The little girl was the heroine of the film. She certainly didn't deserve to be killed or eaten; she was the brightest character and noticed the bizarre
events in the story before anyone else (for example, when Otik's "father"
pretends to call the hospital to find out whether the baby was born, she coaches
him on what questions to ask--sex, weight, etc). She's very well-read, much
to the disgust of her father; she's very knowledgeable about the couple's
fertility problems, as well as the old fairy tale which is repeating itself
in the upstairs apartment, which allows her to determine the outcome of events.
She's the most sympathetic character in the story; she becomes Otik's ally
out of loneliness (she has no other children to play with); the only real
attention she gets is from the old pervert who leers at her at every opportunity
(no one believes her when she complains about him). As horrible as Otik is,
she feels some sympathy for him, bringing him toys and food when he's locked
up in the basement; there's actually something sweet in the way he plays with
the toys with his creepy twig arms (when he's not devouring people).
I think this movie would be almost too disturbing to watch without the presence of the little girl.
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