Like in most Herzog films, Bruno S. isn't so much an actor as someone who actually embodies the part.
(Think for example of Klaus Kinski's role in "Aguirre the Wrath of God" - was he acting, or was he crazy? The typical background ideas about "casting the part" simply don't apply here. See Roger Ebert's review, which expands considerably on the idea that a personality is matched to a role in Herzog films, rather than an actor being selected in any conventional sense.)
In real life: Bruno S. was institutionalized for a total of 23 years - initially in a mental institution. He was a street performer when Herzog found him. He "got into the part" so thoroughly that he wore his costume even during off times. He played several instruments, including of course the piano.
The one obvious mismatch beween Bruno S. and the real Kaspar Hauser was the age - Bruno S. was much much older than the real Kaspar Hauser.
But given how well Bruno S. projected the "feel" of Kaspar Hauser (at least as Herzog imagined him:-), he was the best person to embody the role, despite the age mismatch.
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