Masterpiece


Has every ingredient a film requires: interesting tale, compelling characters who serve the tale as much as themselves, stunning photography, interesting use of film type and perspective, symbolism and ambiguity, dramatic and beautiful setting and amazing soundtrack. The film shows many examples of inhumanity that are harrowing but there is no hysteria to them, just the observation. I felt very moved as the film ended.

I want to see the film again and then again and have just bought the soundtrack. This is a masterpiece of cinema.

He kicked me right in the middle of my daily routine

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I completely agree! It just reinforced how horribly we have treated one of the world's oldest civilisations, but it left me with a view into some of the amazing cultural and tribal traditions of these people. I am glad to see this movie was made but it pains me to see the missions, rubber plantations and more, which have left permanent scars and in some cases wiped out so much invaluable history and tradition :(

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Colonialisation was aggressive in every country and on every people it was inflicted. The film offers hope in the sense that Karamakate shares the essence and secret of his people with Theo before dying. To me this says that something of his people lives on. Not in the same way and perhaps without its credit in the world's history but it's there anyway. I have to feel something positive from the ugliness portrayed with such vividness. I remember reading a few years ago that just as people and their languages were dying out so too were plants used by the people. This film captures that perfectly. I don't think the film takes a wrong step at any point.

He kicked me right in the middle of my daily routine

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*MANY SPOILERS*

The film offers hope in the sense that Karamakate shares the essence and secret of his people with Theo before dying.


I agree that this film is a masterpiece. I was mesmerized by it at every turn -- the cinematography, the storytelling, as well as the theme of colonization destroying native peoples and their culture. It was such a moving experience.

I may be wrong, but wasn't it with Evan, the second scientist, that Karamakate shared the plant? At the conclusion of the storyline with Theo, Karamakate had burned the sacred tree thereby leaving Theo to die (although his journal was preserved).

I was intrigued by the scene with the jaguar and the serpent (at the conclusion to Theo's storyline). It seemed like even though the jaguar caught the serpent, the serpent first bit the jaguar so that perhaps they both died? Just speculating, I'd be glad to hear anyone else's thoughts on this symbolism.



And all the pieces matter (The Wire)

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Hell there filmfancy. You're correct it was Evan and not Theo.

I'd like to hear more about jaguar/serpent and now that I've the film on dvd I may watch again the beginning and ending. Both animals are present throughout the film so must symbolise something of the men's souls. It makes me wonder if Karamakate died after he abandons Theo - this time I mean Theo - and was a shadow when Evan met him.

Ever tried, ever failed?
No matter.
Try again, fail again.
Fail better.

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*SPOILERS*

Interesting thought that Karamakate may have died after he abandoned Theo. When Evan first finds him, Karamakate is incredulous that Evan can see him. Perhaps he was a spirit. There was that image of the young Karamakate almost being consumed by light after Evan drinks the hallucinogenic brew. It's quite complex.

I came across an article entitled "The Cosmic Serpent," written by an anthropology student doing field work in the Amazonian rainforest in the 80s. It’s very long but has some fascinating insights into the world of shamans and hallucinogenic plants --

http://www.bibliotecapleyades.net/ciencia/ciencia_adn12.htm#The Cosmic Serpent



And all the pieces matter (The Wire)

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I read that as well and it left me questioning everything i've ever known. I think it's essential that anyone who's seen the film should read it. Puts the film in a different and new perspective.

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This is at the top of my list for films that came out last year, but I haven't gotten to it yet. Loved the film he did prior to his one, as well: Wind Journeys

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Another on this board has recommended it but it's not readily available on dvd in the UK so I'm going to have source it another way ...

He kicked me right in the middle of my daily routine

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I agree.

Best movie I've seen in a long time.



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I wanted badly to believe in this film, and for the first half I succeeded, but in the end I felt like the merging between the two story lines was badly handled. The first story, dealing with the dying anthropologist, was fascinating: the sympathetic white man, the Westernized Native and the vehemently entrenched medicine man determined to defend his homeland and culture to the bitter end, it all made for an extraordinary amalgam. And not only did you have these interesting stereotypes juxtaposed against each other, but each character transcended their particular category to reveal a fascinating human being living and breathing beneath. But the second story, featuring the American botanist and the same medicine man grown old, didn't fair so well. Initially there was some interest there because both characters appeared to be deploying false fronts in order to manipulate each other, but in the end, when the script called for them to come to a dramatic realization by forming some kind of genuine understanding between each other, it felt forced, especially in regards to the American. One moment he's baring a knife to kill the Karamakate, a few hours later he's feeling contrite and asking for forgiveness...? Or how about when he gives in to Karmakate's demands, jettisons his baggage and lies on the ground for a little while so that all the sudden he can proclaim he knows the way because now he believes, and then he points out the way and it turns out to truly be the way to the sacred healing plant, but, as mentioned before, he was only lying about 'believing' because soon enough he's ready to kill Karamakate to keep the plant for his personal greed? These contrasting facets can't possibly be merged into one character: one moment he ready to kill for rubber, the next he's wants to atone for his sins by embarking on a spiritual journey... too much too fast.

I feel like it all went South once the child-torturing priest was brought into the story. That's where the second story became primary. Also, I feel like the story's spiritual journey should have pivoted on Karamakate's character and his coming to terms with white man's existence. But this was skimmed over in favor of the American botanist's drug trip and acid visuals. It didn't help that the American was the least developed of the four characters.

Great first half, disappointing finish.

My rating: 7

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I don't feel that the botanist was lying, and he caved in so quickly at the end precisely because of that fact. I think he was lying to himself more than Karamakate. It didn't seem contrived to me at all; in fact, it felt very natural and understandable.

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