MovieChat Forums > Penny Serenade (1941) Discussion > Wow, I don't know where to begin - don't...

Wow, I don't know where to begin - don't read this if you like this film


***SPOILERS AHEAD***

I saw this movie for the first time, and I am a HUGE Cary Grant fan, my all-time favorite movie star. But this is by far the worst film I've seen him in!!!!! The movie plods along SO slowly.....clunk.....clunk.....clunk.
Irene Dunne is mostly expressionless or sad most of the film, and has zero chemistry with Grant (well, I take that back, there was chemistry on the train - but not much after!!). Both leads were too old for their parts as young newlyweds dealing with a newborn - Dunne was 42 and Grant was 37 in 1941 - way too old to be so ridiculously flustered about things like 20-year-old newbies.
The child actresses were the worst I've seen!!! Maybe I'm being petty, but that wasn't the most spectacular baby I've ever seen, either. Which wouldn't have even caught my attention except that the adoption agency woman kept raving about what a special baby it was - "like NO OTHER"!! Now those sentiments would have been very charming if expressed by Dunne & Grant because that IS the way most parents feel about their own babies.
The script absolutely stunk - almost as if there were NO script and the actors were just making boring, mundane stuff up as the scene went along!!!! The direction was so poor I know I could have done a better job - each scene the timing was off and the action moved at a snail's pace! The only truly interesting part for me was the earthquake.
BTW, it was so unrealistic you never heard about or saw any other family members - didn't these people have fathers, mothers, brothers, sisters, or any friends besides Buchanan? Did they have any faith in God - a church family & pastor to counsel them? That's how wise people cope with tragedy; faith & family & friends' support.
Another thing that bugged me - why did that adoption agency lady give them preference - twice - over other waiting couples??? I mean, the script needed to explain that (perhaps the waiting couple suddenly found out they were expecting a child of their own?). Instead it just seemed these other waiting couples were thrown under the bus for no good reason!!!

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Mostly agree with your assessment but it one of the few films I have seen where it starts off badly and builds to a more interesting story. Most modern films I see capture me in the beginning and then lose steam before the end. I think Mrs. Oliver was saying every child is unique when saying "like no other." The infant was quite cute but Irene Dunne's fear of dealing with her was silly. Anyone wanting a baby that badly would have taken to it with a lot more grace. The film overall is not very good and typical of many Columbia films of that era.

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I disagree with you on how Dunne reacted to washing the baby. First of all, she had never had a baby and it is a quite natural way to feel when giving a baby its first bath, especially with 5 men watching. I understand exactly how she felt. It is scary. She didn't really know how to give a baby a bath and with each sound it distracted her. I though Edgar Buchannan did a wonderful job. He had given his sister's kids baths. I felt both Grant and Dunne reacted normally to the baby's first night home. I don't know if you have kids but it is really scary to be on your own with a newborn. You imagine all kinds of things when you first bring home your first baby. I remember one night when my son was a newborn, I told my husband he had to take care of the baby because I was so exhausted. When I woke up in the morning and hadn't heard my son cry at all I jumped out of bed and ran to his room.....only to find him sound asleep. The only difference between the way I wrapped him up in his blankets was that my husband wrapped him up tighter than I had been doing. It made all the difference. My husband had taken care of babies, I hadn't taken care of a newborn.

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I liked this film but I have to say that most of your criticisms are pretty valid, I pointed out most of the ones you mentioned to my wife when she showed it to me (her being a Grant fan) and she agreed but loves the film anyway.

Was it just me or did the little girl playing their daughter have the CREEPIEST smile ever?

[insert very clever movie quote here]

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I agree - totally fake smile & acting! I'm glad some agreed with me about this movie - I was afraid to read these replies as I figured I was gonna get pounced on, lol!

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Honestly about the only thing I don't agree with you on is that the script was bad, I thought it was charming and different for it's time, being one of the first films about modern adoption and the death of a child, but it definitely had it's problems.

Really the film was stolen from Grant and Dunn by Edgar Buchanan playing Applejack, he was a treat to watch whenever he was on screen.

[insert very clever movie quote here]

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Was it just me or did the little girl playing their daughter have the CREEPIEST smile ever?


It is not just you.

I've watched this movie a few times, and her smile always bothers me, just like the little girl in "It's a Wonderful Life," and her "an angel gets its wings" speech. That annoys me too, for some reason. It's like they're trying too hard to be 'cute'.

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After every line she mugged it up with that horrible grin. She looked like the joker

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I liked the film for its insight into the existential issues of gender in those days. You'll surely have noticed, in these old films, that women were 'incomplete' unless they were married. What they thought of themselves if they couldn't have children, I don't know but 'inconsolable' wouldn't be too strong a word I'd suppose.

