This is a GAY movie


I really am, well, not incredulous that some (heterosexual, obviously) fans think the lesbian theme in this film is subtle, understated or even arguable. It isn't. This is a story about two young lesbians who fall in love.

The punk haze hovering over this film is a mere sideshow in a story about a bourgeois lesbian girl, suffering quietly and in great danger of becoming a churchmouse (or worse, as she herself states, a "zombie") who collides with a young diesel dyke runaway Nikki, who breaks every chain holding down this young girl. What on earth did you think Nikki was talking about when she says: "I'm a fu***ing freak of nature!" Are you people really that stupid? She's a DYKE. Say it three times. Of course, the "best friends forever" ending is a true cinematic wimpfest, but it doesn't change anything. Perhaps you might be clued in that gays had to relate in codes and clues via the media even in 1980.

I personally read the DJ character as a gay man who recognized what was going on with these two girls and that was the nature of his sympathy with them. To me and any other gay person it is bleeding *beep* obvious.

What I think heterosexuals, punk rockers in particular, find incomprehensible about this film is that gays - as rebels against not against nature (that's impossible), but civilization (and its inexorable & attendant obsession with procreation) itself - might have something to teach the rest of you drones about rebellion. Deal with it.

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Personally I found it to be quite gay as well, but I thought that was partially just me twisting it a bit. I kept on waiting for a kiss or something.

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i just thought they were really good friends, to lost people

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I do not recall any indications that they were gay - even if they were, so what?

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then you have NO gaydar


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When I first read the subject line of this post, I thought it was by some kid using the word "gay" in the way some teenagers do - to mean lame or stupid. But I'm glad I decided to click and read 'cos your post makes some valid points. It never occurred to me that Nicky's *beep* freak of nature" remark might refer to her sexual orientation. Thought-provoking observation on your part!

I, too, have always detected a homoerotic undercurrent in "Times Square," just as there is in the film version of "Fried Green Tomatoes" (the book leaves NO doubt about the nature of the relationship between Ruth and Idgie).

The hazy, are-they-or-aren't-they relationship between Nicky and Pam was one of the things that made me like "Times Square." (Tim Curry was the MAIN reason I first watched it ... love that guy!) As a teen uncertain of her own sexuality at the time the movie was released, I was drawn to movies and books that depicted kids who "might be like me" - a rare find in the early '80s.

Truth be told, I don't think "Times Square" is a particularly good movie in terms of production, direction, etc. There are all kinds of plot holes, the storylines are all over the place and the characters are straight from a textbook - the tough, rebellious street kid ... the sheltered, mousy rich girl ... blah, blah and so on. But ya know what? I can overlook all that 'cos I love this movie!

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[deleted]

Yeah, life sucks sometimes and you do wacha gotta do.

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There was a part in the film where the DJ and Pamela were talking together in the warehouse, what did Pamela mean when she told the DJ, "I'm not a zombie girl anymore"?
I was a bit confused...especially when Nicky cried after hearing that and just blew up...
I wasn't exactly sure why she calls herself a zombie.. In the beginning, was she in the hospital because she liked girls, and it was "abnormal" to like girls?

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Of course one can see lesbian leanings in this movie. The leads are girls who get to be friends hanging around together. I'm surprised the OP didn't mention the "spoon" scene "We're famous".
She was not a 'zombie' anymore no because she had come out and was in love with Nicky, but because she wasn't lost and lonely anymore. She had found a reason to be alive.
In no scene in the movie do Nicky and Pammy show any indication of sexual attraction to each other. Yes, Nicky was mad at Pammy for liking Tim Curry but she was just afraid of losing a new-found friend.

But hey, if you wanna see it as a lesbian movie - let it be that way for you. It's all good.

P.S. I didn't know homosexuals were considered 'freaks of nature'.








"Jesus died for somebody's sins, but not mine." Patti Smith - Gloria.

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>>P.S. I didn't know homosexuals were considered 'freaks of nature'.

It's ironic - not literal. It's what the rest of the world thinks so you adopt/co-opt their words and use it against them. Might I say "duh" here w/o offense?

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I don't think it really matters - love is love, and first love is always empowering and wonderful. What difference does it make?

