MovieChat Forums > The Talented Mr. Ripley (1999) Discussion > Differences between the movie and book (...

Differences between the movie and book (for those interested)


After many years of seeing the film, I decided to finally read the book. Thought some people might be curious about differences/similarities between the two, so here they are.

SPOILERS....obviously.

DIFFERENCES


1. The character of Meredith Logue (Cate Blanchett) is absent from the book
2. The character of Peter Smith-Kingsley is a very minor figure in the book and is not killed at the end, nor is there the hint of a relationship with Ripley
3. No Silvana in the book! In the film, she is the woman who kills herself after Dickie gets her pregnant.
4. In the film, Ripley kills Dickie on the spur of the moment, when he is humiliated and insulted by Dickie. In the book, Ripley makes a clear plan to kill Dickie on the boat, before even setting foot on the boat.
5. In the film, Marge and Dickie are lovers from the start. In the book, their relationship does not evolve into a romantic one until just before Dickie is killed.
6. In the book, Ripley is shown as being a scam artist from the very beginning. Before he leaves for Italy, he admits to having tried to steal tax payments in the mail. In the film, none of this is dealt with or hinted at.
7. Marge does not express much suspicion of Ripley in the book and even ultimately agrees with his theory that Dickie killed himself. When Marge finds Dickie's rings in the book, she believes this means Dickie killed himself. In the film, Marge clearly states she believes Ripley is lying. In the book, Marge does have an active dislike and jealousy of Ripley from the start (but she never suspects him of murder). Marge believes Ripley is trying to hog Dickie to himself and exclude her, in the book.
8. At the start of the film, Ripley is shown living alone. In the book, he is living with a roommate who isn't often around.
9. Very surprisingly, NO MENTION OF JAZZ in the book. None! Of course, it plays a prominent feature in the film.
10. Ripley meets Inspector Roverini as BOTH himself and as Dickie, in a disguise, in the book. This is the most unbelievable part of the book, to suggest that Roverini would not recognize Ripley. In the film, Ripley only meets Roverini as one person, "Dickie".


SIMILARITIES


1. Freddie Miles is killed by Ripley in the film and book
2. Ripley (obviously) gets away free at the end of both film and book
3. Ripley inherits Dickie's money in both versions (although Ripley forges Dickie's fake will after his death in the book, while Dickie's father decides on his own to give the money to Ripley in the film).
4. Dickie's father's arrival in Italy and his bringing a detective are pretty much the same.
5. The Cortina skiing trip is mentioned in both book and film.

I'll add more as I think of them! Basically, Ripley is depicted as a very devious and calculating criminal in the book, from the start. In the film, that's shown as a progression. Minghella made Ripley a lot more likeable in the film. Personally, as an overall "experience", I prefer the film over the book. The book is a bit dry and the movie opens up a lot of themes from the book and expands on them. There's a lushness to the film that's missing in the book, in my opinion. The film has a clear sense of tragedy, while the book is more of a subtle, harsh look into Ripley's mind, with no sense of sentimentality or romance. Minghella did an amazing job to make the film it's own entity.



"The future is tape, videotape, and NOT film?"

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In the book, is Tom sexually attracted to Dickie like he is in the film? Just wondering.

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Good question. The bathtub chess scene from the film is not in the book. The book explicitly states that Tom wants to "be" Dickie, but there's not much about an attraction in there. Tom also states that Marge put ideas in Dickie's head about Tom being gay, and that Dickie was disgusted with that.

Despite this theme, Ripley's obsession with Dickie in the book is more about wanting to have Dickie's lifestyle and money. This is why he kills Dickie (in the book). There are constant passages about Ripley wanting to see the world though Dickie's eyes and the thought of returning to being "himself" was dreadful.



"The future is tape, videotape, and NOT film?"

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Thanks for that. I guess it explains why Ripley is a cold murderous thug in Ripley's Game.

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Exactly. :)


"The future is tape, videotape, and NOT film?"

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I must say, I haven't read the book, but Tom falling in love with Dickie is such a major part of the movie, I can't imagine it without it. The bathtup scene is the turning point in the movie. Dickie and Tom are not the same after it

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I must say, I haven't read the book, but Tom falling in love with Dickie is such a major part of the movie, I can't imagine it without it. The bathtup scene is the turning point in the movie. Dickie and Tom are not the same after it


Agreed. Again, the bathtub scene is not in the book. In the book, although Ripley does comment on how handsome Dickie is, he continually states that he wants to BE Dickie. Eventually, this gives way to a murder plot well in advance, something the film does not suggest. In the book, Dickie does tire of Ripley also. But Ripley's reaction is to claim that lifestyle for himself, rather than ask Dickie to reconsider. In one passage, Ripley thinks that if he took a cruise to Greece, it would be useless to go as "himself". He would only go if he could see Greece through Dickie's eyes, status, money, etc.

