You Murderer was my first thought as well, for all those reasons plus poorly cribbing from Abra Cadaver (even down to repeating the "Hell can't be this bad" line). Oddly though nowadays some people might look at it as ahead of its time (if you saw Rogue One, you know what I mean).
Now that it was mentioned, I agree with Split Second as well. It had potential to be one of the signature episodes but has a major flaw: Ted is not sympathetic. In the typical episode, he's the guy who we see get his just desserts and are supposed to enjoy seeing suffer. But here apparently we're supposed to feel sorry for him even though he brought it completely on himself. This wasn't a problem at all in the comic story, where he completely rejected the wife's advances and she cried rape to her husband entirely out of spite. Also it makes no sense that he would use a chainsaw at the end. It speeds it up sure, but an axe should really have been used since 1) that's what the comic had, 2) was already established as his tool of choice, and 3) would prolong the torture.
Some not yet mentioned:
Two for the Show - I'd say this one is just downright bad. For one thing, it's quite literally half assed (the original comic story was a two-parter with this following One for the Money). Making it self-contained just doesn't work.
It also has the exact same problem as Split Second. We're really supposed to feel bad that a woman who we only know as an adulteress and total c_unt is killed? And then her killer is the one punished, but the guy that killed someone who was actually innocent gets away scot free? Again, this was never a problem in the comic, which starts out with the wife cowering in fear as the protagonist approaches to butcher her. It was a deliberate killing, not a heat of the moment mistake.
Escape - I've seen a few regard this one as good, but same problem here too. Did they really expect the audience to find someone that betrays the Nazis as unsympathetic?
Confession - This one is just total crap. Completely predictable and again, nobody gets what's coming to them.
And so Governor Devlin, because even the cost of freedom can be too high, I REFUSE your pardon!
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