Metaphor for racism?


This was a wonderful film on so many levels - a heartbreaking and hypnotic story of love and acceptance. My observation is that... this film may well be considered a metphor of societal racism. Is this not part of what touches us so deeply?

The whelp camel outcast because of it's noticably different hide, cast away from the herd and rejected by the mother. There is no other physical dissimilarity between them except the skin. A baby not responsible for the colour it was born into and yet somehow stigmatised on a fundamental level. Left to die without intervention. And for what?

How many times in our collective history have those with the different skin, identical on the inside, been turned away. Maltreated for no other reason than animalistic bigotry. It's the same prinicple.

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[deleted]

You are looking for something that is obviously not there. The opposite is probably closer to the truth. As you watch the family, you can see yourselves in them. Change the surroundings and the language, which are only extras in the story of life. The people act the same as every other person on the planet. You can tell how old the children are by their actions, as you have seen from all of your relatives. We adjust to whatever is specific to our area, such as cows or camels, being a farmer or an office manager, but the caring of and time spent with family is a human trait as opposed to a learned behavior such as watching television.

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There is something so fundamentally universal about the idea of mother and child that it is universally agonizing to see the rejection, and phenominally touching to see the reconciliation. (I want to see this with my mom!)

There is so much in this story that any mammal can relate to-- the need for mothering, the need for physical comfort, the need for belonging. To me, the most amazing part is the baby camel choosing to "forgive"-- in the last scene you can see it hesitating, wondering if it is being lured in for another kick, probably, then slowly responding to the mother's calls... it's true, you can apply it to any situation that deals with people caring for animals: sometimes we need other animals to remind us what it is to be human.

When I first saw this film I jumped right up and wrote a lengthy review in my livejournal. It's been a long time since I have been that excited by a film. Kudos to all involved.

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Perhaps I should have studied anthropology. What I find infinitely fascinating and perplexing about people is the rituals and behaviours they come up with. Obviously, there's a certain amount of trial and error over a long period of time and there's probably a certain evolution in any ritual. Yet who'd have thought to play violin to a camel that rejected its calf? Okay, maybe it was accidental, or maybe there's some other simple explanation. I guess this one doesn't take such a stretch of the imagination to explain, but some human rituals and behaviours seem so complex it's hard to actually imagine how anyone came up with them. Cooking and medicine spring to mind -- there must have been a lot of dissatisfied (if not dead!) customers along the way.

So many questions though about this ritual. To what extent is this a religious ritual? In other words, to what extent do the people involved ascribe some sort of supernatural involvement? What significance is there, if any in hanging the violin from one of the camel's humps (aside from the obvious explanation of accustomising the camel to the violin)? Does it matter which hump? Is there any significance to the piece of cloth and its colour (blue) used to hang the violin? Is a prticular song always used, or is there a broad selection of fairly soothing songs available, or is the musician even improvising?

I'm sure there are other nuances I missed. How fascinating though!

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Interesting

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Shorbe, somewhere down the thread list there is one titled "Camel Bonding Ritual" where I posted a much less articulate blurb that expressed the same mystification about the ritual. Basically--what the heck kind of trial and error went into coming up with that one??

And the way the participants seemed relatively unsurprised at the outcome. "Whelp, seemed to work, let's go have dinner."

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shorbe, I don't know if this will help answer your question(s) but a large number of Mongolians practice Buddhism. Buddhism is filled with beautiful imagery, as well as thousands of years of rituals and ceremonies that most Westerners would scratch their heads at and wonder about.

I do not know if the violin had religious connotations or not, but it would not be outside of the field of possibilities, given what I have learned of Tibetan Buddhism. Sound is an important part of Buddhism; in fact, a 'proper' alter is supposed to incorporate a bell, gong or other musical item. Also 'mantras' (chanting of sacred sounds) are repeated daily.

Colors also have significance in Buddhism, which are reflected in Thangkas, mandalas and prayer flags (pieces of colored fabric tied to strings and sticks and set outside to allow the wind carry a prayer away). The color of the violin is the same color as the turquoise stone, which is especially prized by Buddhists and people of Tibet, Mongolia and Nepal. Also, the color blue has connections with the goddess Tara as well as the Buddha Akshobhya. Additionally, the color blue is said to transform anger into mirror-like wisdom, and purifies and empowers one of the five sense organs: the ears.

Finally, Buddhists believe we have all had countless rebirths into any/all of the six realms of existence, one of which is the animal realm. Keeping that in mind, Buddhists believe in the equanimity of all life, as the chance that we may have lived as an animal in a previous life brings us to have compassion for and show loving kindness to all beings.

So what I'm saying, basically, is that I have no idea if any of what I wrote is of any significance to your post--just thought I'd pipe in. Clear as mud, eh?
~~~~~~~
"Life is as dear to a mute creature as it is to man. Just as one wants happiness and fears pain, just as one wants to live and not die, so do other creatures." ~~ His Holiness The Dalai Lama

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Yep, anthropology is a very fascinating subject. As is phenomenology of religions. There is not much Buddhism in this film, or if there is, it goes back to even older roots. Remember the ancient Greek myth about Orpheus enchanting the animals by playing the lyra to them? Here's a Roman mosaic depicting the scene http://www2.tu-berlin.de/fb1/AGiW/Auditorium/RhMusAnt/ASO/Orpheus.gif. Any modern day person who owns a dog will know that animals react to music, but in shamanistic times, and that's where the camel ritual and also the Orpheus myth come from, people still knew a lot more about it than today - music was a rarity then and never failed to provoke intense reactions, so how would people who live in close proximity with animals fail to notice it affected them, too?. Spells (or prayers) were not recited, but sung, hence the word "enchant" which still contains cantare = to sing, from the experience that music makes everything more powerful and can put a 'spell' on or release a spell from someone.

Prior to watching this wonderful film I didn't know that these very old rituals are still in practice somewhere - the events we see in the film could well have taken place 3000 years ago. But I'm afraid they won't survive for another 20 years.

Regards, Rosabel

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The mother camel isn't racist.
She rejected the colt because it was such a difficult birth, and her first born.

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mmmewl,

You watch too much Oprah.

Couldn't stand her sometimes.

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I thought the reason for the mother's rejection was quite clearly shown and with no metphorical subtext: it was her first born and it was a difficult birth. It's not unusual for animals to reject in those circumstances (I have a farming background - sheep, for example, often need encouragement to mother properly arfter bad deliveries, though noone has ever suggested violins. It's a thought, though......)

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I wondered if there was some significance to being a white (different) camel than most brown camels.

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[deleted]

The colt wasn't rejected because of the colour of its hide. It was rejected because the mother endured a long and excruciating birth. This was one of the few sentences translated into a subtitle. So no, it's not a metaphor for racism and I find it repugnant that you project such ugliness onto the mother camel's behaviour.

Away with the manners of withered virgins

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