Hugely Underrated Classic


I think that The Medusa Touch is a hugely underrated classic. Not only has the film got three highly talented actors (Richard Burton, who is a fine actor who's performance I don't see as hammy or over-the-top, Lino Ventura and Lee Remick who both do well in their roles), the film also has an excellent script, great scenes and lines such as between Molar and his wife and Molar and the judge. Burton has such a commanding presence that it makes the film just worth while to see him in it!

I was hesitant about purchasing it at first as I heard mixed reviews on the film. I'm so glad I bought it because it turned out to be one of those underrated, ignored movies that really are a treat when you come across them.

Great film, no regrets, worth the money to purchase it!

(And the special effects are also pretty brillant, look at the last scene, really spectacular! Michael J. Lewis also provides an excellent score!)

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Yeah, I don´t think it´s actually inferior to its obvious cinematic sibling from that era, The Omen. In fact, it strikes me as more thoughtful and intriguing - and definitely more low-key - than Richard Donner´s over-the-top opus. It does, however, suffer from rather spotty and uneven direction, especially early on, when the flashbacks (and flashbacks within flashbacks) are somewhat crudely and jarringly orchestrated (there are also some really bizarre directorial choices, like superimposing a hologram-like image of Richard Burton´s face over the scene where Ventura and Remick are conversing). The often overly flamboyant and eccentric soundtrack is another issue as it tends to go against the more subdued mood the film otherwise has. But, yeah, as a whole, it´s certainly an entertaining number that isn´t nearly as silly as most films of this sort turn out to be. Good acting, too, with Burton doing a job that´s commanding enough to lend the enterprise some true gravity and help maintain the illusion of seriousness amidst the absurd shenanigans.



"facts are stupid things" - Ronald Reagan

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An under-rated classic. If one film deserved that description, it would be this. The atmosphere is very unsettling, the kind that is rarely achieved in modern horror.
Burton is utterly hypnotic.

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Yes. Yes. And Yes!

Fascinating on several levels, and continues to be thought-provoking. "To build a cenotaph..."
I have watched it numerous times; always mesmerized by Burton's eyes and voice, and deeply moved by Lee Remick 's suicide.

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It does, however, suffer from rather spotty and uneven direction, especially early on, when the flashbacks (and flashbacks within flashbacks) are somewhat crudely and jarringly orchestrated


Though I agree with most of your views, I disagree here. Just watched the film at the BFI/NFT an hour ago, so it's fresh in my mind! The transitions between the flashbacks are actually very well done, since there are no wasted shots - if person 1 is talking to person 2 in the past, say, we then cut to him for a reaction but person 2 is suddenly in the present (say), moving the story on by telling person 3. It works really well, and keeps the flow moving very fast. F/b's are hard to do originally and well and this is both, IMHO of course.

www.chrismrogers.net, a website for architecture and visual culture

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