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The director states in the commentary on the dvd that they are gay, and many scenes were cut emphasizing this point to make the film more acceptable for the mainstream at the time. The only one that was left in is the spooning scene. That's also why the film is so disjointed and doesn't make sense in some places, such as when they switch scenes and the girls have different haircuts and color.

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[deleted]

Thanks for breaking the movie down mentors without insulting people.

I'm one of the unenlightened people who didn't get why Times Square was considered in the Gay & Lesbian category. I thought it may be a mistake but every website mentioned it.

Then I read this thread to get all the "signs" I missed. I probably would have gotten the relationship if the director's original vision had been kept. So many reviews mention that bits of the film had been removed but I didn't know it was to tone down The Lesbian Story. Funny, what was seen as a liability back in 1980 would be a bonus selling point today.

When I watched the movie, here is my interpretations of some events:
- I thought Pamela was a poor little privileged girl going through standard teenage growing pains. Instead of dealing with it, her father decided to keep his motherless daughter drugged a docile zombie.

- Nicky, the troubled street kid, decided to rescue Pamela from her medicated cage after she read Pam's diary and found out she wasn't so bad.

- Pam was Nicky's "experience the real world" project and built in audience for her dreams of fame. Nicky was Pam's savior from her stifling life and guided her through the de-zombiefication. That was the basis of their deep friendship.

- The radio disc jockey was a really into the action, the scene, of the Times Square neighborhood. The girls were only one of several "projects" he had going on. I don't think he cared for the girls beyond a superficial level. That is, what could they do for him to help him get listeners?

- I took the "I'm a fu***ing freak of nature!" line to mean that Nicky wasn't a typical femme girl like Pamela. Nicky was androgynous, had a deeper, raspy voice and didn't behave like a sweet young lady. Didn't occur to me to think she was talking her sexuality.

Elizabeth Peña is the reason I sought out this movie. Even though I enjoyed the film, I'm bitterly disappointed her part was so short (Disco lady in the scene where Nicky thrashed the boss's car). She's one of those actors who are fun to watch her age and evolve on screen.





No two persons ever watch the same movie.

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Of course it matters. It's the most integral piece of the plot, the theme of the movie. To recognize or acknowledge it doesn't make one homophobic or anti-gay.

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And I think you're just another shortsighted gay person trying to appropriate something that isn't gay as gay cause it suits you. Similarly with "Midnight Cowboy" this isn't a gay movie. There may be an underlined gay theme, but it is not the point of the movie which is about two people connecting and facing together a hostile world. Deal with it.

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It's hard not to see the gay subtext in this movie. The director said that scenes were cut which would have made it obvious. Sadly, the film feels like a case of what could have been because the producers interferred and it is disjointed.

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Kind of 'stumbled' upon the movie by 'accident', with no inkling of plot or storyline. I do have a hunch abt the 2 girls...they have GREAT chemistry that transcends to beyond just mere friendship. If what the director said was true, he'd be pleased to know he's done a great job in communicating with the audiences a lot more authenticity of the lesbian experience than 99% of the
crap 'lesbian' labelled movies of today.



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"Text" and "subtext" are two different things :)

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I must admit to being a bit baffled as to how anyone could NOT think of this as a gay movie. Since I'm a lesbian who had a HUGE crush on Robin Johnson when this movie came out (I was 13 at the time), I suppose I'm biased. And yes, I know there's nothing explicitly gay shown in the film - because anything too explicit was edited out and anyway, in 1980, you just couldn't get away with anything like that in a mainstream movie. But there are tons of subtle touches that still make my heart go flitter. To wit:

