MovieChat Forums > Le samouraï (1967) Discussion > Inspiration for 'No Country For Old Men'

Inspiration for 'No Country For Old Men'


I saw Le Samourai for the first time last night and was completely blown away. Minimalist but very evocative and powerful cinema at its best. I would love to watch it again and again. One of those very rare movies where 5 or 6 minutes passes without dialogue and you don't miss it at all.

I had also recently seen "No Country For Old Men" (by which I was sorely disappointed unfortunately). But I realized about halfway through Le Samourai that the Jef Costello character in Le Samourai was almost certainly the inspiration for the Anton Chigurh character in No Country For Old Men.

Both characters have many similarities -- they are both stoic contract killers, nearly unhuman in their lack of emotional response to their victims, and both with quirky, reserved styles that change very little throughout the movie. Chigurh was portrayed as more sadistic and creative in how he killed his victims as compared to Costello, but I think this is just an unfortunate side effect of the graphic violence that modern movie audiences need to see in order to understand that someone is "bad".

But what really made this connection for me was Costello's mysterious rings of keys that gained him access to any locked door that he wanted. He was able to steal two cars, and later in the movie enter a locked door. This struck me as very similar to Chigurh's weird pneumatic tool that he used to punch out locks. This was also a recurring theme in both movies -- violating other people's personal space, by breaking into their homes and offices and even their bodies, thus adding to the creepy ambiance in both movies.

I have also heard (but not verified) that Le Samourai is one of Quentin Tarantino's favorite gangster movies. I can definitely see how this movie would be a source of inspiration.

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One similarity I noticed between these two professional killers is how they allowed themselves to be caught easily. Chigurh at the beginning of the movie lets a cop arrest him just so he can see if he can escape. Watching Le Samourai I wondered if vanity wasn't involved in the easy way Jeff was caught by the police at the beginning. I can't think of another reason to explain his complete lack of attempt at keeping a low profile after the murder. Instead he goes to a place where he knows the cops will look for suspects and he doesn't even bother to get rid of his coat and hat. Either he's insane, he's testing himself, he's an idiot, or he doesn't care.

This world is a comedy to those that think, a tragedy to those that feel.

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[deleted]

There were alot similarities. Also, i notice a similarity in the "self-healing"scenes of both films. Both very meticulous. Chigurh is like a Jef Costello from hell. Sorry for the bad english.

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It didn't reminded me of "No Country For Old Men" at all, but of "Ghost Dog".

But my favorite film regarding the theme of a professional assassin is "Murder by Contract" (1958), by Irving Lerner _the protagonist of this one makes Jef Costello seems an amateur.

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Actually both movies seemed to show some influence from Le Samurai. Jim Jarmusch, in particular, who directed 'Ghost Dog' is on record as loving this movie. Jarmusch has another movie now on DVD, "The Limits of Control". This movie really taxes the viewer, and at first I didn't like it; but after some days of reflection, I did like it quite a bit.

Anyway, the main character is also a focused and sociopathic contract killer, like Jef. He also spends a lot of time fully dressed, lying on his bed, staring unblinking at the ceiling. Interesting characters, and their lack of empathy and willingness to break laws (and even polite social conventions) have a fantasy appeal. Anyway, good thread, I like to read thoughtful posts like the ones here. Cheers.

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There's some good stuff - both pro and con - on here, and everyone knows that Jarmusch loves this film, and that John Woo (The Killer is directly influenced by it) and Tarantino do also.

While I see what you're saying in relation to No Country for Old men, the film that is closest to this in my opinion - even though the main character is not a hit man - is Walter Hill's The Driver. Structure and theme follow Le Samourai very closely.

Also, thumbs up to the poster who mentioned Murder by Contract (a favourite of Scorsese's, incidentally) - and some advice: to check out Blast of Silence, which makes a nice companion piece to Murder, and is surely an influence on Melville's masterpiece.

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read up to the ending of the second paragraph until i realized you're one of those idiots.

next time announce your stupidity in the first sentence so as not to waste people's time.

thanks

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Your analogy sucks and NCFOM is a great movie, just like Le Samourai.

Cursing somebody on his birthday....

Thoo.

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Agreed.

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See a list of my favourite films here: http://www.flickchart.com/slackerinc

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good god you're an idiot.

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You must ask Cormac McCarthy about that, and as of this moment he is still alive for you to do it (2016). I see no real connection. Chigurh has some curious ideas and a less purely professional approach, such as the coin toss business, and some definite anger toward the world at large as demonstrated early on when he challenges the store owner to a coin toss that the owner does not know was for life or death, over nothing at all or at least a most trivial slight. Chigurh has a serious chip on his shoulder, and seems to see himself as something of a force of a twisted kind of justice. His primary victims can be seen as bad, mainly greedy, and deserving of punishment. Of course he is just a psychopath at base, as when he turns that contained bolt on people who just get in his way, or have a car he wishes to borrow without witnesses.

Answering back to a 2001 post.

So

CB

Good Times, Noodle Salad

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