, poistures toward each other.... you will end up seeing what a great film it is. it is a literary film, which is what puts people off.
the casting was good, the music astounding, and the 'pickle' of the plot (subtle though it may be) is quite conflicted and full of tension. the only issue for us as yanks is that we have to dig a bit harder to ascertain what that plot is.
i agree that the plot is not up front.
but anyway, give it a try and hit us back. me? i personally think daniel craig knocked it outta da park
------------------
behold, sublime genius: http://www.youtube.com/watch?v=fLPe0fHuZsc
reply
share