* Pam's poem to Nicky with its strangely sensual "your ribs are my ladder" line. (Hey, I'd want to kidnap a girl who wrote a poem like that about me too!)
* The flower eating scene (you know what flowers often symbolize, right? And the way Nicky purses her lips and gives that ecstatic "magnifique!" look to Pam as she eats them - positively seductive)
* Speaking of seductive, there's Nicky's beckoning of Pam to leave with her (come on - that scene is the most seductive thing EVER!! Especially when Nicky makes that "come to me" gesture with her hands. I would have been all over that girl - as, I suspect, Pam would have been if this film hadn't been tamed)
* Nicky's close conversation with Pam during the subway ride and their bloodletting/screaming scene. (Exchanging fluids and passion - a surrogate for sex)
* The way that Nicky puts the boom box right under her pillow and holds it while listening to "their song" ("Rock Hard") as a way of beckoning Pam back to her.
* The bar scene where Pam dances exclusively for Nicky - that's a veiled *beep* scene if there ever was one!
* The way that Nicky reads her poem while kneeling at Pam's feet and staring into her eyes (sigh...)
* The spooning scene - which originally had their arms around each other. They are still so close, the intention of showing their physical bond is obvious.

And then there's that whole ending. Why do you suppose Nicky gets so angry at Pam and Johnny, anyway??? Why does she have that fit and kick them out and try to commit suicide and go crazy? Haven't we all been there? It's pure jealousy. Why does she tell Pam that she is heartbroken and that she was too chicken to tell her "everything" and scream out "Find me! Help me!"? That degree of desperation is reserved for one thing alone: a love affair gone wrong. Yes, you could say that it's just because there were really close friends... But come on. Really??? I have lots of really close friends, but I wouldn't go off on them like that, or scream their name out in desperation when I think I've lost their friendship. That degree of passion is reserved for lovers. Yes, there is that "best friend I ever had" ending, but that doesn't really bother me because, after all, my lover is the best friend I've ever had too. There really isn't a contradiction there. What else would you have her say anyway? The meaning of those words is clear.

But you know, I'm always baffled when people refer to this movie as having a "happy" ending. What the hell is happy about that ending? It's a desolate ending to me. Pam leaves Nicky (stupid bitch - I would never have left that girl!), she is heartbroken, and steps off defiantly into the night. Yes, she has her fans and her music - but so what? Those fans don’t know her. They aren't gonna be there for her at night when she needs someone to hold. They aren't gonna help her through her depression and self-destructive tendencies. Now that she's had someone to love and she's lost her... I can't imagine that she's going to be able to cope well with being alone again. I imagine Nicky back in that river a few days later - and disappearing forever, just as she had suggested previously. And that bitch Pam probably went off to school and got herself a nice little boyfriend and got married and had 3.2 kids in a perfect little mansion. Bah.

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Ouch!

That last post is bitter. Why? Why would Pam leading a happy, fulfilled life with (perish the thought) a man be so abhorrent? Meanwhile, Nikki has achieved success. She will be fine.

I saw this movie quite some time ago, enjoyed it, and visited imdb to learn more about it. I was extremely surprised to see a reference to the main characters being in a lesbian relationship. At no time whilst watching the film did I have the slightest thought or suspicion that this was the case. The characters were simply two people, lost and confused by a life which they had yet to learn how to use properly, who found friendship and strengths to complement their own weaknesses in each other. There was no lesbian undertone.

If indeed the movie was conceived as depicting a lesbian relationship, there is no indication of this visible in the movie - at least to neutral eyes. I suggest that only those with an inherent prejudice, a desire to see homosexuality all around, would see any such indications. To everyone else this is a movie about friendship.

If anyone wants to see this movie in another light that's fine by me. I am simply puzzled by those posters who are obviously irritated (and even angry) because other people found no indication of lesbianism. Such emotions are inappropropriate, and ultimately self-destructive.

Relax, guys.

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Exactly. Well done.

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This post is years old but I had to comment on it anyway. It's absolutely golden, because here is a post from the type of consumer to which the producers were hoping to appeal when they cut the lesbian scenes out of "Times Square".

A director, writer, and acting talent are the creative core of any film, and I think if all of them say that the girls in the film are in a lesbian relationship, then that is all that needs to be said. It may be true that "neutral" eyes--that is to say, people who maybe do not know any lesbians personally and perhaps need a very large brick to fall on their heads regarding the Robin Johnson character--might see this as a film about really good friends, not that there's anything wrong with that! But to suggest that someone who acknowledges the film's lesbian relationship is prejudiced and "wants to see homosexuality all around", that statement seems really foolish in light of the fact that the very people who made this film have also acknowledged that the girls were lovers. Considering this thread is from years back, perhaps this was before many casual fans of the film knew that there was a lot of footage cut from "Times Square".

