RIP: British guitar legend dies aged 78

https://www.bbc.com/news/entertainment-arts-64228780

The British musician rose to fame as part of the Yardbirds, where he replaced Eric Clapton, before forming the Jeff Beck group with Rod Stewart.

His tone, presence and, above all, volume redefined guitar music in the 1960s, and influenced movements like heavy metal, jazz-rock and even punk.

Beck's death was confirmed on his official Twitter page.

"On behalf of his family, it is with deep and profound sadness that we share the news of Jeff Beck's passing," the statement said.

"After suddenly contracting bacterial meningitis, he peacefully passed away yesterday. His family ask for privacy while they process this tremendous loss."

Speaking when he was inducted to the Rock and Roll Hall of Fame for the second time in 2009, Beck - said: "I play the way I do because it allows me to come up with the sickest sounds possible."

"That's the point now, isn't it? I don't care about the rules.

"In fact, if I don't break the rules at least 10 times in every song, then I'm not doing my job properly."

Born Geoffrey Arnold Beck in Wallington, Surrey, the musician fell in love with Rock and Roll as a child, and built his first guitar as a teenager.

"The guy next door said, 'I'll build you a solid body guitar for five pounds'," he later told Rock Cellar Magazine. "Five pounds, which to me was 500 back then [so] I went ahead and did it [myself].

"The first one I built was in 1956, because Elvis was out, and everything that you heard about pop music was guitar. And then I got fascinated. I'm sure the same goes for lots of people."

After a short stint at Wimbledon Art College, he left to play with shock-rocker Screaming Lord Sutch and the Tridents.

When Eric Clapton left the Yardbirds in 1965, Jimmy Page suggested hiring Beck - and he went on to play on hits like I'm A Man and Shapes Of Things, where his pioneering use of feedback influenced musicians like Paul McCartney and Jimi Hendrix.

"That [technique] came as an accident," he later told BBC Radio 2's Johnnie Walker.

"We played larger venues, around about '64-'65, and the PA was inadequate. So we cranked up the level and then found out that feedback would happen.

"I started using it because it was controllable - you could play tunes with it. I did this once at Staines Town Hall with the Yardbirds and afterwards, this guy says, 'You know that funny noise that wasn't supposed to be there? I'd keep that in if I were you.'

"So I said, 'It was deliberate mate. Go away'."