I don't know whether the problem with comments like this is that they are far too naive or far too obvious and needlessly redundant.
I'll bite. This movie is about as Hollywood as it can be. And why not? It's a movie. And made 80+ years after the fact, to boot. I'm fairly sure that's why words such as "dramatization" are used to describe the retelling of past events. Sometimes even in - yes, movies.
I don't get the confusion based around the so-called "sappy" moments in this film, the happy ending, or the fictionalized character Mann. The American audience has proven time and time again that it lacks the maturity to handle a film like this told with no "happy ending". If you don't like the happy ending, decide en masse to stop panning movies you consider "a bummer", quit rewarding mindless ridiculous action films about robots and such with hundreds of millions of dollars in box office receipts, and reward movies of substance instead. Demand them, in fact; with your wallet.
I don't get the picking and choosing of certain characters as heroes in this film. If you understood what was going on, you realize that everyone who persevered through this ordeal was a hero. From Sylvester to his mother, to Voight's character, to Mann, to the children freezing and terrified in the swamps. Someone on here actually blew by the entire cast (and the point) and decided the train operators were the primary people worthy of praise. As if they had so much more at risk. Wow - LOL. Didn't Voight cover that while berating them for initially refusing to return to the area?
Since there's so much certainty that this was not Singleton's best movie, which one was? Boyz in the Hood? Why? Higher Learning? Why? I thought being a Hollywood shill was a mark against a movie? Boyz in the Hood was more of a trumped up Cliff Note than Rosewood could ever dream of being.
Let me guess: 2 Fast 2 Furious. Best he ever made.
And some events defy dramatization. This was one of them. Bruce McGill in an interview admitted to becoming physically ill while researching these facts to play a character who hands down must be the most monstrous and to me the most heartbreaking in the movie. When I think of that, it tells me as a Black man, something of how far we've come as a country, and reminds me that we all regardless of color, are truly equal. In potential for cruelty as well as for kindness, even as other realities assure me how far we have yet to go and how unequal things seem. But in watching this movie many times and not being able to do so without crying, I can say that I don't know what it would have taken for me not to find this film gripping, excruciating, and tremendously effective.
reply
share