In the early part of the 20th century a lot of fiction aimed at young men glorified the notion of 'making your own way' in the world. "Go west, young man!" was an often-repeated catch-phrase of those days. As there was no 'social safety net' then and the audience for this film was still in the last days of the depression Roger's problems in 'proving his worth' as a male in a male-dominated society must have been felt by that audience in a very personal way.

So, I felt sorry for these two trapped in roles that they willingly embraced but were struggling to bear what those roles demanded. Thankfully, adoption in those days was more personal, more local, and less bureaucratic than it is now. Babies were commonly sent to orphanages, or relatives by married couples for purely economic reasons. There is very little contrivance in this film about adoption.

I'm an old man now but some of the issues faced by Roger and Julie impacted some of my grandparents, aunts and uncles. Early childhood deaths were several and not uncommon. Death in childbirth ditto. While so many films of those days were glorifications of people with too much money Penny Serenade was about people like you or me and our problems. It's worthwhile and will continue to be so. I hope you'll give it another chance one day.

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You make good points - but not being able to relate to that era at all, I find I can't really appreciate that side of this film. Most of my criticisms are really about my dislike of the film as its entertainment/artistic qualities are sorely lacking IMO.

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Yes, I agree. As much as I like the film it's not one I watch when I want to be entertained. Much of what I see in it as familiar is also regrettable.



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Unless you've been in their situation, you really can't speak to their feelings. I can tell you from experience, that it doesn't matter how old you are, bringing a first baby home for the first time (especially after you've been 'investigated' by an agency) does result in a lot of fluster, feeling incompetent. My husband and I were 34 when we brought home our first. He was 36 hours old, and in the car we suddenly looked at each other and said "what the HECK are they thinking, letting us have an infant?!?" It did take a while to feel competent.
Going through infertility treatment within the last 20 years, we DID have lots of support. It was OK to talk to close friends and family about our struggle. In the time of this movie, probably the only outlet for the wife would be her mother. He would have had none outside of his wife. I was speaking to my Dad one day about a rather painful procedure, and he just offhandedly asked if I could have imagined my Mom having this conversation with her Dad. Never! It was a different time. Although, I am not of that generation, I was close enough to family members that were, and have seen many movies and read many books set during that time period. Their reactions are true to life of that time.

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I suppose I'm not an "imaginative thinker" when it comes to TV and films in a way. For instance, my husband loves "Cops", but I hate it because there's no plot & little explanation of what's going on.
However, I have no problem with imagining scenes in books & radio programs. In fact, I imagine them so well that TV shows and films of books often fall far short of my imagination!
As to the adoption lady saying that to everyone, I missed that part of the movie! I don't recall her saying that to anyone else. I didn't realize they were stalling the adoption - in fact, I thought they were quite desperate to adopt.
But you can't say you weren't warned that my post was a rather severe critique of the film, lol!

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Oy! Where do I start? "like no other" was a device used by the playwrite to be echoed later at the conclusion of the film. Every child is "like no other." Cary Grant has never looked as handsome or in love as he does in the beginning of the film in the music store. Unrealistic? I have no family and neither does my husband. The very few family members we had lived far away or didn't care. And not everyone belongs to a church or have a pastor,nor does a belief in G-d require a pastor. Wise people? You judgemental -so and so. I had a miscarriage and there was no one to counsel or comfort. My husband worked 14 hours a day,seven days a week,building a business. Aren't you lucky you come from a family that had the opportunity to breed freely. As for their ages,this was 1941. It wasn't uncommon for people to delay marriage and childbearing. It was war time. In fact,it seems strange that they would have a child during that period. My mother married in 1940 or 1941. It was a clandestine marriage. He was drafted in the German army and she was-Jewish. So ,my father's release from the army stated he was single. My brother was born 9 months later in 1946,my sister was born in 1947,and I followed in 1951,when my mother was 43. Oh yes-she had no relatives and neither did my father since everyone was dead or had fled Hungary and Germany. So for this time frame,this really isn't uncommon. I'm sure they were completely at a loss -what to do with a baby. She was an only child and he was a spoiled son with 7 sisters. No experience at all. They had enough trouble finding clothes and food for children. My only complain is this makes 1941 look too easy. But then,it is the U.S, not where my mother gave birth.

I love this movie.

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I simply was making a critique of a movie, not of real-life situations.

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Yes, but your critique was that it was unrealistic. She just proved to you that it was realistic - and although it wasn't quite so bleak in the US, her arguments hold true.

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Oh for Pete's sake, people. The critique is quite right--the plot/casting is unrealistic. So what if worse has happened in real life? Something may be possible without being probable.

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Except that the plot/casting were not unrealistic. Just because a couple is older (and by the time they get a child placed, they're not so young anymore - often it took years for a placing at that time), doesn't mean that they'd have any experience with infants/babies/children. The lack of other family members? This highlights how alone the couple feels going through this; and as has been mentioned before, people at the time didn't talk about 'going through infertility/adoption'. In fact, many adoptees found out about the situation as adults or never... partly because no one else knew... including extended family.