I agree that the OP seems bitter in her statements regarding the way the homosexual elements were cut from the film. But it's sad that gay people are often bitterly reprimanded for "trying to see homosexuality everywhere". Something heterosexual people often take for granted is how their relationships are depicted in entertainment; there are countless positive representations of straight relationships, as well as a number of negative ones as well, and you may not be fully aware of how these depictions in entertainment have affected your own sense of identity and well-being. When you grow up gay, it's very rare to see a positive reflection of your own relationships in a film, especially something central to a film. So yeah, we do sometimes tend to try and see ourselves in films that maybe aren't intended to actually show us. To scold someone about this only brings shame on you though. It's actually kind of gross, like well-fed people complaining that hungry people are looking at them while they eat. Maybe she has a reason to be bitter, considering Robin Johnson's character was someone that many lesbian young people could relate to, and to take away references to her homosexuality shows a belief that there's something wrong with her for being lesbian.

Perhaps the most sadly ironic thing about "Times Square" is that Pamela's father is portrayed as a villain because of his ignorance regarding people different than himself, and the cuts to the film were made so that people exactly like that would hopefully still be able to accept the movie and make it a hit. It ended up making the movie much less than it could have been, incoherent and sloppy in places, and it was still not a hit.

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I saw this movie in 1980 when it came out, in fact if I remember correctly, I saw it the night BEFORE it came out at a special screening. I loved this movie, thought it was amazing. I was 15 at the time, and a straight male. Granted, at the time I knew no out lesbians, nor did I know anything about lesbians. I did not in any way view this as a gay movie at the time, this was a movie about friends, about two people who were alone, and trying to find themselves through another person.

34 years later, I got to watch this again on the big screen, and I was surprised to see the theater crowded. This movie did not do well when it came out, and most people I know to this day have not seen it. So I was a bit surprised. When I mentioned to an acquaintance in front of me that I was shocked at how crowded it was, he mentioned that the audience was filled with lesbians. Obviously I wasn't paying much attention, I just saw a larger than normal female crowd.

I watched the movie again with the notion that the lesbians have adopted this film, and minus the flower scene, it was far from overtly lesbian. In fact it almost seemed to avoid being lesbian, for whatever reason. The scene where they are in bed together, they are not even spooning, which I sort of expected, even without the thought of it being lesbian themed. They were by the river in New York City, anyone who knows the area knows it would get damned cold at night, even during much of the Summer.

As for not being able to "get away" with lesbianim in 1980, Personal Best, a movie that was VERY much a lesbian film, grossed 2.1 million dollars in 1982, while Times Square only grossed 1.4 million dollars. I am guessing if the lesbian subtext had been included, or made much more prominent, it would have grossed much more from the free press alone.

I am fine with lesbians loving this film and it meaning something specific to them, anyone who loves this movie for whatever reason makes me happy. But people forget that movies are about how they relate to you, personally. You read into things, see things from your point of view, and take away things both intended and not intended when you see a film. But I saw this as two people who were alone and unhappy, finding each other and trying to make sense of their place in the world. Straight, lesbian, bi, I couldn't care less. To me it's more homophobic or at the very least a generalizing of stereotypes to believe that two girls who care about each other and depend on each other to survive have to lesbians.

As for the ending, well, again, you can put your own feelings and spin on it, but neither one of those girls is going to have an easy life. But keep in mind, Pammy was 13 in this film, both the actress and the character, and Times Square was not the place for a 13 year old at the time. Her Dad, though an a-hole, obviously loved her and had softened a bit by the time the film was done. Nicky unfortunately was a seriously troubled girl, and most likely had substance abuse issues. Pammy saw that Nicky needed more help than she could give, plus didn't want to live her teen years on the streets of New York City. I wouldn't say this is a happy ending, but the thought of Pammy staying with her and continuing that lifestyle is a way more unhappy ending, and I have seen the results of that ending too many times in my life.

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OP, right on. Great post. Thank you for saying every single word of that.
______________________
Let me tell you a little story. You're an idiot!

