MovieChat Forums > A Ballerina's Tale (2015) Discussion > Felt more like a PR exercise

Felt more like a PR exercise


I watched this documentary very intently and honestly came away feeling like this was a whole PR exercise. Thought it was rather telling that her publicist was one of the executive producers.

It didn't really come across to me like she faced that many challenges because she was black. She started ballet pretty late, but improved so quickly and got a place in ABT quickly after. She was liked by everyone there apparently but it was her own feelings of "I'm the only black girl here" that led to her being unfocused.

So to me, it just seemed like she was obviously very talented and hardworking. But I didn't necessarily see the part where her race was a hurdle because ABT seemed very welcoming and open, even after she was injured. I did not see her getting turned down for roles because she was black, or having to work EXTRA hard because she was black. I just didn't see it.

Also, where was her family in all of this? We didn't see much of her friends and family apart from the best friend and some other older black women that she looked up to. I would have been interested to learn more about her upbringing, how she was introduced to ballet in the first place etc. It seemed like her family was missing/absent when she became successful. That was odd.

I guess this PR exercise worked since I never really knew who Misty Copeland was before. But if you want to see a WAY better ballet documentary,I would highly recommend First Position, which also features a younger black ballerina.

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If I watch it it will only be for the breasts.




“Democracy is a pathetic belief in the collective wisdom of individual ignorance."

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I think you will end up pretty disappointed. Most ballerinas are pretty flat chested, unless that's your thing.

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This is about Misty Copeland is it not?

http://jenewby.com/wp-content/uploads/2014/05/968full-misty-copeland.jpg

I rest my case...

The only reason I know of her is from reading some random article about how her "assets" effected her career. I believe this was it: http://www.self.com/wellness/health/2014/03/ballerina-misty-copeland-body-struggles/

It's such a tragedy when someone is not accepted for being extremely hot. I know I was crying.



“Democracy is a pathetic belief in the collective wisdom of individual ignorance."

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Jonaloin, you really nailed it! You are spot-on right, on every point you made.

I too, wondered what happened to her family. Maybe they no longer supported her? And as you said, if one is to believe the "documentary", Misty never seemed to have any problems based on race. Everyone seemed to like her at the ballet companies where performed...even being patient with her as she made a comeback after her surgery.

Maybe there is more to this behind the scenes that wasn't brought to light in this film, because it was just like you said, more like a PR exercise.

Thanks for noticing that her publicist was one of the Executive Producers--yep! Very telling....

And thank you for recommending the film, First Position; I'll have to check that out.

Oh and I haven't heard of Misty either until I saw this film on Netflix last night.

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There was an article in Elle magazine about Misty life.
Alot of tough things were glossed over. Always moving apartment to apartment.
Living in a motel, sleeping on the floor. At some point living with her ballet (Cynthia) teacher, who saw her talent. giving her stability and focus to realize her dream.
Legal battles with mother.
Many things she experienced
were still painful. I would think difficult and complicated.
Ballet dancers for all their work and suffering don't make much money. They get a weekly rate. She makes about 80 thousand dollars a year as a principal in New York City It's about the LOVE of it.
PR why not. I think the celebration is the focus of this documentary.

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I agree with you. I finished watching the movie and all those questions lingered in my mind.

Another thing that struck me is how engaged she was with the camera at the beginning and then, towards the middle of the movie, she becomes very detached and doesn't talk at all. The camera follows her everywhere, and she doesn't say a word. Also, the whole chiropractor scene felt unnecessary and didn't add much to the movie.

Regardless, I enjoyed it because I love ballet and applaud her for all her well-deserved achievements.

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Funny you said that scene seemed unnecessary; that's possibly right but I really enjoyed it, all the while feeling jealous that we never had that kind of care so accessible to us, when I was dancing professionally. I was listening for the cracks and pops, and almost feeling it all, vicariously. I hope she can have a good run, without too much interruption from injury or other problems, now that she's finally a principal dancer with ABT. Her Broadway début unfortunately got cut pretty short, since the show closed pretty quickly after she came in to replace the original dancer/actress, but at least that meant not so much time away from the ballet. Her physique is so unusual, and sort of gives an impression of strain (particularly those super-cut calf muscles, extreme even for a ballet dancer). Even so, I enjoy much about her dancing, and hope she can have a long career, like Julie Kent before her.




Just make a movie that makes me care, one way or another. I'm open.

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I think the filmmakers wanted to focus more on the adult Misty, and not go over the old ground of the travails of her family and her during her youth, and the rancor between her mother and her first real ballet teachers. That stuff had been covered somewhat in the press and on TV at the time, and she tells quite a bit about it in her memoir, LIFE IN MOTION: AN UNLIKELY BALLERINA. She has also spoken about it more than a few times, I think, in interviews and public speaking occasions.

The film does feel very PR-ish (though I enjoyed it, and felt it had a lot that was worthwhile), but that's very much to be expected, when something involves Misty C. It's too bad that, over the last few years, that whole promotion engine has gone so far into overdrive, and has caused a fair bit of backlash, even from people who, like me, enjoy and admire much about her work (not to mention some of the folks who decidedly do not, and who resent her pushing, and being promoted ahead of other dancers they feel more worthy, from artistic and technical standpoints). The biggest annoyance, to me and many others, is the great myth that was built up about Misty C. being so alone, being the only, the first, etc., re. black female ballet dancers, and the way it tended (and does still, to a degree, though they clearly seem to be at least trying to rectify this somewhat) to obliterate the fact and the memories of so many others. Definitely not enough others, since there's no question that there's a far way to go, to have reasonable racial/ethnic diversity in ballet, generally, but those others were and are there, nevertheless, and it gets annoying when one goes looking for info on one or more of them, and only finds reams of photos of and articles about, Misty Copeland. Here's a very worthwhile and interesting page about this unfortunate phenomenon: http://www.mybodymyimage.com/the-misty-rious-case-of-the-vanishing-ballerinas-of-color-where-have-all-the-others-gone





Just make a movie that makes me care, one way or another. I'm open.

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I agree totally with the OP. I was very disappointed watching this and I love Misty Copeland. I was wondering if they skimmed over her family because she's obviously biracial but they wanted the audience to focus on her "blackness" because that was basically the basis of this movie. She seemed so aloof in the dance culture like she only had one friend, no family, and one scene at the end of a boyfriend. It just didn't seem like a documentary to me. More like a day in the life of Misty.











Zina ( The Original Princess)

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She's not biracial. Her mother is and her father is African American.

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