The book makes it clear from the very start that Ripley is a social climber and wants to have money and status. The film almost suggests Ripley "lucks" into that. No question- the vibes in the movie and book are *very* different.



"The future is tape, videotape, and NOT film?"

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Good comments...but you left out the biggest difference;The character of Dickie.
In the book he is a painter,not a very good one. Tom is the cultivated one of the two,Dickie is almost a blank slate(Tom waited in vain for something profound or intelligent from Dickies lips...)Adding the romance and endresult with Silvana is made to make him less likable but Minghella also wisely puts focus on him when she kills herself. Laws Dickie is narcississtic,shallow, spoiled,straightforward,no-nonsense,honest,even dangerous with a temper.

Dickie in the book AND Phillippe Greenleaf in Purple Noon are just unassuming lambs to the slaughter,only serve the purpose to die,where as Law creates a fascinating,harsh,cruel and still relatable character. He is a clever guy,sniffing out Toms lies about liking Jazz and going to Princeton...but he´s too in love with himself and so happy about being right,he doesn´t see the real danger and can´t hear the creepy line"Your life is one big love affair!!"

The boat scene symbolize Dickie. Instead of a simple murdervictim,he is volatile,has a mean temper and is a perfect antagonist and foil for Tom. With the rediculous"Accidental murder" and all that preceeds it(Tom not getting a bruise in a long fight since that would crush the plot,Tom begging Dickie not to make him kill him,Dickies threats justifying the murder,killing him relatively simple,a seasoned scrapper against a guy who´s never been in a fight,yeah right etc...)

The film loses alot of charm and fascination with Dickies demise and Minghella had a perfect chance to combine Highsmiths vision with his own;When Dickie lashes out and bitchslaps him,when Toms romantic advances are harshly rebuffed,he should make the decision;If he can´t HAVE Dickie...he will become him and voila!Murder. Taking his identity BY MISTAKE at the hotel makes him far too likable and human and that was pushing things.

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Sausage...good points about Dickie. I didn't cover those in my original list.



"The future is tape, videotape, and NOT film?"

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Thanks for the post. One day I will read the book and watch "Ripley's Game" and "Purple Noon." From what you are telling us, I like the way Minghella molded the book into his "version," so to speak. IMHO it sounds so much more personal of a story...if that makes sense.

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I agree that the movie was better. Minghella's changes all seemed to work, especially having Ripley stumble into his big web of deceit.

Wasn't Greenleaf pere in the book more of a regular Joe businessman, not fabulously wealthy? A lot of the reason Ripley in the movie succeeded was because of the assumptions (and associated arrogance) of the very rich set.

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I read the book but prefer the movie. I have probably watched it a dozen times.

In the book Tom is a low life criminal. The main theme of the movie is envy, not so much homosexuality. In the movie, we never really know who got Silvana pregnant. Dickie certainly had his dark and violent side. But it is typical of the rich or celebrities to hold suspect any new people who try to latch on. I once dated a man who turned out to be a celebrity from Montreal, but I didn't know that. I think he liked me because I didn't know who he was.

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I recently posted a new thread, not realising there was already this one from years ago.
The difference very early on that surprised me was that Tom had actually met Dickie on a couple of occasions (when Dickie still lived in America) and that Greenleaf Sr actively seeks him out having been recommended to him as the man for the job of bringing his son home.
Another change is that in the book Tom does bear a resemblance to Dickie - they're the same height and have a similar shaped jawline/chin and so look almost identical from the nose down. In the movie, that's not the case, I guess because they had to go for the best actors rather than the best lookalikes!
Just to add to your Marge point, it's actually a complete reversal because in the latter parts of the book (in Venice and when Sr Greenleaf is there) she's a lot nicer to Tom and concedes that Dickie is dead, whereas in the movie her hostility only begins when she arrives in Venice as she suspects Tom. In fact, in both mediums, her finding Dickie's rings proves to be the confirmation she needs (in the book, that he has either run away and changed identity or committed suicide, in the film that Tom has killed him).
Lastly, the book's ending is quite an anticlimax, whereas the film's ending is a lot darker.

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