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I never denied it was a lesbian movie. In fact, that's one of the things I like about it (not in any kind of sexual way). I think it's important to have movies about gay youths, why not? Hollywood only likes to portray teenagers as these sex-crazed maniacs lusting after the opposite sex. Here we have two misfits of society, finding themselves and solace in each other. If I had to change one thing, I'd figure out a way they could stay together in the end.

***May your hats fly as high as your dreams.***

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Overthinking it much?

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What, because some people have a brain and like to use it you have to be a dick?
________________
there will be snark

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Does the DVD version has the uncut lesbian scenes??

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No, those are considered lost for good. And they aren't really much anyway.

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I saw the undertones of it but it was just a really good movie to me so i figure'd what did it matter.

And that was an incredibly despressing ending I thought. I wanted them to run off to adventure together not one goes back to zombie the other back to alone and suicide on the streets. tut tut on the ending I say.

But hey im just glad to have found the movie. Ya know?

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There was no way that their relationship could have been any other way-they were both minors, they were both poor, the singing career would not have succeeded because one of them is emotionally (possibly mentally) disturbed, and finally, the rich girl's (Trini Alvarado) parents wouldn't have let her be in a relationship (queer or otherwise) with the other girl (Johnston). Besides, this movie's unrealistic anyway.

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That subtext went completely over my head for the most part when I saw it years and years ago.

However I always thought Nicky was lesbian for sure and that it was the one sure thing about her that gave her grounding. Pam was in-between and confused and experimenting. I don't think she would have been capable of staying with Nicky and giving her the relationship she needed.

And besides Nicky was right to get jealous over Tim Curry's character, Pam was very attracted to him. She wasn't hallucinating about that factor. Although I don't think Curry's character would ever have taken advantage of an underage girl. Lead her on? Yeah he did.

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Watching the film I got the distinct impression Nicki is lesbian. She dresses and talks very masculine, and is clearly infatuated with Pam though I dont think the same intense feeling is reciprocated. A classic case of opposites attracting. Pam is a sternly repressed individual who is suddenly set free from her parents shackles and starts to taste the excitement of life for the first time and Nicki is the one inducting her in the deep end. This is pubescent Pam's first relationship with ANYBODY and it happens to be a female - the one that shows her how the real world works, cured her of the 'shakes' - so it is normal there are going to be erotic feelings intertwined with deep platonic and sisterly feelings. Pam helps Nicki to believe in her creativity, to channel her volatile feelings, to give them a real voice to express through song and performance which launches her 'star'. She wouldnt have had any purpose if not for Pam.

Nicki is an already established problem child with a deeply rooted anger toward the whole world that shows no signs of abating through the whole movie. Pam on the other hand starts to question Nicki's antics (she orders Nicki to stop the TV throwing for fear of hurting someone) toward the end of the movie whereas she blindly followed up until then. To me Pam has taken a massive step in finding herself and the relationship has gone has far as it can - it's no longer the leader and the disciple. They were great for each other at such crucial teenage years - a short explosive relationship that helped mold their characters. I agree with an earlier poster that Pam will probably go on and get married and have kids and be reasonably straight, though there maybe bi-sexual leanings till she settles down and establishes her sexuality. Nicki is lesbian and a unique but troubled kid who's star will burn brief and I fear will fullfill her prophecy of an early demise

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Nicki is lesbian and a unique but troubled kid who's star will burn brief and I fear will fulfill her prophecy of an early demise


Just like Sid Vicious, Nancy Spungen, Janis Joplin and a lot of others.

The only way she might be able to get a handle on herself is, unfortunately, with a lot of meds and some tough psychiatry/therapy similar to what happened to the main character in Girl, Interrupted (I'm thinking of the scene where Winona Ryder is thrown into the bathtub by Whoopi Goldberg and made to face why she's in psychiatric care.) Being a big musical punk rock star would kill her at worst, or at best have her end up in a mental institution similar to what happened to the heroine of Breaking Glass with the same mental/emotional problem(s) still unresolved.

I'd like to think that Pam has feelings for her enough to make sure that she gets support in the form of money to get her issues dealt with in some form of psychiatric care-which Nicki,if she has any sense of wanting to have a better life, would partake of.

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