Scared


I grew up LOVING this amazing book, but having seen the storyline that they are going with, I am terrified that they are ripping this part of my childhood to shreds. First off it's never been touted as a thriller, it's always been "The Changeover: A Supernatural Romance" and secondly (and most importantly) there was no earthquake...there was a shop, and Carmody Braque managed to tempt poor little Jacko with a stamp - something he loved.

I am only guessing here, but they are going to sensationalise the witchcraft element (which is such a small part of it all, it's more about self-discovery and growth. Are we going to learn Sorry's tragic backstory? Is he even going to have one? Are we going to hear anything about Chris (the Canadian) or Laura's father and his new family?

I always thought that they could make a wonderful movie of the novel (and have done since I read it for the first time in 1984), but the story that they are telling (if you go to the film company's website) is not the book I love, nor is it a story I recognise, simply a movie with the same title as a book and a few of the characters have the names of the characters that Mahy created so carefully.

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You can't fault them for adding earthquake elements... the film (like the book) is set in Christchurch, NZ.

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And the witch-burning? And the missing characters? The story was good without the unnecessary sensationalism. Carmody Braque is meant to be a demon who is absorbing Jacko's life-force because he's dying (he's meant to be old and getting older)...where's all this mind control and manipulation coming from?

I have been looking forward to this being made into a book for nearly 30 years (30 years!) and this is worse than the original adaptation of Flowers in the Attic. Disappointed doesn't begin to cover it.

I just feel that the movie is taking the wrong parts of the book and accentuating them to make it into something it wasn't. Notice they waited until long after Mahy had died to make something she even titled the Carnegie Medal winner a romance, NOT a horror.

Do we have to sensationalise everything to make it appealing these days? Do gentle films not exist any longer?

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