I don't think I agree that it was too graphic, exactly. They certainly didn't draw it out, and keeping her largely covered was almost comical in its unrealistic restraint. But I do think it was too impersonal, mainly due to being shown almost entirely from third-person perspective. We didn't see enough of her torment from Tess's point of view, or really feel her anguish more than momentarily, in stark contrast to the novella, which was unsparing about what she was feeling. The movie's very brevity and impersonality in this may have failed the viewer, especially in the scenes after Tess was left for dead, with the other bodies. The enormity of the experience might not have really got across.
I'm inclined to agree about it being pretty standard revenge-flick fare. It's unfortunate because it didn't have to be. Part of the problem is that the movie version left out something that I thought was pretty important in the novella. That is, that part of what decided Tess on killing her attacker was that she keeps seeing the dead victims, and thinks about how it had to be for them, and wanted to prevent him raping and killing more women. Since she's unwilling to go to the police, she's all she's got.
Prevention wasn't ultimately her prime motivator. She acknowledges to herself that deep down, she really wants to GET HIM. But she thinks about it deeply and has some serious conversations with herself about it, and it definitely helps her decide to act.
Tess also wasn't, as best I can remember at this late date, fully decided on killing his mother before she saw her and got her definite admission of collusion. The way it plays in my memory, she admits to herself after it's over that realistically, she always knew she'd have to kill Ramona. But I am pretty sure she was still kidding herself that it might not be necessary when she went there.
Omitting all of this, in my view, leaves the character flat and one-dimensional, and leaves the viewer a little baffled about how she came to this pass. Both the gravity of her experience and her complexity as a person have been largely removed, and it's a particularly strange choice for Lifetime - you'd think they'd want their female protagonists to be more fleshed out, especially since King took the trouble to do it for them.
You don't sneak up on people in a zombie apocalypse, okay?
reply
share