MovieChat Forums > The Naked Spur (1953) Discussion > Smart and compact, but deeply flawed?

Smart and compact, but deeply flawed?


The Naked Spur shows some amazing character interaction -- I was moved by the conflict Janet Leigh's character faces as she decides between the familiarity of the 'bad boy' and the uncertainty of a conventional life settling down with a basically good guy.

This said, I found the ending quite surprising. Jimmy Stewart's character was tortured throughout the film, desperate to get his ranch back, but when actually gets something far better he still seems tormented. I felt like his agony was built up throughout the movie without ending with its release, and so I left the theater still feeling his tension.

What's the deal? Is this intentional?

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I would say it's an intelligent reading of character in that people of 45 (James Stewart's age at the time) don't change their mindset literally overnight, if ever, just because an attractive woman bats her eyelashes -- especially after his previous fiancee presumably did the same thing and more, then ran off with a no-good and his money. Seriously, is he supposed to leap into Janet Leigh's arms like he doesn't have doubts about women? -- since Leigh had repeatedly sided with sociopath Robert Ryan when it came to the crunch. Actually I'm surprised Stewart submits to the scolding from Leigh in the end, expecting him to be a paragon of virtue, throw $5,000 away and giving him instructions on how to live up to some unrealistic ideal.

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Lina was recalling Kemp to his true, better nature. Kemp abandons Vandergroat's body after she agrees to go with him and marry him. It's far from a scolding, and far from an 'unrealistic ideal'. Blood money has always carried a Judas curse. Kemp knows that bringing in Vandergroat's corpse for the reward will taint him, will taint whatever he uses that money for. Lina was manipulated by Vandergroat throughout the movie, but her better nature surfaced at the end when she interferes with his shooting the men.

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While the film shows Kemp in dogged pursuit of Vandergroat, it does not show him as fully reconciled to being a bounty hunter. He tells himself rather that being so is a means to an end, that is getting the money for the ranch.

As a result I don't agree it was all that much for him to give up to get the girl in the end. On purely practical, even mercenary, reasons which would be the better future for him? Going back to collect the bounty money, dragging the dead body with him, and then what? Or put it all behind him with the prospect of a hottie wife in the new land of CaleeforneyeAAA!

I can see choosing the latter, too.

In fact there is a flaw here. I loved this film. Great outdoor locatoin shooting. I found the narrative mostly plausible, the performances excellent, especially for the eye opening performance of an earlier Jack Palance. Stewart once again showing what he does best, the kind of troubled, complex, mixed motives character he does best with. Great cinematography for its time.

But yeah, I did think the narrative arc of Leigh's character was problematic. It only makes sense, and would be plausible to Kemp, if one finds that arc to be plausible. It's a stretch. To put it kindly. Moving from being an accessory after the fact to a murderer, potentially his girl, and then will go off to California with Kemp as not only a dutiful wife but also going to stick with the hard work of making a go of it? Hm.

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