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Of course, an alligator pushing a shopping cart through Kroger's is unrealistic, but that's not the kind of believability that we're discussing here, I'm sure.

It would seem that in many cases, people's concept of "unrealistic" is determined by the times in which they live. It's a distortion to apply 2010s morals and attitudes to an (early) 1940s film. But if you have lived through the time, known people who have or are acquainted with history, perhaps you'd be better able to put the setting of the movie in perspective. For early 1940s audiences, it was quite believable given the times.

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I did not like the message of the movie as shown by the ending. I don't think there is anything wrong with having or adopting a child after one has died, no matter what the genders.
However in the case of this movie it seemed as if it didn't matter that their little girl had died because now they can get a boy which is what they really wanted in the first place. If I remember correctly the adoption agency lady said as much when she called them about the boy.

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Mostly agree with your assessment but it one of the few films I have seen where it starts off badly and builds to a more interesting story.

This is how I feel about Penny Serenade. At first I was not very engaged with the story, I did not feel much chemistry between Grant and Dunne along with the aspect of her charatcer wanting a baby being over emphasised. It was only once they were given their child that the story became better and more engaging with Grant's scene pleading to keep the child extremely moving. But once the child passed away in when back to its original flat state except it was overly melodramatic.

"I'd rather be hated for who I am, than loved for who I am not".

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[deleted]

Don't rely on the posts above. The originator warned everyone she didn't like the film - so watch it without reading anything further on it and come to your own conclusion. I enjoy movies from all eras and have always loved this movie, mostly because I've always liked Cary Grant and Irene Dunne. Some people just read too much into a movie or don't know enough about the period the move was from and can't let themselves enjoy it for what it is meant to be, to entertain.

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Unless you have struggled with infertility and the choice to adopt or remain childless, you probably can't relate. In such a situation, the desire for a child, to be a parent can be quite overwhelming. I actually developed a TMJ. The dentist told me that the best treatment would be to reduce the stress in my life. I told him to get me a baby. He, not being my gyn, didn't understand. At the time, the lack of a child was the only source of stress in my life. Three months later, we took home a beautiful baby boy and my TMJ was gone. I happened to run into the dentist before my follow-up and told him that I no longer needed treatment, and showed him the solution to my problem. He finally believed me.

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I thought the movie was uneven, and wasn't sure whether or not it wanted to be a comedy or a drama, so threw a little of each in. It had some nice parts and some that seemed like filler to me. But I agree with the poster above who said that the ending was a flop. They just lost a child that they had fought to keep, and they blithely adopt another one, the fact that the second one is a boy makes it all all right? I don't think anyone would react that way in real life to the death of a child, that one child can be interchanged with another and carry on.

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[deleted]

Life in Rosalia wouldn't have been much different than in Erie. Note the last para about private placement of children by doctors and others.

DEPENDENT AND NEGLECTED CHILDREN ERIE COUNTY,PA 1940


Four hundred and twenty-nine dependent or neglected children received care from social agencies and institutions in Erie County, PA in 1940. The break-down is as follows:

184 children lived in institutions (Sarah A. Reed Home and St. Joseph's Home for Children)
164 children lived in foster homes
81 children lived in relatives' homes

Additionally, 69 children with legal residence in Erie County received foster care outside of the county:

35 children lived at Bethesda Home in Meadville, PA
2 children lived at Carson College in Flourtown, Montgomery Co., PA
4 children lived at Girard College in Philadelphia, PA
2 children lived at the Odd Fellows' Home of NW PA in Meadville, PA
1 child lived at the Orphans' Home & Farm School in Zelienople, Butler Co., PA
9 children lived at Pennsylvania Soldiers' Orphans' Home in Scotland, Franklin Co., PA
4 children lived at Ruth M. Smith Children's Home in Sheffield, Warren Co., PA
3 children lived at St. Paul's Orphanage in Greenville, Mercer Co., PA
1 child was under the care of Children's Aid Society in Oil City, Venango Co., PA
7 children were under the care of Conference of Catholic Charities in Pittsburgh, PA
1 child was under the care of Children's Aid Society in Meadville, PA

"During 1939, 38 children were adopted through the Erie County Court. Of this number five were adopted by their own parents, probably after the second marriage of one natural parent of the children. Of the remaining 33 children, 18 had legal residence in the City of Erie and two in Corry, six children came from other Pennsylvania counties, two from Ohio, one from New York State, one from Mississippi and three from unknown localities.

Fifteen of the children were recorded as born out of marriage. In five instances the original placements in the adoption homes were made by social agencies or institutions. The adopting parents were married couple, with one single woman as an exception.

Many instances were cited of placements of children for adoption by doctors and private individuals." -Care of Dependent, Neglected and Delinquent Children in Erie County, Pennsylvania.

Enjoy more historical facts and photos of Erie PA at: OldTimeErie.Blogspotdotcom
Posted by Debbi Lyon at 11:56 PM

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