'Empathicalism'


This is presented in some posts as a parody of French philosophy and of existentialism, which is something totally different than what's described in the film. It think it has much more to do with this film than people realize and gives it more depth than some people are seeing.

The only thing I don't like about this film is the sudden arguements that Audrey and Fred launch into just to set up the "boy meets girl/ boy loses girl" thing. But that element is in most musicals and if you could find a themeatic connection between most musicals, (what they all as a group, seem to be saying to us), it is that while we concern ourselves with many other things, in the end, love is what counts. In this film Audrey and Fred are playing people from entirely different worlds who by chance happen to meet up. Their mutual ambitions keep them together and their obvious differences come between them. But they fall in love nonetheless, as Audrey finds that emotions are as important a part of life as thought and Fred finds he is working with someone with more depth in both areas than the people he's used to. The question is: will their differences keep them part or will their common ground keep them together.

The key, as the movie says, is for her to put herself in his place and him to put herself in her place and they are both bound to meet up someplace. There can't be a better defintion of 'empathicalism' than that and it seems like a philosophy that would do the world a lot more good than existentialism.

reply

For a plot device that can be summarily dismissed, I think you've done a lovely job describing what Jo sees in Dick and what Dick sees in Jo.

I suppose, schappe1 , that though what you say makes tremendous sense, I will always view Jo Stockton and what she represents as a send-up, at least as it presented in the film, of the 1950s Beat Movement. Part of the wonderful irony is that she morphs into the sublime personification of the film's other target of satire, i.e., the alternate universe of haute couture and the likes of a Diana Vreeland and Richard Avedon.

Just fantastic material and the mother lode of cinematic gems - stunning visuals and some of the best musical numbers extant.

"WE ARE THE PRESIDENT!" First Lady, Hillary Rodham Clinton

reply

It kind of sounds like Buddahism's compassion meditations. Not so much putting yourself in somelse's shoes, but realizing every part of your existance depends on someone else and therefore you have never done anything 'by myself'.

Better to be an open sinner than a false saint.

reply

It's making fun of the pretentious pseudo-intellectual hooey of 1950s beatnik culture.

reply