--I agree with your points on Tetsuo The Iron Man but still felt at times it was hard to take... despite its genius. Body hammer takes a similar idea and makes it far easier to watch. Personally I like them both... but prefer Body Hammer as I can watch any number of times, in any number of moods... not so with Iron Man.--
If that's the case you're looking at the first the wrong way. It wasn't the idea that made it worth watching, it was the films technical aspects. The second is basically a mainstream (almost) remake of the first with a clear Hollywood influence, and with all those genius technical aspects dropped. It's supposed to appeal to a wider audience, but Tsukamoto took out everything that made people watch it in the first place. That's why everybody hated it. The idea is just plain retarded, and the themes are explored better in the first. Also, your argument suggests that you didn't actually like the first, you're just conforming a little so you don't get berated. Clearly you didn't get the first.
...by the way, I didn't post this with a condescending or angry voice. I hate these boards because people often think you're being grouchy when you're not. Don't get offended about the statement of you not getting it. I'm just assuming since you liked the second more, because that really is the only way one could. It's not subjective, either. The first is a landmark art film that is loved if perceived the right way; the second is neither art nor mainstream, and just falls somewhere in between. This in between area is the filmic equivalent of a wannabe. Hacks who imitate auteur's generally fall in this area (Southland Tales is the only example I can think of right now, but I'm sure there are *beep* more)
reply
share